Elizabeth: Obstinate, Headstrong Girl, edited by Christina Boyd, was released earlier this year. The fourth book in a series of five Jane Austen inspired anthologies, this edition contains a series of short stories inspired by Austen’s most famous heroine.
Like it’s predecessors, I loved this book. I could feel the presence of Austen’s voice and point of view as a writer, which in the world of fanfiction, is not always present. Balancing Austen’s original narrative and their vision of Elizabeth Bennet, the stories reminded me of why I continue to adore the novels of Jane Austen.
I absolutely recommend it.
P.S. The royalties from these anthologies go directly to Chawton House. I can’t think of a better way to give thanks to Jane Austen and to those who are keeping her legacy going.
It may be simplistic to say that reading the books listed above or any book will help to solve our issues. However, I believe that by at least beginning to understand another’s perspective, the doors to communication, understanding, and diversity may truly start to open.
Regular readers of this blog know that I am a Jane Austen super fan. If someone were to ask me to describe a character or a scene, I could do so with a reasonable amount of detail. The same could be said for anyone who has regularly the Bible, or any book that is the foundation of a religion.
While on the campaign trail back in 2016, you know was asked to refer to his favorite passage in the Christian Bible. As he often does when asked a direct question, he found a way to not answer the question.
Yesterday, in response the protests in front of the White House and around the country, he did not address the nation as any other President would. Sending police to clear the crowd, he took a walk to St. John’s Episcopal Church. The church has been a site of Presidential worship for over 200 years.
Instead of speaking of the multiple crises that the United States is experiencing in a meaningful manner, he picked up a Bible and used it as a prop. There was only one reason for this, a photo op and a message to his base.
He is not the first, nor will he be the last to invoke the name and image of G-d (in whatever form G-d takes) for questionable purposes. But given what this nation is going through, the last thing we need is a hypocritical President who says one thing, does another, and only prefers those who blindly support him.
America is at the moment of reckoning. This nation has two choices. We can vote for Joe Biden and move forward. Or, we can vote him in for another term and go down a rabbit hole that I don’t want to think about.
I don’t know about anyone else, but when I initially heard about the stay at home order, I though that it was going to be a break from my busy life. But after three weeks of only going out for the essentials, I (like I suspect many of you) are starting to go a little stir crazy.
That’s when creativity and social media comes into play.
“I am going to take a heroine whom no one but myself will much like.”
The new adaptation of Emma. was released into theaters this weekend. Stepping in the shoes of Highbury’s queen bee is Anya Taylor-Joy. Unlike Austen’s other heroines, Emma is not hard up for cash and is not looking for a husband. She spends her days tending to her hypochondriac father, Mr. Woodhouse (Bill Nighy) and arguing with her neighbor and long time friend, George Knightley (Johnny Flynn).
She also thinks that she is a matchmaker. When one of her matches lead to a successful marriage, Emma starts to believe that she has the magic touch when it comes to marriage and romance. She will soon find out how wrong she is.
I loved this adaptation. Director Autumn de Wilde adds delicious looking pops of color while screenwriter Eleanor Catton kept as close to Austen cannon as she could have gotten. It is a joyful, hilarious and absolutely wonderful film.
When someone dies young, there are questions of what this person might have accomplished had they lived longer.
When Jane Austen died in 1817 at the age of 41, she left behind grieving family members, six completed novels and fragments of other novels. One of these fragments is Sanditon. Where Jane Austen left off, write Kate Riordan stepped in to complete the story.
Charlotte Heywood is a young woman who has never traveled far from home. Her fate changes when the carriage carrying Tom and Mary Parker turns over. After their carriage is repaired, Charlotte travels with Mr. and Mrs. Parker to the small seaside village of Sanditon. Tom’s goal is to turn this sleepy seaside village into the must-see vacation spot. Charlotte’s world expands in multiple ways, especially when she meets Tom’s brother Sidney.
Jane Austen is one of those writers who is often imitated, but never properly duplicated. Ms. Riordan was able to perfectly match Austen’s tone, dialogue, voice and narrative in such a way that I was not sure where Austen ended and Ms. Riordan began.
Among those of us who know and love her novels, we know that Austen is subversive when it comes to her opinion of the world around her. In this book, her opinion is in your face. Unlike other unmarried young people, Charlotte’s reason for traveling to Sanditon is not to find a wealthy spouse. It is to see the world and expand her horizons. She also included her first character of color. Georgiana Lambe is a bi-racial heiress who is fighting for her own identity and her own choices in a world that would deny her both.
