As usual, this recap contains spoilers. Read at your own risk if you haven’t seen last night’s episode.
Tony Gillingham (Tom Cullen) proposes to Mary. My initial reaction was that he is moving waaay too fast. Logically, he would be a good choice for her. He is handsome, titled, in love with her and they knew each other from when they were kids. But she turns him down, using Matthew as her reason. Lord Gillingham also has an off screen pseudo-fiance. At the end of the episode, Mary tells her father and Tom that she may come to regret it. That may be true, but I have been spoiled enough to know that there will be another man vying for her affections in a future episode.
Edith and Tom do the walk of shame (cue the Pink song). While Edith disregards her aunt’s advice, Tom is kicking himself for letting Edna get him drunk and seducing him.
I feel bad for Tom, I can honestly understand why he is feeling lonely. He has married into this family, whose lifestyle is far different from the way he was raised. His wife is dead, he is a single parent and trying to navigate the social rules of his new lifestyle.
Dr. Clarkson is opening an outpatient clinic and bring Isobel into help. If this is his way to changing her status from widow to wife, he is persistent.
While visiting Rosamund in London, Rose insists that they all go to a nightclub, where she has a meet-cute with Jack Ross (Gary Carr), a black musician. Mr. Ross comes in at the perfect time, rescuing Rose from her drunk and upchucking date. Of course Mary, Tony and Rosamund are horrified of this simple act of dancing together. And of course Tom to send to bring her back to the table My spoiling of this series also tells me that this is not the last we will see of Jack Ross. What else is a rebellious young lady from an aristocratic family to do than to start a relationship with a black musician?
Edith is clearly her father’s child. Michael Gregson asks her to sign a document taking over his affairs while he obtains his German citizenship. Of course she doesn’t read it before signing. Lack of business acumen seems to a family trait.
I just love that Rosamund brought up Sir Anthony while trying to convince Edith to end her relationship with Michael Gregson. Bringing up the ex-fiance who publicly embarrassed her by ending the relationship at the alter is really a good argument.
Anna is still raw from her ordeal. Everyone notices the change in her, even daft Robert, but only Mrs. Hughes knows and is still keeping her secret. John is trying to figure out what is going on with his wife, but she is pulling away from him, insisting on returning to the house instead of living with her husband in their cottage. Out of love for husband, she doesn’t tell him, afraid that he will go after Mr. Green and go to jail again.
We’ve become so accustomed to not just violence, but sexually related violence that normally this type of story line would be just another story line. For Julian Fellows to choose Anna represents so much more. The shame, the anger, the fear is universal. Joanne Froggatt is an incredible performer and deserves any Emmy, Golden Globe, SAG Award , etc for this past two episodes alone.
Raise your hand if you loved Mrs. Hughes during this episode. Elsie “Mama Bear” Hughes has a good heart and is a good person, but the claws come up when someone tries to hurt someone she cares about. Evil Edna was stupid enough to leave a book around telling her how to have sex without getting pregnant. Clearly Edna’s plan to seduce Tom, fake a pregnancy and force him to marry her was doomed to fail.
My favorite scene was the one between Thomas and Edna in the stairwell. Call it Bitchfest 1922. Thomas wins this round with his job intact while Edna is once more out a job.
Alfred sees an opportunity to train as a chef in London and leave the career doldrums of being a footman behind.
The Ivy/Jimmy/Daisy/Alfred love quandrangle is boring. Unless Fellows pulls something out of his hat, it will become my least favorite story line this series.
My favorite character this episode was Mrs. Hughes. She is compassionate when she knows Anna’s secret and when she gives Carson a framed picture of his former sweetheart. She is instantly in charge and ferocious when she confronts Edna with her failed plan to force Tom to marry her.
Dowager Moment/Line Of The Week
“Another brick falls from the wall”.
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