If the coronavirus has done one thing, it has accentuated the differences between the 1% and the rest of us.
Over the weekend, Madonna posted a video to her Instagram and Twitter pages, claiming that the disease is the “great equalizer”.
To say that she got called out for her b*llsh*t is an understatement.
While other members of the 1% in Hollywood are doing their part, Madonna sits in a bathtub as roses float by and does nothing.
I have nothing but respect for her as musician and a woman who paved the way for multiple generations of female musicians. However, instead of using her name and influence for good, she is only thinking about herself.
He can cry all of the crocodile tears he wants. He knows what he did. He knows that he forced himself on those women, dangling career prospects and make all sorts of threats if they did not give into him.
Cry those crocodile tears all you want, Harvey Weinstein. Your going to rot in jail.
Two and a Half Men was on the air from 2003-2015. Charlie Harper (Charlie Sheen) was happily living it was a bachelor (in every sense of the word). His life is turned upside down when his brother Alan (Jon Cryer) and ten-year-old nephew Jake (Angus T. Jones) move in with him. The odd couple-esque relationship between the brothers creates friction while Jake adds energy that only a child can bring.
I never got into this program. From my perspective, it was not as funny as it claimed to be. It was also a little too misogynistic for my taste.
*For the foreseeable future, some Character Review posts may not be published every Thursday as they have in the past.
*Warning: This post contains spoilers about the characters from the television series Roseanne and The Conners. Read at your own risk if you have not watched the show.
There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front of us, as flesh and blood human beings, instead of fictional creations.
In this series of weekly blog posts, I will examine character using the characters from Roseanne and The Conners to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.
It is often said that women become our mothers, whether we like it or not. On Roseanne and The Conners, Harris Healy (Emma Kenney) is nearly a mini-me of her mother, Darlene Conner (Sara Gilbert). Born premature, Harris survived her first few months in the hospital before coming home to a loving and chaotic family.
While most of her is a miniature of her mother, there is also a little of her aunt, Becky Conner (Alicia Goranson & Sarah Chalke). After spending most of her life in Chicago, Harris was not pleased when she had to move back to Lanford. To be a teenager is hard enough, but to be uprooted and move to a new town at that age is especially difficult.
Though Harris does make friends, they are not the sort that her mother approves of. They tend to lean toward not so legal activities, creating a rift between mother and daughter. Like any good parent, Darlene is just looking out for her daughter. But in Harris’s eyes, her mother does not understand how she feels.
Her one wish is to move back to Chicago. She hopes that her wish materializes in the form of her estranged father, David (Johnny Galecki). But like many hopes, it never became reality.
To sum it up: We all remember how hard it was to be a teenager. It’s one of the most tumultuous, life changing and sometimes heartbreaking experiences that anyone will ever go through. What I like about Harris is that she is an ordinary teenager. When your that age, it’s nice to see yourself reflected on screen.
Which is why Harris Healy is a memorable character.
We all want to be in love and most if, not all of us, would like to say “I do” to someone at some point.
In the 1954 movie, Seven Brides for Seven Brothers, Adam (Howard Keel) married Milly (Jane Powell) after knowing her for less than a day. When Milly arrives at her new home, she discovers that her husband is the eldest of seven boys. Inspired by their eldest brother, the rest of the Pontipee men are eager to marry.
While watching his wife turn his brothers in gentlemen, Adam is inspired to find wives for them. The method of finding wives comes from the story of the capture of the Sabine women by the Romans.
There are many musicals from this era that are considered to be classics. They are also slightly misogynistic. For its time, this movie musical is fine. But what bothers me is that the screenwriters gloss over the fact that the Sabine women were according to legend, raped, not captured with the intent of marriage.
There is a myth about women and art. We can be the subject of the art, but we cannot be the artist.
In the mid 19th century, the Pre-Raphaelite Brotherhood decided to put their own spin on art. Mostly made up of men, their work consisted of bright colors, an ornate attention to detail and subjects that looked like they could be real. But in spite of the impression that this movement was mostly made up of men, there were also a good amount of women artists and models who had a hand in creating this new form of art.
I picked up this book because the women whose stories are told have as much right to be recognized and appreciated as their male counterparts. To be honest, it was ok. If I was more a fan of classical art, I think I would have enjoyed the book more.
Esther is an orphaned young woman growing up in ancient Babylonia. Jewish by birth and by practice, she is drafted to be one of the young women presented to the King Ahasuerus as a future bride. Chosen by the King to be his Queen, Esther must hide her identity. When her people are in danger, Esther must make a choice: continue to hide her true self or put herself in danger to save her people.
There are very few stories in the Bible in which a woman is not only front and center, but she is the heroine. The fate of the Jews rests on her shoulders. She knows that remaining silent would save her life. But she also knows that deep down inside, she cannot stand by and watch those she loves being slaughtered simply because of their faith.
My personal takeaway from the story of Purim and the courage of Queen Esther is that being yourself in the face of conformity is the hardest thing anyone of us can do. But, if we are willing to take the risk, the results may just outweigh the fear.
There is a lot that has been said, but I feel like it comes down to two words: thank you.
Thank you to the generations of women who have come before us. Their bravery, strength, and courage paved the way for us.
Thank you to the current generation of women who continue to fight for our rights. And finally, thank you to the future generation of women who will end the fight and live within the equal world that we are all fighting for.
If nothing else, America is an idealistic nation. We are dreamers and fighters, we do not give up because we are told no.
We are also a nation that can be hypocritical.
August 18th is the 100th anniversary of the 19th amendment. In the nearly 100 years since the ratification of the 19th amendment, American women (and women across the world) have achieved what our grandmothers and great-grandmothers could have only dreamed of.
But with every battle that we have won, there is still much more work that is required of us if there is to be true equality between the sexes.
I would have liked very much to use the term “Madam President” this year. But there will be no women in either party on the ticket come this fall.
In 2016, Hillary Clinton’s loss to you know who was heartbreaking. This year, we had brilliant and capable women who might have done a bang up job as President. Senators Kamala Harris, Kirsten Gillibrand and Amy Klobuchar had all of the qualities one would want in a President.
Of all of the female nominees, Senator Elizabeth Warren came the closest. Some in the press are arguing that it was sexism that ultimately doomed her campaign. I can’t disagree with their arguments, even if she was not my first choice for President.
Though it is indisputable that these women will forever have a place in American history, it still does not dull the frustration of not being able to say “Madam President” in 2020.