Among the 6 million Jews who were murdered in the Holocaust were 1.5 million young people. This cumulative experience of the lost generation speaks to us via The Diary of Anne Frank.
In 1955, the book was turned into a play. The new 7-part podcast, Playing Anne Frank, tells the behind-the-scenes story of how the play was made and its impact on everyone (both the audience and the creators) involved. Mixing historical media with interviews of surviving cast members, it brings the drama to life and reinforces the importance of the work.
I have enjoyed listening to the first 3 episodes. For obvious reasons, both the original text and its various stage/screen incarnations are still relevant, even after all of these years. What I am appreciating is the insights of the cast and that they understood the necessity of sharing Anne’s story.
Do I recommend it? Yes.
New episodes of Playing Anne Frank are released every Tuesday.
Before the war, Magda was a kindergarten teacher. After she was transported to Auschwitz, she made the bold (or stupid, depending on your pov) to speak up for her fellow prisoners. Instead of sending her to the gas chambers, she was put in charge of the camp’s female “inhabitants”. Magda was forced to walk the daily line of keeping as many alive as she could while making sure that their captors looked the other way. By honing her intelligence and survival skills, she was able to save her life and the lives of many others.
This book is amazing. It speaks to the inner strength that allows us to live with situations that would otherwise kill us. The images from the Holocaust often show my co-religionists meekly going to their deaths. It is stories like Magda’s that prove that there was still a fight to be fought, even under the most difficult of circumstances.
It also proves once more that women can do anything.
Do I recommend it? Yes.
The Nazis Knew My Name: A Remarkable Story of Survival and Courage in Auschwitz is available where books are sold.
It has often been said that we can learn from history to prevent future mistakes. The caveat is that we have to be willing to understand what went wrong in order to make sure that it won’t happen again.
Subjugation and persecution of minorities, perceived enemies, the LGBTQ community, and those with opposing political views.
Degrading women down to the traditional roles of wives and mothers (with the exception of the females in their personal orbit).
Proclaim that they are the one person who can save their country.
They claim to protect “democracy” and ensure law and order while doing the very opposite.
I think this book is a must-read for everyone who believes in a democratic government and what it stands for. As the last few years have shown us, complacency opens the door to a form of government that manipulates and destroys. It is only when we respect and fight for the constitutional way of life can we truly be free.
Do I recommend it? Yes.
Strongmen: From Mussolini to the Present is available wherever books are sold.
It is a sad truth universally acknowledged that women are only allowed to step when their men are called away to war.
The first season of the French television series Woman at War was recently released on Netflix. As World War I rages on, four women step up to save their country. Marguerite (Audrey Fleurot) is running from her past. Agnes (Julie De Bona) is a Mother Superior whose convent has been turned into a military hospital. Suzanne (Camille Lou) has the law on her tail. Caroline (Sofia Essaïdi) has been tasked with running the family business while her husband is on the front lines.
Blending personal drama with the compounding effects of a military conflict made for one heck of a story. The writing was fantastic, the actors were pitch-perfect and I was thoroughly drawn into the narrative.
Do I recommend it? Absolutely.
Women at War is available for streaming on Netflix with English subtitles.
Once the details hit the presses, Lewinsky became a punchline. Clinton would eventually weather the storm and end his time in office with a mostly solid reputation.
One of the things that struck me was a comment made by one of the guests. If it had happened today, the #MeToo movement would have vindicated Lewinsky. Clinton would be in the same league as Harvey Weinstein and Matt Lauer.
If nothing else, this shows that change does happen. It just sometimes takes a quarter of a century for it to be accepted as the norm.
Though they never knew each other in life (MW died soon after MS was born), the similarities are inescapable. MW wrote The Vindication of the Rights of Women. MS wrote Frankenstein. Both books were earth-shattering in their own right. The men (William Godwin and Percy Bysshe Shelley respectively) who they made their lives with were far from conventional. By the standards of their time, MW and MS broke all of the rules of what it was to be a female. In doing so, they paved the way for future generations of writers (female especially) to fulfill their dreams.
I loved this book. Gordon introduces her subjects to the audience in such a way that they feel modern. While reading, I was inspired to give the proverbial middle finger to what is “normal” and not care what others think. If nothing else, I think that is the legacy of this extraordinary pair of women.
The only thing I will warn is that Gordon’s narrative is not linear. She alternates each chapter between MW and MS. I took a minute to understand where Gordon was going. After that, I had no problem with the story.
Do I recommend it? Yes.
Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and her daughter Mary Shelley is available wherever books are sold.
The best romances start off as friendships. Regardless of how long the relationship lasts, it is that core friendship that will hopefully ground it.
For more than twenty years, Law and Order: SVU fans have been asking one question: When will Olivia Benson (Mariska Hargitay) and Elliot Stabler (Chris Meloni) get together? When the series started, Stabler was happily married to his late wife and Benson was single. Over the years, she had a number of boyfriends, but no one stuck around for very long.
