Category Archives: Emily Bronte

Bronte’s Mistress-Author Q&A with Finola Austin

Among Bronte fans, Lydia Robinson is seen as a controversial figure. Employing both Anne and Branwell as a governess and a tutor respectively, Lydia appeared to dutifully follow the rules of both gender and class that ruled women of the Victorian era. She was also having an alleged affair with Branwell. Bronte’s Mistress, the debut novel by Finola Austin, gives Lydia the voice that fans of the Bronte’s have yet to hear.

I’m looking forward to the novel and I am thrilled that Finola will be answering a few questions.

AB: What drew you to the Brontes and more specifically, Lydia’s story?

FA: I have always loved Victorian literature. I grew up reading the novels of writers such as Charles Dickens, the Brontes, George Eliot, and Thomas Hardy, and studied Classics & English as an undergraduate at the University of Oxford. I then stayed on at Oxford to complete a Masters in English Literature, 1800-1914. My dissertation was on the works of Victorian sensation novelists Mary Elizabeth Braddon and Wilkie Collins, but I also wrote an essay on student/teacher attraction in the novels of Charlotte Bronte as part of my graduate studies.

I was drawn to Lydia’s story in 2016 when I finally read Elizabeth Gaskell’s The Life of Charlotte Bronte (the first Bronte biography). It was a book I’d been meaning to read for a very long time. Gaskell describes Lydia as a “profligate woman,” who “tempted” Branwell into sin. I was enthralled by the scandal and controversy (Lydia threatened to sue Gaskell for libel), as well as by the Bronte connection. I just knew this was a story I had to tell.

AB: When did you read your first Bronte novel and what was your impression of that first book?

FA: My first Bronte novel was Jane Eyre and it was read to me by my mother, when I was pretty young—I’d guess I was seven or eight at the time? I loved the book, especially the early sections set during Jane’s horrific schooldays. But, even as a child, I had questions. I didn’t think I’d have been as good as Jane, refusing to live in sin with Rochester, and I thought Jane was very judgmental, especially of Blanche Ingram. Wasn’t she just trying to make her own way as Jane was?

AB: Do you have a favorite Bronte novel?

FA: Jane Eyre is probably still my favorite, though I also love Charlotte’s Villette.

AB: You spent a year researching the novel. Can you describe your experience with the research and how that changed your impression of the characters along the way?

FA:  My full research process is detailed in my Author’s Note at the end of my novel, so no spoilers here, but I will say it was extensive. A huge focus was understanding the lives of Lydia’s servants better, and this was an area where my research went beyond a lot of what has been done by Bronte scholars through the years. The most fun part of my research was visiting Yorkshire. I found it quite emotional to see the graves of many of the Robinson family and their neighbors, and to visit the Monk’s House, the building where Branwell once slept.

My research gave me a much fuller understanding of my characters. For the servants, it told me what roles they played in Thorp Green Hall, who their loved ones were, and what happened to them after the disbandment of the Robinson household. When it comes to Lydia, in my work in the archives of the Bronte Parsonage Museum, I held 1) an inventory of her furniture, allowing me to picture the objects that surrounded her; 2) eighteen letters in her hand, giving me her distinctive sign-off, “yours very truly,” which I use throughout the book; and 3) her husband’s accounts book, which is important to the plot of my novel.

AB: The hardest thing for a historical novel to do is to balance the history with the fictional narrative. How did you stay true to the history of your subjects while making the story palatable for modern readers?

FA: Bronte’s Mistress, unlike many historical novels, has a very quiet backdrop—this is rural Yorkshire, not Dickensian London.  Wars and politics are distant concerns to the Robinsons and their peers. This makes the balancing act of history and narrative a little easier than if I was writing characters on a grand historical stage.

Bronte’s Mistress is also written in first person, so I hope Lydia’s voice is what readers find compelling. Through it, we can cut through the formalities of Victorian middle-class existence and get to what’s human, timeless and universal—the voice inside us.

AB: Did you have any expectations about Lydia when you started the research or were you open to whatever information you were able to locate?

FA: I held myself to a very high standard, when it came to the accuracy of my story. By that I mean that everything that happens in Bronte’s Mistress is something I think could have happened, based on all the facts currently at our disposal. Where the fiction piece comes in is in exploring what characters thought, felt and said.  What I was looking for when researching the novel was dramatic possibility. I searched for the places that the historical record was silent and looked to create something beautiful in that void.

