The schedule for the Character Review posts will be changing to Friday (or Saturday at the latest from now on).
*Warning: This post contains spoilers about the characters from the book and the television show Sanditon. Read at your own risk if you have not watched the show. There is something to be said about a well-written, human character. They leap off the page and speak to us as if they were right in front of us, as flesh and blood human beings, instead of fictional creations.
We cannot grow if we sit, both figuratively and literally on our behinds. The only way to make change happen is to take a chance and see what happens. When we first meet Arthur Parker (Turlough Convery), he is a hypochondriac whose favorite activities include eating and drinking. Trying something new or even getting exercise is a rare event in his life. Tied at the hip to his older sister Diana (Alexandra Roach), she encourages his sedentary lifestyle.
The youngest of the Parker siblings, he is not married and has not even considered the subject. When his oldest brother Sidney (Theo James) passes away unexpectedly, Arthur becomes very close to Sidney’s ward, Georgiana Lambe (Crytal Clarke). Both are outsiders and understand what the other is going through. Despite his outward appearance, Arthur is sensible, observant, and emotionally open-hearted.
After Diana’s departure, Arthur starts to become more adventurous. When artist Alexander Lockhart (Alexander Vlahos) comes to town, he instantly becomes friends with Lockhart. Though it is not stated directly, it is implied that he is attracted to Lockhart. When we see him last, Arthur is comforting Georgiana in light of the unsettling revelations of who the artist really is.
To sum it up: Appearances can be deceiving. Though Arthur appears to be the typical plus-sized character who is nothing more than a comedic caricature, he is much more than that. In revealing the whole person, the audience is challenged to see beyond the physique and question if first impressions are accurate.
Born to a Jewish family in Queens, Weinstein was an insecure boy who grew into an insecure man. Though this business acumen is notable, how he treated people (and women specifically) is another story. Though there were instances of kindness and generosity, those events were few and far between. He was temperamental, impatient, arrogant, and threw his power around like a frisbee.
The stories of the women Weinstein assaulted are basically the same. He would turn on the charm and make them believe that he was genuinely interested. He would then invite them to his hotel room to discuss possible career opportunities. Once that hotel room door closed, it was just a matter of time.
For obvious reasons, this book is hard to read. It is a long read and the subject is obviously a difficult one.
The psychological profile that Auletta presents is that of a bully. Like all bullies, he has unresolved issues. Instead of dealing with them in a healthy manner, he lashes out and takes his anger out on others.
If nothing else, it should get us all angry. The problem is not just Weinstein’s actions, it is the complicity of everyone around him. As Auletta points out, his sexual reputation was not unknown. Instead of rallying around his victims, the majority stayed silent. If they had the gall to speak out, there were consequences. It was only after the initial revelations in 2017 that the silence was acknowledged and genuine change started to occur.
Do I recommend it? Absolutely. I would also state that this is one of the top five books of the year.
This season is amazing. Among the main cast, Staunton and Debicki are the standouts. Staunton perfectly follows in the footsteps of her predecessors, Claire Foy and Olivia Coleman. Debicki’s performance as Diana is award-worthy. If I close my eyes and just listen to her, I almost expect that it is the real person, not an actor playing a part.
The only thing that we have to remember is that this is not a documentary. The show is fiction. Some of what we are watching has been made up and not based on actual events.
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