I think that we all agree that 2020 has been a shit show of a year. Between Covid-19, the election, and everything else, I am ready to see this year in the rear view mirror.
I don’t know about anyone else, but after everything that has happened, I can’t help but feel grateful.
I have breath in my body, food in my belly, a roof over my head, and employment that comes with a decent paycheck and benefits. Though the turning of the clock does not mean that our troubles will go away, we will have the opportunity to move on.
Wherever you are and whatever you are doing this year, I wish nothing but the best for you in 2021. Happy New Year!
World on Fire (PBS): This PBS/Masterpiece follows a group of individuals as World War II is on the horizon.
Mrs. America (F/X/Hulu): In the 1970’s, the Equal Rights Amendment (ERA) was close to becoming the law of the land. A tug of war begins between one group of women that is for it and another that is against it.
Sanditon (PBS): Based off the unfinished book of the same name by Jane Austen, we follow Charlotte Heywood (Rose Williams), a young woman who leaves her family for the seaside resort town of Sanditon.
Bronte’s Mistress, by Finola Austin: Austin delves into the myth of the affair between Branwell Bronte and Lydia Robinson, his older and married employer. Giving voice to Branwell, his youngest sister Anne and Mrs. Robinson specifically, she introduces the reader to the woman behind the rumor.
Rage, by Bob Woodward: Legendary journalist Bob Woodward takes the reader into the current Presidential administration and the chaos created by you know who.
Soul: Though it is marketed as a kids movie, the subtext of appreciating life feels appropriate and potent this year.
Mulan: The live-action reboot of the 1998 animated film Mulan rises above its predecessor, making it fresh and relevant.
Emma.: Anya Taylor-Joy stars as Jane Austen‘s eponymous heroine, Emma Woodhouse, introduced as clever, rich, and handsome. Directed by Autumn de Wilde, this adaption is entertaining, funny, and a lovely addition to the list of Austen adaptations.
Portrait of a Lady on Fire: This LBGTQ historical romance between a young woman and the female artist hired to paint her portrait is sweet, romantic, and powerful. It proves once more that love is love is love.
Ordinary Love: Joan (Lesley Manville) and Tom (Liam Neeson) are your average middle-aged couple. When she is diagnosed with Breast Cancer, they both must deal with the rough road ahead.
The Assistant: Jane (Julia Garner) is an assistant to a Harvey Weinstein-esque powerful movie producer. She starts to notice things that don’t sit right with her.
I am Greta: This documentary follows teenage climate activist Greta Thunberg as she advocates for the world to pay serious attention to climate change.
#AnneFrank-Parallel Lives: Narrated by Helen Mirren, this documentary tells not just Anne’s story. It follows other young women who survived the Holocaust. Parallel to the stories of the past, the viewer is traveling with another young woman as she visits different countries in present-day Europe.
Every film genre has its own basic narrative structure. The question is, does the screenplay blindly follow that narrative structure or is it used as merely the bones of the story?
The disaster film, San Andreas, was released in 2015. Raymond Gaines (Dwayne “The Rock” Johnson) is a helicopter rescue pilot living in Los Angeles. When the biggest earthquake in history hits California, his daughter, Blake (Alexandra Daddario) is in San Francisco. Ray’s ex-wife, Emma (Carla Gugino) reluctantly asked her former husband to find their daughter. Putting their history aside, Ray and Emma have to work together to locate Blake.
As disaster films go, the plot is paint by numbers. But there is something about this particular film that rises above what is expected. It is not the best movie I’ve ever seen. But if I was looking for a popcorn film that gives me the chance to step away from my reality for a few hours, this movie is it.