AB: How do you think Bronte fans will react to your novel?

FA: I hope fellow Bronte fans will discover the more subtle references to the works of all three Bronte sisters in my novel! These were fun to include and are little Easter eggs for you. I also think they’ll be excited to see Branwell and Anne, the overlooked siblings, foregrounded in this novel. Their time at Thorp Green Hall was very important to both of them—to Branwell’s deteriorating mental state and to Anne’s development as a talented novelist.

AB: If you were casting the movie version of the book, which actors would you ideally cast?

FA: This is a question I can never answer. My characters are like real people to me in my mind, so they don’t resemble actors (though of course I’d be thrilled to see them portrayed on screen!). One thing I do know is I that I would want an actor of the right age to be cast as Lydia. Lydia is forty-three at the start of my novel, and forty-eight by the end. She’s not the typical historical fiction heroine, who seems to be rarely older than twenty-one! There’s such a problem with women actors disappearing from the film industry when they’re deemed “too old” to be the romantic lead, but “too young” to be the matriarch. I think this would be a fantastic role for an actress in this, all too often, invisible decade.

AB: In your novel, Lydia Robinson could be interpreted is a more empathetic or even feminist character than Bronte lore implies. Was this your intention or did her character change as you were writing and researching?

FA: Lydia is no saint. She’s flawed—by turns, self-centered, petty, and oblivious to the emotions of those around her. And, even if in some ways she’s a feminist, straining against the strictures of nineteenth-century womanhood, she’s definitely a “bad feminist.” She is classist; she pretends to be against slavery for attention at a dinner party; and she is horrified when another character tells her they are attracted to people of the same sex. But, despite all of this, I hope that readers can have empathy for Lydia and her impossible situation. She’s been raised to do one thing—marry and produce children. She’s done that and she’s facing the question “now what?” Her husband is cold and uncaring. She has no recourse to divorce. She’s doomed to a life without sex, freedom, or excitement. I see Bronte’s Mistress as an exploration of the extreme claustrophobia of upper middle-class women’s lives in the period, and of the ways many women perpetrated misogyny, while also suffering from the consequences of it themselves.

AB: This is your first published novel. What advice do you have for aspiring novelists?

FA: Read constantly and critically. Join a writing group for feedback. Write an outline. Don’t use filter words. Finish the books you start.

Bronte’s Mistress will be released on August 4th. Find Finola Austin on social media on Facebook, Instagram or Twitter.

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Filed under Anne Bronte, Author Q& A, Book Review, Books, Charlotte Bronte, Emily Bronte, Feminism, History

Best Books of 2019

To say that I am a bookworm is an understatement. As you might expect, I’ve read quite a few books this year.

Without further adieu, my list of the best books of 2019 is below.

  1. The Women of the 116th Congress: Portraits of Power: This book is #1 because it represents how far American women have come and how far we need to go before we are truly equal. In celebrating the success of these female politicians, the authors are paving the way for the next generation of women to represent their country.
  2. The Unwanted: America, Auschwitz, and a Village Caught In Between: This compelling and true story of one small town and it’s Jewish residents during World War II is as compelling as any fiction novel of the Holocaust.
  3. Dutch Girl: Audrey Hepburn and World War II: Telling the story of Audrey Hepburn‘s childhood during World War II, this book is a must-read for both movie junkies and history nerds alike.
  4. Summer of ’69: History is not just facts in a book. It the lives and experiences of those who lived through that period. In telling the story of one specific family, the summer of 1969 comes alive.
  5. Catch and Kill: Lies, Spies, and a Conspiracy to Protect Predators: The revelation of Harvey Weinstein’s actions two years ago was appalling and world-changing. In bringing his actions to the light, the authors are giving his victims what should have been theirs in the first place.
  6. Unmarriageable: A Novel: This adaptation of Pride & Prejudice set in Pakistan proves why Austen’s novels are universally loved and rebooted time and again.
  7. The Mother of the Brontes: When Maria met Patrick: The previously untold story of Maria Bronte (nee Branwell) is a fascinating story of the women who would bring Charlotte, Emily and Anne Bronte into the world.
  8. Becoming Eve: My Journey from Ultra-Orthodox Rabbi to Transgender Woman: It takes guts to be yourself. It takes even more guts when being yourself means that you are no longer part of the community you grew up in.
  9. She Said: Breaking the Sexual Harassment Story That Helped Ignite a Movement: The reporters who broke the Harvey Weinstein scandal knew what they were up against. They also knew how important it was for the public to know the truth.
  10. The Winemaker’s Wife: Love and betrayal are enough to handle. Add in war and you have this marvelous novel set in France during World War II.

