“I am going to take a heroine whom no one but myself will much like.”
The new adaptation of Emma. was released into theaters this weekend. Stepping in the shoes of Highbury’s queen bee is Anya Taylor-Joy. Unlike Austen’s other heroines, Emma is not hard up for cash and is not looking for a husband. She spends her days tending to her hypochondriac father, Mr. Woodhouse (Bill Nighy) and arguing with her neighbor and long time friend, George Knightley (Johnny Flynn).
She also thinks that she is a matchmaker. When one of her matches lead to a successful marriage, Emma starts to believe that she has the magic touch when it comes to marriage and romance. She will soon find out how wrong she is.
I loved this adaptation. Director Autumn de Wilde adds delicious looking pops of color while screenwriter Eleanor Catton kept as close to Austen cannon as she could have gotten. It is a joyful, hilarious and absolutely wonderful film.
On December 16th, 1775, a remarkable woman was born. Her name was Jane Austen.
In her time (and to a certain degree, still in ours), a woman’s path in life was clear. She was to receive an education that was considered to be appropriate for a woman. Upon reaching adulthood, she would marry, bear children (i.e. sons) and live the rest of her life in the quiet dignity that was expected for a woman.
Jane could have married. His name was Harris Bigg-Wither. He was the younger brother of her friends. By the accounts of the day and family members, he was not the most attractive of men. But he had one thing going for him: he was the heir of a wealthy and respected family. At that time, those facts were all that was needed to determine if someone was a good match.
He proposed when Jane and Cassandra were visitors to the Bigg-Wither home. On paper, they were a good match. She was in her late 20’s, nearly impoverished and without a marriage proposal in sight. Upon his father’s death, Harris would inherit a stately home and a comfortable fortune. He proposed in the evening. Jane said yes, but something was not right. In the morning, she took back her yes and changed the course of her life forever.
As a single and childless woman of a certain age, I look to Austen as a role model. She could have easily folded into the preordained path that was expected for a woman. But she didn’t. She chose her own path and in doing so, pave the way for future generations of women to do the same.
In Jane Austen’s 1815 novel, Emma, the novel’s titular heroine, Emma Woodhouse is introduced as “handsome, rich and clever”. She thinks that she knows the ways of the world, especially when it comes to love and marriage. Thinks is the keyword in the sentence.
The latest film iteration of this beloved novel will be released into theaters in February. Stepping into the well-worn shoes of Miss Woodhouse is Anya Taylor-Joy. Starring opposite her as George Knightley, Emma’s neighbor/verbal sparring partner is Johnny Flynn.
This is one movie that I am looking forward to seeing. Austen’s comedy of manners is more than the story of who will hook up and when they will hook up. It is the story of a young woman who learns that she does not know everything, but it is written in such a way that the reader does not hate Emma.
I hope that this version will make Jane Austen proud.
Most of us are ordinary in our day to day lives. We go about our business until the day when we shuffle off this mortal coil.
During her lifetime, Jane Austen was an ordinary woman. But in our lifetimes, she is considered to be extraordinary. She is of the creators of the modern novel, a proto-feminist, a woman who was not afraid to speak her mind and an all around bad-ass.
Tomorrow is the 202th anniversary of her passing. She died at the young age of 41, with only four published books to her name and a modest success as a writer. Every time I read one of her books, I find myself asking what if she had lived a little longer or even into old age? What books and characters might she have introduced to the world?
Wherever she is, I hope that she is looking down on us and smiling, knowing that her name will live on for eternity.
Emma Woodhouse, Jane Austen‘s heroine in the aptly title novel Emma, is introduced as “Emma Woodhouse, handsome, clever, and rich”. In her world, Emma Woodhouse is the queen bee. She thinks that she knows everything about everything. Emma Woodhouse is in for a shock.
In 2013, the YouTube web series,Emma Approved (2013-2018) transferred the world of Emma from regency era England to modern-day. Emma Woodhouse (Joanna Sotomura) is a lifestyle coach and matchmaker. She is completely confident that she can help her clients to achieve their personal and business goals. Her long time friend and business partner Alex Knightley (Brent Bailey) is tries to burst Emma’s bubble as gently as he can, with a hint of sarcasm.
