The story of Cinderella has been told time and again, across the ages and across the world. The reason why it keeps being retold is that the basic elements of the narrative and the characters are easily malleable to any writer who wishes to put his or her own spin on the tale.
In the 2012 television movie, The Making Of A Lady, (loosely based upon the book The Making Of A Marchioness by Frances Hodgson Burnett) Emily Fox Seton (Lydia Wilson) has just lost her job as the assistant of Lady Maria Bayne (Joanna Lumley). Lady Bayne’s widower nephew, Lord James Walderhurst (Linus Roache) proposes marriage to Emily. Emily accepts his proposal. What starts out as marriage of convenience soon turns into something more emotionally substantial.
Then James is called away to India and Emily finds more and more of her time is spent with her husband’s heir and cousin, Captain Alec Osborn (James D’Arcy) and his half Indian, half white wife, Hester (Hasina Haque). Emily beings to suspect of foul play, but are her suspicions correct and can she save not only her life, but the life of the child growing inside of her?
I have not read the book, so this review is strictly based on the television program. Friends of mine have read the book and have advised that the creative team took one too many liberties when re-imagining the novel for the small screen. While it may not be a perfect on-screen rendering of the novel, as a stand alone television adaptation, it could be much worse.
Do I recommend it? Yes.