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Filed under Anne Bronte, Book Review, Books, Charlotte Bronte, Emily Bronte, Feminism, History, Jane Austen, Movies, Pride and Prejudice

The Mother of the Brontes: When Maria Met Patrick Book Review

It is said that opposites attract. It can also be said that one can learn a lot about a person by knowing who and where they come from.

At first glance, the marriage between Maria Branwell, a gentlewoman from Penzance and Patrick Bronte, a fiery and poor clergyman from Ireland seemed like a mismatch. But if one were to look closer, one would see a marriage seemed almost ideal.

Sharon Wright’s new book, The Mother of the Brontes: When Maria Met Patrick, is the story of the marriage of Maria Branwell and Patrick Bronte. Maria was born in Penzance in 1783 to a prosperous family. Patrick was born in 1777 to a large and poor family in Ireland. Their courtship and marriage in 1812 to some might seem a bit impetuous. By the time she died in 1821, Maria brought six children into the world. Three daughters and a son, Branwell lived to adulthood. Her daughters, Charlotte, Anne, and Emily are revered today as some of the greatest writers of all time.

I loved this book. I loved it because it gave Maria the spotlight she rightly deserves. When we talk about the Brontes, their mother is often a footnote or a line or two. She is rarely given her due as a mother ought to receive. In bringing Maria’s story to life, the reader gains a greater perspective on her daughters and the literary worlds they created.

My only warning is that this book is not for the casual Bronte fan or the average reader looking for another book to read. It is for a reader who is well versed in the Brontes and their books.

I absolutely recommend it.

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The Bronte Myth Book Review

Among the great writers of the 19th century, the Bronte sisters stand tall. Lionized as proto-feminists and adored in the literary community for their contribution to the world of literature, fans sometimes have to ask themselves where fact ends and fiction begins.

In 2001, Lucasta Miller published The Bronte Myth. The book starts with the brief lives of the Charlotte, Emily and Anne Bronte and follows their posthumous celebrity as their image is shaped to fit the needs of the biographer. In the book, Ms. Miller delves deeply into the facts and the myths of the Brontes and how both have been used to tell the story of the legendary sisters.

When I heard about The Bronte Myth, the concept sounded interesting. I am sorry to report that the concept I had in my head did not meet reality.

The book is not for the casual or virgin Bronte fan. It borders on academic and is probably better suited for a reader who is well versed in the story of the Bronte sisters, their brother Branwell and father Patrick. But my main issue is that Ms. Miller spent most of the book talking about Charlotte. Granted, Charlotte lived the longest of her siblings, but the book is not entitled The Charlotte Bronte Myth. She spends about 60% of the book talking about Charlotte, 20% talking about Emily. The other 20% are given to Anne, Branwell and Patrick. I think I would have liked this book more if all of the Bronte siblings and their father were given equal attention.

Do I recommend it? Sort of.

 

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Buffy the Vampire Slayer and Angel Character Review: Angel

*Warning: This post contains spoilers about the characters from the television series Buffy the Vampire Slayer and Angel. Read at your own risk if you have not watched one or both television series. In this series of character reviews, I will strictly be writing about the characters from the television series, not the 1992 film.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Buffy the Vampire Slayer and Angel to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

Since the beginning of storytelling, there has always been something about the brooding bad boy or girl with a romantic streak.The audience knows that this person might be trouble, but they also fall for the softer side of this character. In Buffy the Vampire Slayer and Angel, this character is Angel (David Boreanaz). Angel makes his first appearance in the Buffy pilot. He appears to be the older, romantic bad boy who often appears in movies or television shows that focus on teenage girls.

But Angel is more than that. He is completely aware of who she is while hiding his own secret. He is vampire who is cursed with a soul. After Buffy and Angel sleep together (and he has a moment of pure happiness), his soul is gone and he reverts to his previous identity, Angelus. Angelus gets off on torturing Buffy until his soul is returned and he must come to terms that his relationship with Buffy is not meant to last.