Emma Approved was the follow-up to the successful Lizzie Bennet Diaries. Though it was not as well received as LBD, I enjoyed Emma Approved with the same level of enthusiasm that I did LBD. Last year, Emma Approved came back for a short revival, which to my mind was just as enjoyable as the original series.
Not only did I appreciate the color blind casting, I personally think that it’s adorable that the two lead actors are together IRL.
When it comes to creating well written fanfiction, a good writer knows how to balance their narrative and their voice with the narrative and voice of the original work.
Christina Boyd’s new Jane Austen inspired anthology, Rational Creatures, was published back in October. Containing 16 new stories from well-respected JAFF (Jane Austen Fanfiction) writers, the focus of the stories of Austen’s female characters. The question that each story asks is if the heroines are the standard romantic heroines or strong, capable women who are able stand on their two feet in spite of the era that they live in?
I’ve been a fan of Ms. Boyd for the last few years, I enjoyed her previous anthologies, The Darcy Monologues and Dangerous to Know: Jane Austen’s Rakes & Gentlemen Rogues. This book is well written and an easy read. I would caution, however, that this book is not for the newbie Jane Austen fan. It requires a level of knowledge that comes with multiple readings of Austen’s work and a deep knowledge of the fictional worlds that she created.
On this day, in 1775, a young lady entered this world. The circumstances and the family she was born into did not give any hint as to what she would become as an adult. Her father was a man of the cloth, her mother had successfully brought into the world six previous children and would bring one more into the world after her. In infancy, she was known as Jenny.
On the surface, Austen wrote love stories. But a deeper dive reveals that she was an astute observer of her world. Weaving her observations into her six completed novels, her books were much more than the standard boy meets girl, boy gets girl narrative. She wrote about politics, she was a proto-feminist and she mocked/revealed the inconsistencies that were part of the world she knew.
Most of all, she inspired and continues to inspire female writers not just to write, but to question the inconsistencies of their own worlds.
Emma Woodhouse and George Knightley have known each other their entire lives. They are even related, due to the marriage of his younger brother and her elder sister. Emma is described as handsome, rich and clever in the opening passage of the novel. She is the queen of her world and she thinks that she knows it all at the age of twenty-one. Her newest enterprise is playing matchmaker, an endeavor that may not end as neatly as she predicts it to be. George Knightley is her neighbor and sixteen years her senior. He tries to guide her in the right direction, but Emma rebuffs his guidance.
Neither knows that the other has the hots for each other. Will they get together or will their differing views of the world keep them apart?
I’m going to put it out there, because there is no other way to say it. It’s Emma with sex scenes. The thing to remember about Jane Austen is that she knew how to slip in sexual tension between her romantic leads without being obvious. When it comes to modern writers adding the sex scenes, it has to feel organic, especially when the writer decide to stay in the early 19th century instead of adapting the story in a more modern era. Ms. Persell succeeds at organically adding the sex scenes without causing a major disruption to the narrative. My only criticism is that there were sections of the novel where she could have added additional sex scenes instead of keeping those specific sections as Jane Austen wrote them.
But overall, it’s not only one of the better published fanfictions that I’ve read.
Reboots of 80’s and 90’s classics are the rage these days. Television and movie executives are banking on the nostalgia factor to bring in audiences.
The latest reboot that will soon be coming to the movie theater is Clueless.
While details of the production and casting have not be released, my initial reaction can be explained in one word: why?
Clueless is perfection in a film. Amy Heckerling’s screenplay is quotable, incredibly funny and does not need a reboot. Though Emma (like all Jane Austen novels) can be easily transported to another era and time period, in the wrong hands any Jane Austen reboot can come off as just plain awful and heretical to some Jane Austen fans.
Until we know more about this upcoming reboot, I remain skeptical. I loved Clueless when it premiered in 1995, that love has not died and will probably never die. I just hope that this reboot, whenever it hits theaters, does not destroy the reputation of it’s predecessor.
One of my favorite aspects when it comes to Jane Austen’s novels is that her stories still ring true to readers in the early 21st century as much as they did in early 19th century. This has led to the explosion of Jane Austen fanfiction, for better or for worse.
In 2016, Holidays with Jane: Summer of Love, was published. Each of her six completed novels is condensed into modern short stories that are set in and around summertime and summer vacation. I really enjoyed this book. I enjoyed it because I felt like the writers achieved the delicate balance of being true to Jane’s novels while letting the modern version of the characters shine.