Character Review: Veronica Layton

*Warning: This post contains spoilers about the television show, The Lost World (which is loosely based the book of the same name). Read at your own risk if you are unfamiliar with the either the book or the television series.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from The Lost World to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

The perspective of youth is often one of hope, light and opportunity. Sometimes that perspective fades as we get older.

Veronica Layton (Jennifer O’Dell) was the youngest member of the Challenger Expedition for most of the three years that the show was on the air.  Veronica is Arthur Conan Doyle’s answer to Tarzan. Her parents, who disappeared when Veronica was a young girl, were part of an earlier expedition. Growing up in the jungle, she learned independence and survival skills early on. But that does not mean that she has lost the innocence and light of youth.

Veronica grows from a young girl to a woman over the course of the three seasons. She has a sort of will they or won’t they relationship with Ned Malone (David Orth), falls briefly in love with a mad musician from the 19th century and begins to understand that life is sometimes hard. But her main goal is to find her parents.  In one of the last episodes of the third series, Veronica and the audience learn of her parent’s fate. Her father is dead and her mother descends from a long line of women who have ruled over the plateau for centuries. Veronica has been kept unaware of her lineage for her own safety.

To sum it up: Growing up is hard. Realizing that the life is not all sunshine and roses can be a difficult pill to swallow. Veronica is example of a great character because on one hand, she is independent and has no problem taking care of herself. But on other hand, she is still young and will be learning (sometimes the hard way) that life is complicated.  When a writer is creating a young character who over the course of the narrative grows up, the key is to make the journey of growing up universal. We all have to grow up at some point. Illustrating that journey properly through the narrative means speaking to the reader, regardless of the time and place that they are living. If the reader feels like the character is not speaking to them, then it is highly unlikely they will want to see the character through to the end of their journey.

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Filed under Books, Character Review, Feminism, Television, The Lost World, Writing

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