After leaving Sunnydale, Angel opens his own supernatural detective agency in Los Angeles. Initially aided by Cordelia Chase (Charisma Carpenter) and Doyle (the late Glenn Quinn), Angel works to protect the city from the darkest of supernatural forces. He also becomes a father and continues to fight against evil while protecting those he loves.

To sum it up: While the bad boy with the romantic streak may initially sound appealing, the reality is that the relationship may not last. But then again, not all romantic relationships are meant to last forever. As a character, viewers (myself included), fell in love with Angel. We watched him grow from a Heathcliff type character to a character who, in spite of his past, becomes a hero. That is why nearly twenty years later, fans still return to vampire bad boy turned hero of their younger years.

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Thoughts On Wuthering Heights & Emily Bronte On The Anniversary Of Her Birth

In her lifetime, Emily Bronte saw her first and only novel, Wuthering Heights published.

From the outside looking in (and from the view of Victorian culture), the second to last Miss Bronte was not exactly noteworthy. She was the daughter of a curate in a small Yorkshire town who preferred her animals, her poetry and the small society of her family to the outside world. Uninterested in fashion, marriage, gossip or any of the standard interests of the day for young ladies, she was wholly herself and didn’t give a fig what someone else thought about her.

Today is her 200th birthday.

Wuthering Heights is the tale of tortured love, classicism and revenge. Her protagonists are Healthcliff and Catherine Earnshaw. Catherine is the daughter of a respectable house, Heathcliff is her adopted brother whose origins are unknown. As they grow up, their relationship changes from childhood playmates to young people in love. But then the reality of their world comes crashing down. Catherine marries another man. Healthcliff gives into his long simmering rage. Soon their dysfunctional relationship affects everyone around them, no one remains untouched.

At the time of its publishing, critics didn’t know what to make of this novel. 200 years later, we recognize Emily for the literary genius that she is. Other writers might have romanticized the relationship between Heathcliff and Catherine. But in Emily hand’s, her lead characters are deeply flawed. Heathcliff has a temper and is more than willing to inflict violence on another person if he feels that the situation calls for it. Catherine is spoiled and selfish, too comfortable in her status to choose the man she loves over the comfort of a proper home and a wealthy husband.

In the end, we keep coming back to Wuthering Heights because of those flaws. Emily was adept at creating characters that revealed the best and worst of humanity. She died at the young age of 30, today we can only speculate what she could have done as a writer had she lived longer.

Wherever you are Emily, Happy Birthday.

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Happy Birthday Charlotte Bronte

For those who lived in her era, Charlotte Bronte was an unassuming person.

She was the oldest child of the widowed Patrick Bronte, a man of the cloth who some might have considered an odd duck. She lived in a dirty, poverty-stricken middle of nowhere town in Yorkshire, England. Her mother, Mariah and elder sisters, Mariah and Elizabeth died young, elevating Charlotte to the title of oldest Bronte child. Like her most famous heroine, Jane Eyre, Charlotte Bronte was without the standard bearers of her day that would have made her a catch in the marriage market: beauty, status and/or money.

Today is her birthday.

In our own time, we celebrate her genius and the genius of her sisters, Anne and Emily. Jane Eyre, like her other novels, is a respected classic that is beloved by readers the world over, is part of the syllabus in many a classroom and for better and/or worse has been adapted for the stage and the screen.

We remember her as a proto-feminist, a writer in an era when novel-writing belonged to men only and a woman who refused to quietly give in to the image of what a woman should be.

Happy Birthday, Charlotte Bronte.

 

 

 

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Happy Birthday Anne Bronte

Sometimes, when we make the decision to walk the path that is not walked by everyone else, we make history, even if we don’t know it at the time.

Anne Bronte was born on this day in 1820. The youngest of Patrick and Maria Bronte’s six children, she died at the young age of 29. In her lifetime, she completed two novels, Agnes Grey and The Tenant Of Wildfell Hall.

