Buffy the Vampire Slayer and Angel Character Review: The Master

*Warning: This post contains spoilers about the characters from the television series Buffy the Vampire Slayer and Angel. Read at your own risk if you have not watched one or both television series. In this series of character reviews, I will strictly be writing about the characters from the television series, not the 1992 film.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Buffy the Vampire Slayer and Angel to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

In every science fiction and fantasy program, there has to be a big bad. This character represents all of the evils of this fictional world. The ultimate goal of the hero or heroine is to stop this big bad. On Buffy the Vampire Slayer and Angel, the first big bad is the Master (Mark Metcalf).

The Master is an ancient vampire who leads a centuries old order of vampires. Relying on ritual and prophecy, he knows of the existence of the Slayer. Forced into the Hellmouth, his goals are two fold: kill the Slayer and destroy humanity. Unable to leave his prison, he sends his vampire minions to find victims and create new vampires.

He feeds by proxy. Sending Luke as his “emissary” to the world above, the Master feeds when Luke feeds. But Buffy continues to get in his way, staking Luke and saving lives. When they finally meet, it is a battle that tests both Buffy and the Master. Buffy wins, but not before being killed by the Master and then resuscitated by her friends.

To sum it up: every villain thinks they they are right, that their actions are entirely correct. On BVTS, the Master believed that his perspective and his world was the correct way to live. The humans were incorrect and therefore, they had to go. A good villain is committed to their cause 150% and will do anything to achieve their goal. The Master, if nothing else, is committed to his goal, which makes him the perfect villain and the perfect foil to the Slayer.

Advertisement

Thoughts On the 20th Anniversary of Angel

Sequels and spin-offs have an iffy reputation. If they are done well, they are an homage to their predecessor while blazing their own path. If they are done poorly, the sequel or the spin-ff casts a shade on it’s predecessor and it’s legacy.

On October 5th, 1999, Angel premiered. A spin-off of Buffy the Vampire Slayer, the show follows Angel (David Boreanaz), Buffy Summers (Sarah Michelle Gellar) soulful vampire ex-boyfriend. Angel has moved from Sunnydale to Los Angeles, where he is seeking to redeem his violent and bloody past by being a hero.

While Angel goes on the hero’s journey to make up for his past, he is joined by allies who support his cause and his goal of redemption. Cordelia Chase (Charisma Carpenter) and Doyle (the Glenn Quinn) joined Angel in the first season. Later on in the show’s run Wesley Wyndam-Price (Alexis Denisof), Charles Gunn (J. August Richards), Lorne (the late Andy Hallett), Winifred “Fred” Burkle (Amy Acker) and Spike (James Marsters) fought against the forces of darkness.

Compared to BVTS, Angel was darker. It dealt with the same themes as BVTS, but the show dealt with those same issues with a grittier and more mature perspective. Unlike other heroes who see the world as black and white, Angel saw and understood the shades of grey that exist and force us to make decisions that in hindsight are not always wise.

Twenty years later, Angel still resounds with the fans because of the show’s grittiness, it’s honesty and the universal desire for redemption.

Flashback Friday- The Waterboy (1998)

A good parents wants what is best for their child. But sometimes, even a good parent forgets that their children must grow up eventually.

In the 1998 movie, The Waterboy, Bobby Boucher (Adam Sandler) is the waterboy for the local college team. Living under the thumb of Mama Boucher (Kathy Bates), his overbearing mother, Bobby does not have much of a life. Then Coach Klein (Henry Winkler), the football team’s coach notices that Bobby has a natural gift for the game.

But Bobby knows this his mother won’t approve. She will also not approve of his new girlfriend, Vicki Vallencourt (Fairuza Balk). Will Bobby be able to live as he wants to live or will his mother continue to control his life?

This movie is an interesting film. It represents a subtle, but important change in Sandler’s career. Bobby has shades of the man-boys that Sandler played in previous films in the 90’s, but he also has a maturity and a perspective that is more man than man-boy.

I recommend it.

%d bloggers like this: