Jewish Pride Book Review

At its heart, religion is merely a tool. What matters is how the rituals and values are used to shape the culture around it.

Jewish Pride, by Michael Steinhardt (co-founder of Birthright Israel), was published last fall. It is part memoir and part instruction manual on how to bring Jews of all backgrounds and levels of practice to the fold. Born in 1940 and raised mainly by his mother in the Bensonhurst neighborhood of Brooklyn, he became a major player on both Wall Street and the world of philanthropy.

I liked this book. Mr. Steinhardt is open and honest about his life, his beliefs, his work, and the mistakes he made along the way. It takes an adult to admit when they are wrong and do what must be done to correct the error.

The only issue I have is that he mentions that Yiddish is the language of the Jews. That is an ashkenormative perspective that is highly problematic and ignores the fact that Jews come from all over the world.

Do I recommend it? Yes.

Jewish Pride is available wherever books are sold.

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Republican Fuckery XI: MTG on a National Divorce, You Know Who Visits East Palestine, TN Anti-Drag Queen Bill, and the Rising Use of Migrant Underage Children as Labor

In the Jane Austen novel, Sense and Sensibility, Marianne Dashwood says the following:


“The more I see of the world, the more am I dissatisfied with it; and everyday confirms my belief of the inconsistencies of all human characters, and of the little dependence that can be placed on the appearance of merit or sense.”

I could say the same about the Republican party.

A couple of weeks ago, Marjorie Taylor Greene decreed that it is time for a national divorce. It’s happened before. It’s called the Civil War. Though it ended almost 160 years ago, some of the scars are still bloodied and raw.

At about the same time, you know who visited East Palestine. Though he talked a good game (as he usually does), he ignored the obvious (again, as he usually does). The safety regulations that he gutted while in office led to the accident. In an effort to look good to those around him, he gave out his own brand of water and McDonalds. Let’s put aside the fact that this fast food giant is not everyone’s cup of tea.

What is more important is how nothing has changed with the man. His response was akin to when he visited Puerto Rico after Hurricane Maria and threw out paper towels as if they were t-shirts at a sporting event. The only thing that I have to begrudgingly admit is that I agree with him that someone from the current administration should have been there sooner.

In Tennessee, a new piece of legislation that restricts drag shows has been signed into law. In an ironic twist, an image of Governor Bill Lee dressed in drag as a young man has made its way to the press. Though this question may sound obvious, don’t they have more pressing issues to deal with? I can think of a very long list that does not include anyone who dresses in drag.

Courtesy of the Other 98%

And finally, the right is constantly railing against “illegal immigrants” and the problems they cause. And yet, they look the other way when thousands of underage migrants cross the border without an adult and are employed in inhumane conditions by major corporations. I guess child labor laws mean nothing when one’s skin is brown and you come to this country looking for a better life.

Somehow, someway, we have to get these people out of office before they destroy this nation.

Flashback Friday: Up in the Air (2009)

The workplace, in its various forms, is red meat for writers. There is so much material to work with that it is too tempting to not look away.

In the 2009 film, Up in the Air, Ryan Bingham (George Clooney), spends more time traveling than at home. As a downsizing expert, his job is to help corporations reduce their staff. On the cusp of earning ten million frequent flyer miles, his world is shaken up by two women.

The first is Alex Goran (Vera Farmiga). She is essentially the female version of himself. Though he is an avowed bachelor whose entire life is his job, Alex makes him question his decisions. The other is Natalie Keener (Anna Kendrick). She is young, ambitious, and has ideas that threaten to shake up his professional normal.

Released at the height of the great recession, the overall narrative reflected a cynicism about the corporate world and the truth of white-collar jobs. We are expendable and replaceable (despite the promises of a family-like atmosphere coming from some managers and higher-ups).

What I liked was that both Alex and Natalie are given equal weight to Ryan in the narrative. However, there is a scene in which Alex is momentarily reduced to a sex object and Ryan is not.

Other than that, it is enjoyable and entertaining.

Do I recommend it? Yes.

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