While she is often not given the respect and name recognition that goes to her elder sisters, Charlotte and Emily, her writing is on par with her sisters. Writing about every day life in Victorian England, her writing stands out because she spoke of the truth of what it was to be a woman in the period. In Agnes Grey, she wrote about a woman whose respectable career choices were severely limited and must work as a governess to support herself and her family. Agnes’s charges are spoiled and their parents are apathetic to their children’s behavior. In Tenant Of Wildfell Hall, a woman arrives in a small rural town, presenting herself as a widow with a young son. The truth about her identity made a small, but important dent in the worldwide women’s movement that is still being felt today.

As a writer and a proto-feminist, Anne Bronte, along with her sisters, helped to pave the way for women and women writers that continues to be felt a century and a half after her untimely passing.

Wherever you are, Anne Bronte, happy birthday.

 

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The Duchess Deal (Girl Meets Duke Series #1) Book Review

Love sometimes comes from the most unexpected of places.

In The Duchess Deal (Girl Meets Duke Series #1) by Tessa Dare, Emma Gladstone is the daughter of a vicar who works as a seamstress and has been on her own since she was a teenager. The last thing she is looking for or expecting is say I do, especially to a member of the aristocracy. The Duke of Ashbury has two scars to deal with: the physical scars from the war and the emotional scars from the breakup of his engagement. Emma walks into the Duke’s library wearing what would have been his fiance’s wedding dress, demanding payment for her labors. But the Duke has another idea.

He proposes marriage, but there will be conditions to the marriage. The marital bed is only for procreation of a necessary heir, the marriage is a marriage of convenience and once Emma is pregnant, she will retire to the country to raise their child. But Emma, who reluctantly says yes to the proposal, has conditions of her own: Until such time when she is confirmed as pregnant, they will have dinner together and talk like a married couple during dinner.

At first, Emma keeps her part of the bargain, until she starts to fall for her husband. But the Duke is the harder nut to crack. Despite his intentions of limiting their marital relations, it’s becoming harder to keep his hands off his wife.

I normally don’t read these kind of books, but I found this book to be well written. Ms. Dare easily hooks her reader and has created two lead characters who stand out from the standard lead characters that readers encounter in the genre. Emma is intelligent, strong and not afraid to say what is on her mind. While the Duke initially comes off as this brooding Heathcliff  type, he is slowly revealed to be a man who loves passionately and deeply, but also lives with multiple emotional scars that have not healed.

Do I recommend it? Yes.

 

 

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Wuthering Heights Character Review: Catherine Linton

*Warning: This post contains spoilers about Emily Bronte’s classic novel, Wuthering Heights. Read at your own risk if you are unfamiliar with the either book or the various adaptations.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Wuthering Heights to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

Whether or not they are aware of it, parents will sometimes pass on their emotional scars to their children. The question is, if and when the child becomes aware that their parents emotional scar has become their scar, do they find a way to heal or let the scar remain open?

Catherine Linton is the living embodiment of emotional scars that are passed from one generation to the next. Her mother, also Catherine Linton (née Earnshaw), died soon after the birth of her daughter, torn between her husband and her soulmate/adopted brother, Heathcliff.  Raised by her indulgent father and Nelly, her late mother’s housekeeper, Catherine is protected from the world.

Then Heathcliff enters Catherine’s life and the emotional scars from the previous generation are brought into the light. Still resenting the loss of his true love to Edgar Linton, Heathcliff (who is also Catherine’s uncle), kidnaps the girl, knowing full well that she is her father’s heir. Catherine is forced to marry her cousin, Linton and watch Heathcliff take Thruthcross Grange as his own after the death of her father.

Soon Catherine becomes a widow herself. Her only consolation is Nelly, who is once more the housekeeper at Wuthering Heights and her other cousin, Hareton Earnshaw. Abused and imprisoned by Heathcliff, Catherine is no shrinking violet. She is her mother’s child and uses every ounce of her energy to hold onto her dignity and self respect. In the end, it is Catherine and Hareton who will walk away from the tragedy that is Wuthering Heights, finally healing the scars of the previous generation.

 

To sum it up: Scars can heal, if we let them. Or we can let them fester. Catherine chooses to let the scars heal. In doing so, the ghosts of the past are finally able to rest and Catherine and Hareton are able to walk off into the sunset together. As writers, we have a choice on how to end our stories. More important than the choice of ending, it has to feel right for the narrative and the characters. In choosing her own version of a happy ending for her novel, Emily Bronte is able to successfully end her narrative with a closing feels natural. If the ending of war is peace, than the ending of Wuthering Heights is as it ought to be.

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