“I am going to take a heroine whom no one but myself will much like.”
The new adaptation of Emma. was released into theaters this weekend. Stepping in the shoes of Highbury’s queen bee is Anya Taylor-Joy. Unlike Austen’s other heroines, Emma is not hard up for cash and is not looking for a husband. She spends her days tending to her hypochondriac father, Mr. Woodhouse (Bill Nighy) and arguing with her neighbor and long time friend, George Knightley (Johnny Flynn).
She also thinks that she is a matchmaker. When one of her matches lead to a successful marriage, Emma starts to believe that she has the magic touch when it comes to marriage and romance. She will soon find out how wrong she is.
I loved this adaptation. Director Autumn de Wilde adds delicious looking pops of color while screenwriter Eleanor Catton kept as close to Austen cannon as she could have gotten. It is a joyful, hilarious and absolutely wonderful film.
When someone dies young, there are questions of what this person might have accomplished had they lived longer.
When Jane Austen died in 1817 at the age of 41, she left behind grieving family members, six completed novels and fragments of other novels. One of these fragments is Sanditon. Where Jane Austen left off, write Kate Riordan stepped in to complete the story.
Charlotte Heywood is a young woman who has never traveled far from home. Her fate changes when the carriage carrying Tom and Mary Parker turns over. After their carriage is repaired, Charlotte travels with Mr. and Mrs. Parker to the small seaside village of Sanditon. Tom’s goal is to turn this sleepy seaside village into the must-see vacation spot. Charlotte’s world expands in multiple ways, especially when she meets Tom’s brother Sidney.
Jane Austen is one of those writers who is often imitated, but never properly duplicated. Ms. Riordan was able to perfectly match Austen’s tone, dialogue, voice and narrative in such a way that I was not sure where Austen ended and Ms. Riordan began.
Among those of us who know and love her novels, we know that Austen is subversive when it comes to her opinion of the world around her. In this book, her opinion is in your face. Unlike other unmarried young people, Charlotte’s reason for traveling to Sanditon is not to find a wealthy spouse. It is to see the world and expand her horizons. She also included her first character of color. Georgiana Lambe is a bi-racial heiress who is fighting for her own identity and her own choices in a world that would deny her both.
Over the past few years, actor and playwright Kate Hamill has adapted several beloved novels into stage plays.
Her most recent adaptation is Dracula. Based on the Bram Stoker novel, the play adheres to the narrative in the book. Jonathan Harker (Michael Crane) is sent on a business trip to help sort out the business affairs of the mysterious Dracula (Matthew Amendt). But there is something off about Jonathan’s host.
Back in England, a mysterious illness starts to affect the residents of the coastal town of Whitby. With the help of Doctor Van Helsing (Jessica Frances Duke), Jonathan’s wife, Mina (Kelley Curran) has to solve the mystery of this illness and the appearance of what may be an unholy visitor.
I’ve been of Hamill’s for the last few years. Her adaptations of Pride and Prejudice and Little Women were fantastic. This adaptation is no less fantastic than it’s predecessors. I went in with the question of how she was going to adapt Dracula. Unlike her previous works, this book is not exactly what one would label feminist. But Hamill adapted it in such a way that the play retains the narrative of the book while highlighting the issues of women during the 19th century and in our time.
I absolutely recommend it.
Dracula is playing at the Classic Stage Company in New York City until March 8th. Check the website for showtimes and tickets.
Based on the E.M. Foster novel, Howards End is the story of the intermingling of three families in the early 20th century in England. The Wilcoxes are upper class, the Schlegels are middle class and the Basts are lower class. With a cast led by Hayley Atwell and Matthew Macfadyen, this story of cross-class differences and secrets is bound to delight audiences.
I have a confession to make: I have heard of the book, but I have never read it. That will soon be remedied. In the meantime, I was completely taken in by the first episode and as of now, I plan on completing the series.
Sanditon was started by Jane Austen just months before she died. An eleven chapter fragment of a novel, respected television writer Andrew Davies continued where Austen left off. Charlotte Heywood (Rose Williams) is part Elizabeth Bennet and part Catherine Morland. The daughter of a large landed gentry family from the country, Charlotte is young and eager to spread her wings.
When an offer comes her way to visit Sanditon, an up and coming seaside resort, she immediately says yes. But Sanditon is a different world than the world she grew up in. One of the people she meets is Sydney Parker (Theo James, who played the infamous Mr. Pamuk on Downton Abbey), the brooding and sometimes rude younger brother of the couple who she is staying with.
For many Austen fans, Sanditon is a what-if experience. With only eleven chapters completed, we can only guess what the completed novel would have looked like. As an adaptation, so far, I have to say that I am impressed.
Like his previous Jane Austen adaptation, Davies knows when to stick to the script and when to add a little something extra.