Over the past few years, actor and playwright Kate Hamill has adapted several beloved novels into stage plays.
Her most recent adaptation is Dracula. Based on the Bram Stoker novel, the play adheres to the narrative in the book. Jonathan Harker (Michael Crane) is sent on a business trip to help sort out the business affairs of the mysterious Dracula (Matthew Amendt). But there is something off about Jonathan’s host.
Back in England, a mysterious illness starts to affect the residents of the coastal town of Whitby. With the help of Doctor Van Helsing (Jessica Frances Duke), Jonathan’s wife, Mina (Kelley Curran) has to solve the mystery of this illness and the appearance of what may be an unholy visitor.
I’ve been of Hamill’s for the last few years. Her adaptations of Pride and Prejudice and Little Women were fantastic. This adaptation is no less fantastic than it’s predecessors. I went in with the question of how she was going to adapt Dracula. Unlike her previous works, this book is not exactly what one would label feminist. But Hamill adapted it in such a way that the play retains the narrative of the book while highlighting the issues of women during the 19th century and in our time.
I absolutely recommend it.
Dracula is playing at the Classic Stage Company in New York City until March 8th. Check the website for showtimes and tickets.
Based on the E.M. Foster novel, Howards End is the story of the intermingling of three families in the early 20th century in England. The Wilcoxes are upper class, the Schlegels are middle class and the Basts are lower class. With a cast led by Hayley Atwell and Matthew Macfadyen, this story of cross-class differences and secrets is bound to delight audiences.
I have a confession to make: I have heard of the book, but I have never read it. That will soon be remedied. In the meantime, I was completely taken in by the first episode and as of now, I plan on completing the series.
Sanditon was started by Jane Austen just months before she died. An eleven chapter fragment of a novel, respected television writer Andrew Davies continued where Austen left off. Charlotte Heywood (Rose Williams) is part Elizabeth Bennet and part Catherine Morland. The daughter of a large landed gentry family from the country, Charlotte is young and eager to spread her wings.
When an offer comes her way to visit Sanditon, an up and coming seaside resort, she immediately says yes. But Sanditon is a different world than the world she grew up in. One of the people she meets is Sydney Parker (Theo James, who played the infamous Mr. Pamuk on Downton Abbey), the brooding and sometimes rude younger brother of the couple who she is staying with.
For many Austen fans, Sanditon is a what-if experience. With only eleven chapters completed, we can only guess what the completed novel would have looked like. As an adaptation, so far, I have to say that I am impressed.
Like his previous Jane Austen adaptation, Davies knows when to stick to the script and when to add a little something extra.
What I liked about the series so far is that unlike most Austen heroines, Charlotte’s main reason for going to Sanditon is not to find a husband. Most of her heroines (with the exception of Emma Woodhouse) are motivated to marry because of family pressure and/or financial needs. Charlotte goes to Sanditon to see the world and experience life outside of the family that she grew up in. She is also curious about the world and shows interest in certain subjects that would not be deemed “appropriate” for a woman of this era.
I really enjoyed the first two episodes. It is a love letter to Austen fans and contains plenty of Easter eggs if one knows where to look.
I recommend both.
Howards End and Sanditon air on PBS on Sundays nights at 8:00 and 9:00 respectively.
To say that I am a bookworm is an understatement. As you might expect, I’ve read quite a few books this year.
Without further adieu, my list of the best books of 2019 is below.
The Women of the 116th Congress: Portraits of Power: This book is #1 because it represents how far American women have come and how far we need to go before we are truly equal. In celebrating the success of these female politicians, the authors are paving the way for the next generation of women to represent their country.
Using noted figures of the period such as writer Jane Austen, aristocrat, poet, and politician Lord Byron and French statesman Napoleon Bonaparte, Professor Morrison deconstructs the period and changes that would forever affect Britain as we know it to be today.
I liked this book. It was a deep dive into a period that I thought I knew a lot about. I was wrong. This book took me into the intricacies and details of the Regency era that would only be known to someone who lived in that time or a modern historian who had done their homework.
I will say, however, that this book is not for everyone. It is for someone like me who wants to know more about the period outside of the novels of the era. Or, it can be used for academic purposes. But it does not read like a dry college textbook. Professor Morrison writes in such a way that the reader is quickly absorbed and taught about the Regency era without feeling like they are in a lecture hall.