“The arc of the moral universe is long, but it bends toward justice”
Yesterday, America made a giant step forward in reaching the ideals set up by her founders. The men accused of killingAhmaud Arbery were found guilty. I don’t know about anyone else, but I feel like I can breathe again. If the jury had gone in the other direction, I can only imagine what the response would have been like.
While we cannot undo what has happened, we can do the right thing going forward. The message is clear: acts of hate will not be tolerated. Those who perpetrate such actions will be caught and have their day in court.
Rest in power, Ahmaud. You will never be forgotten.
Reaching the mountain top of our careers requires hard work, drive, and sacrifice. But the question begs, how much sacrifice is needed to get to that peak?
In the 2010 film, Black Swan, Nina Sayers (Natalie Portman) is a ballet dancer living and working in New York City. Dance is everything to her, she has no life outside of it. After her company’s former prima ballerina Beth Macintyre (Winona Ryder) is pushed out of the company, the door opens for Nina to play the title role in The Black Swan. Pushed by her former ballet dancer mother, Erica (Barbara Hershey), and her artistic director Thomas Leroy (Vincent Cassel) to succeed, Nina pushes herself to breaking point. Adding to the pressure is competition from the newest member of the company, Lily (Mila Kunis). Will Nina get to play the part and if she does, what will it cost her?
This film is absolutely fantastic. The performances are compelling and powerful. The duress that Nina is under radiates from the screen. I felt the urge to pull Nina out of the film, hug her, and tell her that everything will be fine, regardless of the outcome. The screenplay has a delicious Alfred Hitchcock undertone, grabbing the audience by the throat and refusing to let go until the screen go black.