When Meloni and Stabler left the show in 2011, both the fans and Benson were shocked and heartbroken. It took us a while, but we go used to the newer members of the squad. Then he came back in Law & Order: Organized Crime (2021) and the question became even more prevalent.
Over the past year or so, both Benson and Stabler have become aware of something more between them.
The trailer for the new episode (which will air on Thursday) promises to answer the question. To be truthful, I have mixed feelings. Obviously, both the actors and the characters have tremendous chemistry and know each other inside and out. The next step (if there is one) is to become more than friends.
The issue that I have a problem with is narratives in which a female is given a potential romantic partner simply because of her gender. It has no bearing on the tale. I am fully aware that the show’s creative team respects their female characters. However, I am still a little wary of this storyline.
If this kiss happens, it may be the longest-awaited kiss in television history. Regardless of what happens, I eagerly await the release of this episode.
New episodes of Law & Order: Special Victims Unit air on Thursday at 9PM on NBC.
For most of American history, women have been second citizens. It was only with the passing of Roe V. Wade 50 years ago that we were fully enfranchised.
Today should have been a momentous day in the United States. We should have been celebrating that we are truly free. Our fate and our decisions were of our own making. Instead, we have regressed back to a time in which our future was dependent on where we lived and who was in the halls of power.
The fact is that abortionishealthcare. It ensures that the patient can make the best decision for both her physical and mental health. Without both of those intact, the level of difficulty to fully take care of the youngster(s) rises exponentially.
If for any reason, she is unprepared or unable to take care of the child once it is born, she should not be forced to bring it into the world. Should she be forced to give birth, at best, her ability to parent will be severely diminished. At worst, the minor will be at the mercy of social services and its numerous failings. The last thing any of us should want is for a young person to suffer because of residual issues of the adult in their life.
As much as we want to mourn, it will not get us anywhere. The only thing to do is to stand up, speak up, and fight. Only then, we will be heard and hopefully, in the near future, will our rights be returned to us.
There are marches across the country today in support of the pro-choice movement. If you cannot march, please donate to one (or more) of the many organizations that are standing up for our freedom.
The schedule for the Character Review posts will be changing to Friday (or Saturday at the latest from now on).
*Warning: This post contains spoilers about the characters from the book and the television show Sanditon. Read at your own risk if you have not watched the show. There is something to be said about a well-written, human character. They leap off the page and speak to us as if they were right in front of us, as flesh and blood human beings, instead of fictional creations.
Love is a complicated thing. We can hope and pray that the one we love returns our affection. But that is not always the case. As painful as it is, the only choice is to walk away. But what if we can’t? In Sanditon, when Lord Babington (Mark Stanley) meets Esther Denham (Charlotte Spencer), he is immediately smitten. Esther, on the other hand, is not impressed.
Encouraged by her aunt, Lady Denham (Anne Reid), he continues his suit. But Esther keeps pushing him away. She only has eyes for her stepbrother, Sir Edward Denham (Jack Fox). A less determined man might walk away and put his hopes on another woman who is not continuously putting roadblocks in his way. But not Babington. It is Esther or no one.
Babbington finally gets his chance after Edward and Clara Brereton’s (Lily Sacofsky) plan to locate their aunt’s will is revealed. Declared to be persona non grata by Lady Denham, Esther is now her aunt’s heir. Seeing her stepbrother for what she is, Esther is able to look at Babington with new eyes. When proposes, she says yes. When we last see him, he is happily married and in the thrall of newlywed bliss.
From a modern feminist perspective, Babington could be seen as a problematic character. He does not seem to understand that Esther keeps saying no. Instead of heeding her words, he keeps coming back to her. But, from a romantic perspective, he is a man in love. A man in love will do crazy things to secure the person he wants the most.
For everyone who makes a crack in the glass ceiling, they stand on the shoulders of someone else who made that crack possible. Lovers of classic literature are (hopefully) well-versed in the lives and works of Jane Austen and the Brontes.
They lived what can only be described as a double life. Though they were respected authors/celebrities of their era, the Porters were never financially secure. Debt and poorly made monetary decisions followed them from the time they were young. They were also posthumously buried by the male writers of their era (Sir Walter Scott to be specific), who never publicly named the Porters as the inspiration for their own works.
It goes without saying that the book would be completely up my alley. It goes without saying that it is for a niche audience. But that’s fine. What Looser does so well is to bring her subjects and their world to life. I felt like I knew them as human beings, not as icons and proto-feminists. While she kept to the standard womb-to-tomb biography format, it was far from the dry academic title that it could have been.
Do I recommend it? Absolutely. It is a must-read.
Sister Novelists: The Trailblazing Porter Sisters, Who Paved the Way for Austen and the Brontës is available wherever books are sold.