For those who lived in her era, Charlotte Bronte was an unassuming person.
She was the oldest child of the widowed Patrick Bronte, a man of the cloth who some might have considered an odd duck. She lived in a dirty, poverty-stricken middle of nowhere town in Yorkshire, England. Her mother, Mariah and elder sisters, Mariah and Elizabeth died young, elevating Charlotte to the title of oldest Bronte child. Like her most famous heroine, Jane Eyre, Charlotte Bronte was without the standard bearers of her day that would have made her a catch in the marriage market: beauty, status and/or money.
Today is her birthday.
In our own time, we celebrate her genius and the genius of her sisters, Anne and Emily. Jane Eyre, like her other novels, is a respected classic that is beloved by readers the world over, is part of the syllabus in many a classroom and for better and/or worse has been adapted for the stage and the screen.
We remember her as a proto-feminist, a writer in an era when novel-writing belonged to men only and a woman who refused to quietly give in to the image of what a woman should be.
Happy Birthday, Charlotte Bronte.
Of all of the basic elements that make up a successful narrative, the most important one to my mind is the story question.
Today I started reading a book and by the beginning of the second chapter, I felt like I couldn’t go on. The writer had yet to ask the story question.
In a nutshell, the story question grinds down the narrative down to a sentence or two.
- Star Wars: Can a small band of rebels destroy an evil empire?
- Pride and Prejudice: Elizabeth Bennet must marry because she has a small inheritance and no brother to inherit directly from her father. But she will give into the pressure to marry or will she marry for love?
- Jane Eyre: Can an orphaned young woman remain true to herself and not change to please others?
But, even with a great story question, the key is to ask the story very question early in the story.
- Star Wars: The opening scene is that of the Empire’s warship closing on a ship they believe belongs to the rebellion.
- Pride and Prejudice: Elizabeth Bennet is the second oldest of five daughters in a family that is without a direct male heir. Her mother is crowing about their new neighbor, a young man who is single and reputed to be wealthy.
- Jane Eyre: Jane Eyre is an orphan, living with relations who abuse her. She is reading a book and trying to hide from her cousins who frequently mock and bully her.
In creating my own fiction and critiquing fiction by other writers, I have learned that the story question is the most important question that is not only asked by the writer, but by the reader. In my experience, if the question is not asked properly and early on, it is likely to be lost in the narrative. If it is lost in the narrative, the reader or audience may never find it and walk away.
That is the last thing any writer wants.
When rewriting a classic novel for the modern age, it takes more than merely transplanting the narratives and characters from one era to another. It is the writer’s job to ensure that the emotions of both the characters and the reader is equally transplanted.
In the Sense and Sensibility reboot, Jane if Austin: A Novel, by Hillary Manton Lodge, the Woodward sisters Jane, Celia and Margot have dealt with quite a few upheavals in their lives. First their mother dies in a car accident. Then their father is accused of a business scandal. Jane and Celia must take care of themselves and Margot, who is a few years behind her elder sisters. A few years after they have rebuilt their lives, the upheaval happens again. When the rent is raised on their tea shop in San Francisco, the sisters find a new home in Austin.
While temporarily living with a cousin, the sisters have their fair share of issues with their love lives. Celia’s relationship with Teddy ended just before she and her sisters left for Austin. Jane is infatuated with Sean Willis, an up and coming musician. Meanwhile Captain Callum Beckett, a retired Marine is watching Jane from afar while dealing with his own past.
In terms of Jane Austen fanfiction, this one is well done and extremely enjoyable. While it was still Sense and Sensibility, I felt like the author was able to weave her own voice in the story as well.
I recommend it.
2017 was a good year for the publishing industry, at least from my perspective. Below are top ten books for 2017.
- The Genius Of Jane Austen: Jane Austen was a genius, this book explains why.
- Growing Up Fisher: Joely Fisher’s unconventional autobiography is a look into her very unique Hollywood family.
- What Happened: Hillary Clinton’s brutally honest reminiscence of the 2016 Presidential Election is one for the ages.
