Cross-class romantic relationships are one of the basic narratives with the romance genre. The key for success is for the narrative to stand out from the pack.
The Cook of Castamar premiered recently on Netflix. Based on the book of the same name by Fernando Muñez, it is the story of unlikely love. In the early 18th century, Diego de Castamar, Duke of Castamar (Roberto Enriquez) is a widowed aristocrat who lost his pregnant wife when her horse threw her over. Spending nearly two years grieving her unexpected death, he is brought back to life by the exquisite meals of his new cook, who he starts to fall for. Clara Belmonte (Michelle Jenner) has a talent for creating food that memories are made of. She is also agoraphobic and still reeling from her father’s execution. It is an attraction that neither saw coming.
The concept this series was impossible to ignore. I loved the idea of court intrigue, sex used as a tool to gain or maintain power, and a blossoming love that is not exactly welcomed. I also appreciated that the extra narrative layer created by the female lead’s mental illness. It is rarely seen in this genre. Unfortunately, it did not live up to it’s promise. I was waiting for a Jane Eyre and Mr. Rochester spark which never materialized. After watching a few episodes, I gave up. The slow burn was too slow for me.
Do I recommend it? Not really.
The Cook of Castamar is available for streaming onNetflix.
No one’s past is crystal clear. It is full of potholes, bad memories, and mistakes that still linger in our minds. When facing our past, we can either run from it or face it.
The new Marvel movie, Black Widow, premiered two weeks ago. It takes place between Captain America: Civil War and Avengers: Infinity War. The film opens on an average American suburban family in Ohio sitting down to dinner. But dinner is cut short when their true identity as Russian spies is revealed and they must hightail it out of the US. It then cuts to the present. Black Widow/Natasha Romanoff (Scarlett Johansson) has discovered a conspiracy that is tied to her previous life as an assassin and spy. When she becomes a target, she must turn to the family that was assigned to her by the spy agency. Her younger sister, Yelena (Florence Pugh), father Alexei (David Harbour), and mother Melina (Rachel Weisz) have all gone their separate ways. Revealing the source of the conspiracy and ending it requires more than a physical coming together as a group, it means facing the unhealed emotional wounds that still linger.
This movie is amazing. The action and stunts are well balanced with the humor and the emotion. As an audience member, I saw the main character as more than a superhero who is able to save the day. I saw a woman who is conflicted about both her present and her past. She makes the difficult decision to look at what she has done square in the eye instead of running from it. It a lesson that goes well beyond the genre and movies in general.
Do I recommend it? Absolutely.
Black Widow is now in theaters.
P.S. Stay for the mid credit scene. The wait is long, but it is worth it.