Warning: This post contains spoilers about the Netflix series, Behind Her Eyes. Read at your own risk if you have not seen it in full.
The mingling of genres takes a skilled writer. There are two equally important aspects of being able to accomplish this successfully. The first is choosing the right genres. The second is making sure that each of them is given their due while ensuring that they come together at the right moment in the narrative.
One of the newest Netflix series is Behind Her Eyes. It tells the story of a twisted love triangle with Louise (Simona Brown) at the center. At one end is her new friend Adele (Eve Hewson). At the other end is Adele’s husband, David (Tom Bateman), who is Louise’s boss and new lover. It is part psychological thriller, part jealous spouse, and just a little bit of science fiction/fantasy to make it very interesting.
My jaw dropped by the time the credits rolled after the final episode.
I loved the inclusion of Adele’s ability to use astral projection to leave her body. I don’t read or watch many psychological thrillers, but as I understand it, this particular story thread is not often used in this genre. But that is not the twist. The twist comes from Adele’s friend, Rob (Robert Aramayo). He is the master manipulator who is so under the radar that it is impossible to see the ending coming.
Kudos to the author and the screenwriter. If only every story was as good as Behind Her Eyes.
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