- Too Fat, Too Slutty, Too Loud: The Rise and Reign of the Unruly Woman: This must read book examines how female celebrities are questioning what is acceptable for a woman.
- The Making Of Jane Austen: Jane Austen was not born a writer, she made herself into one.
- Journey to Star Wars: The Last Jedi: Leia, Princess of Alderaan: The book tells the story of Princess Leia two years before the events of A New Hope.
- Daring to Drive: A Saudi Woman’s Awakening: Saudi Arabia is known the world over for its oppressive laws against its women. Manal Al-Sharif is fighting to change that.
- Mr. Rochester: Written from the point of view of Edward Rochester, Charlotte Bronte’s most famous hero, the book is an eye-opening story on the man readers thought they knew.
- You Can’t Spell America Without Me: The Really Tremendous Inside Story of My Fantastic First Year as President Donald J. Trump (A So-Called Parody): Alec Baldwin co wrote this hilarious book from the mind of you know who. Ridiculously funny.
- The Great Gasbag: An A-to-Z Study Guide to Surviving Trump World: Written by The View co-host Joy Behar, this novel is for anyone who needs a laugh, especially considering what has come out of D.C. this year.
This will be my last blog post for 2017. Wherever you are, have a safe and happy new year. See you in 2018.
Filed under Book Review, Books, Charlotte Bronte, Feminism, History, Jane Austen, Jane Eyre, Movies, Star Wars, Television, Writing
The fanfiction genre is a genre that has never gone out of fashion. Readers and writers are always eager to know what has happened to their favorite characters after the original book ends.
The Darcys: New Pleasures is the third sequel of a series of Pride and Prejudice fanfictions by writer Linda Berdoll. It’s been 25 years since Elizabeth Bennet and Fitzwilliam Darcy repeated their marriage vows. Their children are now young adults and going through everything that young adults go through. The problem is that Mr. and Mrs. Darcy, like all parents of children who are of similar ages, can’t exactly reconcile that their children are on the way to growing up. While this is happening, Elizabeth is dealing with a thorny medical issue and their son, to his father’s chagrin, is not only crushing on a village girl, but spending his time with his uncle Wickham’s son, who is becoming more like his father everyday.
I wanted to like this book, I really did. Taking Mr. and Mrs. Darcy 25 years into the future was an interesting choice for Ms. Berdoll to take as a writer. I also liked her previous books in the series. I can’t put my finger on it, but for some reason this book didn’t do it for me, as much as I hoped it would.
Do I recommend it? No.
*The videos below contain spoilers. Read and watch at your own risk if you have not read the books or watched any of the dramatizations.
One of my favorite things about Jane Austen’s novels is that her narratives and characters are universal. Despite being set in a specific time and place, it doesn’t take much to grasp the worlds she created in her books.
One of the more unique examinations of classic literature is the video series Thug Notes. Their latest video is an examination of Emma.
The thing that I take away every time I see one of these videos is that I am reminded why certain books are still read and cherished. These videos are also very funny, illuminating and well worth watching.
P.S. if you liked the video above, you should check out their Jane Eyre and Pride And Prejudice videos.
Today I re-read Wide Sargasso Sea by Jean Rhys.
A prequel to Jane Eyre, it was published in the 1930’s. Taking place years before Jane Eyre meets Edward Rochester, the focus of the book is Antoinette Cosway, who is known to readers of Jane Eyre as Bertha Rochester, Mr. Rochester’s mad first wife. Antoinette Cosway and Edward Rochester are equally sold in the name of marriage. She is an heiress and he is a younger son in need of a wealthy wife.
What starts out as a story of young love turns into a story of vengeance, hate, mental illness and male power. If Bertha Rochester was Charlotte Bronte’s inner scream against the constraints that women were kept in during the 19th century, then Antoinette Cosway enlarges and opens up that inner scream.
I re-read Wide Sargasso Sea not only because today is National Book Lovers Day, but because the book publicly exposes the double standard that women have become the norm for women over the centuries.
