It is a truth universally acknowledged that certain stories are meant to live forever, re-visited and introduced again and again to audiences.
Such is Henrik Ibsen’s masterpiece, A Doll’s House, presently at the Brooklyn Academy Of Music until March 23rd.
Nora and Torvald Helmer (Hattie Morahan and Dominic Rowan, Elinor Dashwood in the 2008 Sense and Sensibility and Mr. Elton in the 1996 Kate Beckinsale Emma, for my fellow Janeites) have been married for nine years. The play opens just before Christmas, Torvald is waiting for a promotion to bank manager, which will mean a raise. His wife, Nora, appears to be flighty and somewhat dimwitted.
The arrival of Nora’s childhood friend, Kristine Linde (Caroline Martin) reveals that Nora is much more than she appears. Early into her marriage, Torvald became sick. Following doctors orders, they traveled to Italy where the warm weather was recommended to improve Torvald’s health. Unbeknownst to her husband, Nora took out a loan which she is secretly paying off and has not told him. One of her husband’s employees, Nils Krogstad (Nick Fletcher) knows that he will be out for a job very soon and tries to use the unpaid loan to get his job back.
This play is amazing. Morahan is perfect for Nora and Rowan is equally as perfect as Torvald. The tension is there from the moment that it starts. The audience knows Nora’s secret and we all know that it will only be a matter of time before Torvald finds out. The slamming of the door at the final moments of play reverberated throughout the theater.
I’ve heard of this play, but I’ve never seen it. I hope to see it next time it comes my way.
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