There is something about a jury room that brings out the best or the worst in us. 12 strangers have been randomly chosen to decide if another stranger is innocent or guilty of the charges that they have been accused of.
Based on the play of the same name, 12 Angry Men was adapted for the screen in 1957.
The audience does not know the names of the jurors or the lives they will lead when they leave the courthouse. They are known by their numbers. The accused is a young man who is charged with killing his father. Now these men must decide if the accused is guilty or innocent. The first round of voting is fairly simple. All but one of the jurors, #8 (Henry Fonda) believes that the accused is guilty. In the interest of returning to their everyday lives quickly, the rest of jurors try to convince #8 that he is wrong. What seems like an open and shut case turns into a revelation of personal prejudice, hidden scars and our inability to see beyond our own lives.
This play and the adapted film is a masterclass in acting. The drama is heightened from the first page and does let up until the last page. I have seen the movie and subsequent revivals on stage several. No matter how many times I see it, it is still one of the best plays ever written.
I highly recommend both.