Today I re-read Wide Sargasso Sea.
Readers of Charlotte Bronte’s immortal book, Jane Eyre have been in love with her leading man, Edward Rochester for more a century. One moment he is brooding, Byronic and mysterious. The next moment he is vulnerable and open in his feelings about Jane. But Jane Eyre is told through Jane’s perspective and we only see Mr. Rochester through her eyes.
Sarah Shoemaker’s new novel, Mr. Rochester, is a first person account of the events in Jane Eyre as told from the perspective of Edward Rochester. The readers first meets Edward Rochester as an eight year old boy. His mother died in childbirth, his father is emotionally distant and his elder brother, Rowland is not above hitting or verbally abusing Edward. Sent to school and then to work in the office of a factory, he grows up, slowly becomes the man who Jane meets on that cold wintry night on the road to Thornfield.
I really liked this book. What I liked about it was that Ms. Shoemaker rose to the very daunting task of re-creating the world of Jane Eyre while putting her own spin on the cannon narrative of the novel. The challenge for any writer re-writing a beloved novel is to write the story that not only feels right to them, but also easily exists within the world of the original novel. While some writers try and unfortunately fail in this quest, Ms. Shoemaker succeeds.
I absolutely recommend it.
Jane Eyre is one of those books that does not need an introduction. Originally published in 1847, it has been revered, admired, criticized, reviewed, argued about and adapted/rebooted, for better or for worse since then.
The most recent literary reboot of Jane Eyre is Jane Steele, by Lynsday Faye. The overall narrative of Jane Steele closely resembles it’s predecessor. Jane is orphaned young, abused by the relations forced to take her in, sent away to be educated at a school where the headmaster is less than ideal and grows up to be a governess who falls in love with her employer.
When I saw the book originally, I was intrigued by the concept. While Jane Steele is not a straight up reboot of Jane Eyre (the main character has read Jane Eyre, there are striking similarities between the two characters), it has enough of the Bronte cannon to please fans who prefer the original text. While I appreciated the author’s attention to period details,the injection of the Sikh culture and the other changes made to shake up the familiar narrative, I just felt like I was forcing myself to finish the book.
Do I recommend it? As much as I would like to say that I did, I can’t say that. I don’t recommend it.
The key elements of a successful biopic, especially one where the subjects are legendary in their own right, are as follows: a compelling narrative and adherence to the facts of the subject’s life to engage both the novice viewer and the viewer who is well versed on the subject’s life.
On Sunday night, PBS aired To Walk Invisible, a biopic of the Brontes. The Reverend Patrick Bronte (Jonathan Pryce) is a widower living with his surviving children, who are all grown and seem to be flailing emotionally. The eldest daughter, Charlotte (Finn Atkins) is passionate and ambitious. Branwell, the only boy (Adam Nagaitis) is the ne’er-do-well dreamer with the growing alcohol addiction. Emily (Chloe Pirrie) is as fiery as she is private. The baby of the family, Anne (Charlie Murphy) is the peace maker.
As the sisters work towards their dream of becoming published authors, Branwell descends rapidly into a haze of grief and addiction that will overtake the entire family.
Anyone who knows me (or has read this blog), knows that I worship the literary ground that the Brontes walk on. Their books are nothing short of genius. Unfortunately, I cannot say that same about this television movie. Granted, it is one shot, 2 hour television movie, so for timing reasons, cannot contain every moment of their lives. That’s not my issue.
My issue is that it went a little too fast and the ending felt very abrupt. Certain facts (which I will not mention here due to the fact that they are a little spoiler-y for novice Bronte fans) were not mentioned. Not only that, but the narrative spent too much time on Branwell and not enough time on his sisters, who are the main characters.
Do I recommend it? As much as I would love to say an enthusiastic yes, I can’t. I have to give a mere maybe.
Filed under Anne Bronte, Books, Character Review, Emily Bronte, Feminism, History, Jane Eyre, Television, TV Review, Writing, Wuthering Heights