Flashback Friday: The Blind Side (2009)

Education, as we all know, unlocks the key to our future. When we don’t have access to that education, that lack of access has the possibility of lifelong consequences.

The 2009 film, The Blind Side, is based on the true story of former NFL player Michael Oher. The narrative comes from the book, The Blind Side: Evolution of a Game, by Michael Lewis. In his teenage years, Oher (Quinton Aaron) was a young man who had almost nothing. Coming from a large African-American family that was dealing with poverty, homelessness, and addiction. Taken in by Leigh Anne Tuohy (Sandra Bullock) and her family, he is being given the opportunity that many of his peers will never receive.

When he shows a spark of interest and the ability to play football, this opens the door to a life path that he never expected.

Without knowing anything about the real people behind the story, it is a tale of seeing potential in a young person who does not believe that they have any. Bullock won an Oscar for the role and deserved it. Her role is that of a mama bear who loves and protects her young ones with a ferocity that never wavers.

There are two perspectives on the movie. The first is that it is at heart, a white savior narrative. From a certain point of view, it is extremely problematic. The other is that it humanizes the white evangelical Christian Republicans. These days, it’s easy to demonize this crowd. This story shows that they are just like the rest of us, even when we disagree on a litany of topics.

Do I recommend it? Yes.

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Author: Writergurlny

I am Brooklyn, NY born and raised writer who needs writing to find sanity in an insane world. To quote Charlotte Bronte: “I'm just going to write because I cannot help it.”

One thought on “Flashback Friday: The Blind Side (2009)”

  1. Well that’s interesting to know she won an Oscar for that. She seems like such a decent person to me it makes me glad. I never thought twice about Sandra before that movie. It was like two other actresses that had singular performances: Grace Kelly in Rear Window and Jennifer O’Neill in Summer of ’42. From a man’s point of view those 3 performances are the pinnacle of the feminine ideal.

    Like

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