Hello readers! You are about to witness the virtual Jane Austen Oscars awards ceremony. The winners have been selected by a well-qualified committee, which consists of the owner of this blog and her friend Molly. The committee does not have the funds to support the cash prizes, so they are forcing the losers to pay […]
Jane Austen Oscars
When life hands us lemons, the only thing we can do is make lemonade.
In the 2008 film, Sunshine Cleaning, single mother Rose (Amy Adams) is in a bind. She wants to send her son to an expensive private school to ensure that he gets a good education. But it is not within her financial means to do so. She starts a biohazard removal/crime scene clean-up service with her sister Norah (Emily Blunt).
Norah is to Marianne Dashwood as Rose is to her elder sister Elinor. Rose is determined to succeed. But she knows that it will not be easy. Especially when she is working with Norah and their father, Joe (Alan Arkin).
This movie is charming and adorable. It speaks to the ingenuity that kicks in when all seems lost. It also has two female lead characters in which romance takes a back seat to getting by on their own two feet.
Do I recommend it? Absolutely.
The schedule for the Character Review posts will be changing to Friday (or Saturday at the latest from now on).
I apologize for not posting last week. There is only so much writing that can be done in a day.
*Warning: This post contains spoilers about the characters from the book and the television show Sanditon. Read at your own risk if you have not watched the show. There is something to be said about a well-written, human character. They leap off the page and speak to us as if they were right in front of us, as flesh and blood human beings, instead of fictional creations.
Life is an adventure. So is being young. In Sanditon, Alison Heywood (Rosie Graham) is the younger sister of Charlotte Heywood (Rose Williams). Compared to her older sister, Alison is young, slightly naive, and excited about the unknown. Upon arriving in Sanditon, there are nothing but possibilities, especially in the area of romance.
It is love at first sight with Captain William Carter (Maxim Ays). He is charming, handsome, romantic, and looks good in uniform. She expects to walk into the sunset with him. While she is head over heels for Captain Carter, Alison strikes up an immediate dislike for Captain Declan Frasier (Frank Blake). He seems to disapprove of everything she says and does. He also turns up when she least wants him to.
When it appears that everything is going right, it all goes wrong. Alison nearly drowns when the boat she is in with Captain Carter turns over. Unable to swim, she is brought to safety by Captain Frasier. With her eyes open, she pushes Captain Carter away. It is only then (like Marianne Dashwood), that she realizes that the man she has been looking for has been there along: Captain Frasier.
When we last them, they are newly married and looking forward to a bright future.
To sum it up: You never know where life will take you. Sometimes all you need is an open heart and the willingness to learn from your mistakes. Though she is young and starry-eyed, she is smart enough to know when to change course.
Which is why she is a memorable character.
The schedule for the Character Review posts will be changing to Friday (or Saturday at the latest from now on).
*Warning: This post contains spoilers about the characters from the book and the television show Sanditon. Read at your own risk if you have not watched the show. There is something to be said about a well-written, human character. They leap off the page and speak to us as if they were right in front of us, as flesh and blood human beings, instead of fictional creations.
It’s hard to watch the one you love love someone else. There are only two things that can be done. The first is to try to move on. The second is to hope and wait that this person returns your affection. In Sanditon, Captain Declan Fraser (Frank Blake) is in love with Alison Heywood (Rosie Graham). But Alison only has eyes for another soldier, Captain William Carter (Maxim Ays).
Like Colonel Brandon before him, he is a stalwart to the end. Captain Fraser knows Captain Carter’s history, but remains silent. When he and Alison initially meet, he acts as if he doesn’t care. She thinks he is rude. Though he drops breadcrumbs about his feelings, Alison cannot see that he loves her. It is only after Alison nearly drowns and is saved by Captain Fraser (Captain Carter cannot swim), that truths are revealed. When we last see the Captain and Alison, they are married and looking forward to whatever life may bring.
To sum it up: Sometimes we have to get to know a person to truly know them. The slow revelation that is Captain Fraser reveals an honorable man who loves deeply and puts others first. This maturity and understanding mark him as a man worthy of Alison, but a husband (and future father) who knows where his priorities lie.
Which is why he is a memorable character.
On the surface, it seems that logic and emotion are at odds with one another. But, when coupled together, they are a powerful force that cannot be ignored.
Reason and Romance: A Contemporary Retelling of Sense and Sensibility (published in 2004), is the second book in The Jane Austen Series by Debra White Smith. Sisters Elaina and Anna Woods are as different as night and day. At 27, Elaina is a newly minted Ph.D. and a college Professor. A mini-me of her late father, her life is ruled by rationality. Her younger sister Anna is 22, a dreamer, and still trying to find herself.
