Backwards and Forwards: A Technical Manual for Reading Plays Book Review

On the surface, writing is a very simple process. It is turning the computer and opening the word processing program or taking out the pad and pen and beginning to write.

But the reality is that writing is both an art and a skill. Especially if the writer is playwright. Writing a play is very different from writing prose. Beyond the standard issues of character and narrative development, there is also the very specific format and the idea that the play is not just in the hands of the writer. It is in the hands of the director, the actors, etc. All have a part in creating the final product which will hopefully be seen by an audience.

Backwards and Forwards: A Technical Manual for Reading Plays, written by David Ball and with a foreword by Michael Langham, is about the craft of writing plays. The book touches on everything a playwright would need to know about including character and narrative development to imagery, conflict, theme, etc. Using William Shakespeare’s Hamlet as an example, this book should be required reading for every playwright, especially if they are just starting out.

This book was recommended to me by a writer friend. It was an educational and eye-opening read. It was also a reminder that writing plays and writing prose are two different animals and requires writers to think differently when writing a play vs. writing a novel.

I recommend it.

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Teri Garr Retrospective At BAM-Part II-Young Frankenstein (1974)

It takes a smart actor to play a dumb character. Teri Garr is one of those actors.

This weekend, the Brooklyn Academy of Music or BAM for short, is having a Teri Garr retrospective.

Earlier today, I saw Young Frankenstein (1974). A satire of Mary Shelley’s classic novel Frankenstein, as only Mel Brooks can conceive of, Dr. Frederick Frankenstein (Gene Wilder) is the American grandson of the infamous scientist, Victor Frankenstein. Frederick will do anything to prove that he is not his grandfather’s grandson, but when push comes to shove, the blood and the infamous history of Frankenstein’s takes over.

Teri Garr plays Inga, Frederick’s assistant.

Inga may appear to be just a dumb blonde speaking in a faux Eastern European accent and wearing a low-cut dress, but her character is vital to Frederick’s development from the beginning of the film to the end of the film. Along with Igor (Marty Feldman), they travel with Frederick from his denial of who he is to his acceptance of his DNA and his fate. Inga also gets some of the best lines in the film, as per the scene above.

I recommend this film, if nothing else, for Teri Garr’s performance.

 

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