*Warning: This post contains spoilers about the characters from the television series Law & Order: Special Victims Unit. Read at your own risk if you have not watched the show.
There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.
In this series of weekly blog posts, I will examine character using the characters from Law & Order: Special Victims Unit to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.
Not every character can be the main character. Sometimes, a supporting character, who comes and goes as needed, is just as important as the main character. On Law & Order: Special Victims Unit, Dr. George Huang (B.D. Wong) is not always on screen. But his input and advice in helping to solve the crime is as important as the detectives in the field.
Originally on loan from the FBI, Dr. Huang joined the SVU as the resident psychiatrist. Though he initially did not get on well with the detectives, the edges smoothed out as he became a respected member of the team. His job is to understand and explain the psychological motives of the victims and the accused to his detective colleagues.
However, there are cases in which Dr. Huang does not agree with the choices of the detectives or the D.A. This occurs when he agrees with the mental health diagnosis stated by the accused and their legal representation.
To sum it up: As a character, Dr. Huang stands out because even though the audience does not see him as often as the other characters, he is important. As writers, we have to remember that every character is important, regardless of whether they are the main character or a supporting character. It’s important to give them the spotlight, even if the spotlight is temporary.
In a traditional fairy tale, the princess/young female heroine is not an active character, in spite of being the lead character. She is a passive character, reacting to what is happening to her and waiting for someone else (i.e. the prince) to rescue her.
Sophia, Princess Among Beasts, co-written by James Patterson and Emily Raymond was released in July. Sophia is a teenage princess who loves books, her widower father and her people. Then her kingdom is invaded. Sophia is taken into a world in which beasts that only exist in storybooks live. Somehow, she must return to her world and save her kingdom from the coming invasion.
Initially, I didn’t know what to think of this book when I picked it up at the library last week. As a writer, I have heard of James Patterson, but I had yet to read any of his books until I started this one.
To say that I was impressed with the novel is an understatement. It is well written and has some predictable elements of the traditional fairy tale/fantasy genres. However, there are elements in the narrative that make the story stand out from the traditional fairy tale/fantasy story.
As a feminist and a writer, I appreciated Sophia’s story arc. She may start out as the typical fairy tale princess, but does not end the story as one would expect.
In our technological driven age, a fully automated house seems like a dream come true. But dreams and reality don’t always mix.
In the 1999 Disney TV movie Smart House, Ben (Ryan Merriman) and his family have just won a fully automated house. The computer, known as Pat (Katey Sagal) seems easy enough to control. But when Ben starts tinkering with Pat, whatever plans Ben had go out the window.
Smart House is one of those TV movies that is meant for a specific audience. The problem is that unless your part of the desired demographic, this TV movie is neither memorable or entertaining.