*Warning: This post contains spoilers about Once Upon A Time. I am only writing up to the end of season 6. Read at your own risk if you have still not seen the previous seasons.
There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.
In this series of weekly blog posts, I will examine character using the characters from Once Upon A Time to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.
Prince Charming has been a stock character since the beginning of storytelling. He is there to rescue the heroine (presumably a princess in her own right or a soon to be princess), sweep her off her feet and live happily ever after with her. The problem is that this character has become such a staple of our stories to the point where we expect nothing more of this character than the standard narrative and character arc.
The writers of Once Upon A Time, have cleverly found a way to flip this stock character on his head, as they do with all of their characters. In Prince Charming’s case, he is not what he seems to be. Charming, as his wife, Snow White, calls him, was born to a poor family. Until he was an adult, he was not aware of the fact that he had a twin. This twin, James, was raised in the palace as the King’s son. When James was killed, Charming took his brother’s place and was nearly forced to marry a princess whom he did not love or care for until fate and Snow White stepped into his path.
In Storybrooke, Prince Charming (Josh Dallas) is known as David Nolan. Like his fairy tale land alter ego, David was not only unaware of the woman whom his heart belonged to, but also of his identity. Even after the curse was broken, it was not always sunshine and rainbows for David and Mary Margaret (Ginnifer Goodwin), Snow White’s Storybrooke alter ego. There were both internal and external forces trying to pulling them apart. But no matter what, David/Prince Charming and Mary Margaret/Snow White always found their way back to each other.
To sum it up: There is nothing wrong with writing a fairy tale style romance. But, the issue that the writer must contend is that that the romance and the relationship has to feel real and human. The characters must be imperfect and face challenges. If the writer sticks to the standard and predictable narrative and character arc, the reader or audience, will see both a mile away. Unpredictability makes life interesting and makes a story interesting. Interesting stories=interested readers. And interested readers always come back for more.
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