What I liked about the series so far is that unlike most Austen heroines, Charlotte’s main reason for going to Sanditon is not to find a husband. Most of her heroines (with the exception of Emma Woodhouse) are motivated to marry because of family pressure and/or financial needs. Charlotte goes to Sanditon to see the world and experience life outside of the family that she grew up in. She is also curious about the world and shows interest in certain subjects that would not be deemed “appropriate” for a woman of this era.
I really enjoyed the first two episodes. It is a love letter to Austen fans and contains plenty of Easter eggs if one knows where to look.
I recommend both.
Howards End and Sanditon air on PBS on Sundays nights at 8:00 and 9:00 respectively.
To say that I am a bookworm is an understatement. As you might expect, I’ve read quite a few books this year.
Without further adieu, my list of the best books of 2019 is below.
The Women of the 116th Congress: Portraits of Power: This book is #1 because it represents how far American women have come and how far we need to go before we are truly equal. In celebrating the success of these female politicians, the authors are paving the way for the next generation of women to represent their country.
Using noted figures of the period such as writer Jane Austen, aristocrat, poet, and politician Lord Byron and French statesman Napoleon Bonaparte, Professor Morrison deconstructs the period and changes that would forever affect Britain as we know it to be today.
I liked this book. It was a deep dive into a period that I thought I knew a lot about. I was wrong. This book took me into the intricacies and details of the Regency era that would only be known to someone who lived in that time or a modern historian who had done their homework.
I will say, however, that this book is not for everyone. It is for someone like me who wants to know more about the period outside of the novels of the era. Or, it can be used for academic purposes. But it does not read like a dry college textbook. Professor Morrison writes in such a way that the reader is quickly absorbed and taught about the Regency era without feeling like they are in a lecture hall.
On December 16th, 1775, a remarkable woman was born. Her name was Jane Austen.
In her time (and to a certain degree, still in ours), a woman’s path in life was clear. She was to receive an education that was considered to be appropriate for a woman. Upon reaching adulthood, she would marry, bear children (i.e. sons) and live the rest of her life in the quiet dignity that was expected for a woman.
Jane could have married. His name was Harris Bigg-Wither. He was the younger brother of her friends. By the accounts of the day and family members, he was not the most attractive of men. But he had one thing going for him: he was the heir of a wealthy and respected family. At that time, those facts were all that was needed to determine if someone was a good match.
He proposed when Jane and Cassandra were visitors to the Bigg-Wither home. On paper, they were a good match. She was in her late 20’s, nearly impoverished and without a marriage proposal in sight. Upon his father’s death, Harris would inherit a stately home and a comfortable fortune. He proposed in the evening. Jane said yes, but something was not right. In the morning, she took back her yes and changed the course of her life forever.
As a single and childless woman of a certain age, I look to Austen as a role model. She could have easily folded into the preordained path that was expected for a woman. But she didn’t. She chose her own path and in doing so, pave the way for future generations of women to do the same.
In Jane Austen’s 1815 novel, Emma, the novel’s titular heroine, Emma Woodhouse is introduced as “handsome, rich and clever”. She thinks that she knows the ways of the world, especially when it comes to love and marriage. Thinks is the keyword in the sentence.
The latest film iteration of this beloved novel will be released into theaters in February. Stepping into the well-worn shoes of Miss Woodhouse is Anya Taylor-Joy. Starring opposite her as George Knightley, Emma’s neighbor/verbal sparring partner is Johnny Flynn.
This is one movie that I am looking forward to seeing. Austen’s comedy of manners is more than the story of who will hook up and when they will hook up. It is the story of a young woman who learns that she does not know everything, but it is written in such a way that the reader does not hate Emma.
I hope that this version will make Jane Austen proud.
I recently reread Mansfield Park for the first time since 2016 and found that many of my thoughts about the novel had changed. I’ve always liked it more than most other Austenites do (not trying to sound prideful or anything – it’s just the way my tastes go) but I found myself enjoying it even more this time around. I feel as though I’ve matured into it; it’s become a novel that speaks to me even more than it entertains.
I wanted to write a post defending Mansfield Park from some of its usual criticisms, while sharing why I love it as much as I do. It was hard to figure out a format though because Mansfield Park is such a dense read – there’s so much to discuss! I ended up deciding to list several of the most common complaints leveled against the book and its characters and…
Writing about your own life requires introspection, honesty and the ability to examine what you have or have not accomplished.
Claire Tomalin is known as the author of quite a few successful biographies. Her new book, A Life of My Own, is her autobiography. Born in 1933 to a French academic father and an English musician mother, Tomalin used books and reading as an escape hatch from her tumultuous and painful life. As a child, she watched as her parent’s marriage crumble.
In her adult years, her own marriage was far from picture perfect. Her late first husband was not exactly loyal to his wife or his vows. Her son was born disabled and she lost one of her daughters to suicide. But she was able to maintain a respected literary career and find love again, even after her disastrous first marriage.
I have to be honest. I love Ms. Tomalin’s biography of Jane Austen. It is brilliant and as perfect as a biography can get. However, I found this book to be on the boring side. I should have been inspired by how she overcame what stood in her way. But I wasn’t.