Both reckon with an unexpected romance. Elaina is attracted to Ted, who seems perfect for her. But as soon as their relationship gets off the ground, it falls apart. Anna instantly falls in love with Willis. She is already dreaming of what their future will look like. Then he disappears, leaving a series of unanswered questions behind.
Will these sisters find the love they deserve? Or will their dreams of romance remain just that?
The author does a good job of giving equal weight to the modern world and Austen’s original text. My only qualm is that with all of her books, she is a little too heavy-handed on the religious faith of the characters.
Do I recommend it? Yes.
Anyone who knows me (or has read this blog regularly), knows that I am Janeite. In layman’s terms, I am a Jane Austen fangirl. Her books are a huge part of my world.
Today is Austen’s birthday. One of the many things I admire her for is her writing. She had the unique ability to blend satire, romance, and societal criticism in such a way that it takes multiple reads to recognize how perfectly these elements are intertwined.
The focus of yesterday’s episode of The Thing About Austen podcast (which I highly recommend) is Robert Ferrars, the younger brother of Edward Ferrars (Sense and Sensibility). I won’t give the conversation away (which is why I recommend that you listen to it). But what I will say is that her ability to give the reader just enough detail about the character without under or overexplaining is a skill that many writers are unable to accomplish.
Wherever you are Jane, thank you for everything. Our world would not be the same without you.
*Spoilers ahead. Read at your own risk if you are a newbie to the novel or its various screen reboots.
There is a reason that Jane Eyre has been given the label of a “classic novel”. Charlotte Bronte‘s story of a young woman who defies all odds and creates her own happiness is a tale that we can all learn from.
The 1997 TV movie stars Samantha Morton as the title character and Ciaran Hinds as Edward Rochester, Jane’s mysterious employer, and love interest. As in the novel, Jane is an orphaned young woman who must make her own way in the world. Employed by Rochester as the governess to his ward, their attraction is electric. But he has a past that she knows nothing of. If it is revealed, the truth could endanger their future together.
Presently, Morton is electric in The Serpent Queen. Hinds was perfectly cast as Captain Wentworth in the 1995 adaptation of Persuasion. The problem is that these two actors in these roles do not get my blood pumping and my heart pounding as other pairings in the same roles have.
There is one scene that rubs me the wrong way. After it is revealed that Rochester is married, he tries to convince Jane to stay. Hinds is a little too physically rough on Jane as the character for me.
Do I recommend it? I am leaning toward yes.
P.S. Rupert Penry Jones plays St. John Rivers. Elizabeth Garvie plays his sister, Diana. Garvie played Elizabeth Bennet in the 1980 Pride and Prejudice. Gemma Jones (Mrs. Fairfax in this film) was Mrs. Dashwood in the 1995 Sense and Sensibility. The Austen force is strong with this one. It is ironic, given that Bronte highly disliked Austen’s wrong.
*The schedule for the Character Review posts will be changing to Friday (or Saturday at the latest from now on).
*Warning: This post contains spoilers about the characters from the novel Mansfield Park. Read at your own risk if you have not read the book or watched any of the adaptations. There is something to be said about a well-written, human character. They leap off the page and speak to us as if they were right in front of us, as flesh and blood human beings, instead of fictional creations.
In a world in which primogeniture is king, being the eldest son is not what it seems to be. The upside is the potential inheritance of the estate, the title, the family fortune, etc. The downside is the pressure that comes with this status. In Mansfield Park, Thomas Bertram is the eldest son and heir of Sir Thomas and Lady Bertram. With three younger siblings, he has certain responsibilities that his younger brother and sisters do not have. That does mean, however, that he is doing what he is supposed to be doing.
Instead of being the son his parents want him to be, Thomas initially prefers to drink, waste money, and schmooze with his friends. His inability to understand how his actions affect everyone around him would push anyone to the breaking point. He gets so far into debt that Sir Thomas is forced to sell the living or the benefice, putting his younger brother Edmund‘s future in doubt.
Taken by his father on a year-long business trip to Antigua, the hope is that this time away will set Thomas on the right path. Though it appears that he has changed, it is just that. His real transformation is represented by both a literal and figurative fall. Left at death’s door by his friends, Thomas returns home in a vegetative state. While he lies in a coma, Mary Crawford is already planning for her future as Lady Bertram with Edmund as the heir. It is a statement that does not go over well.
Like Marianne Dashwood, he only learns his lesson after hitting rock bottom. We are told by Austen that he is no longer the drunken wastrel that he was. He is the son that his parents need him to be.
To sum it up: Sometimes, the only way to understand where we have gone wrong is to go to depths that we never expected to go. Though the climb back up can be painful in multiple ways, it is the only way to understand where we went wrong. It is not easy, by any stretch of the imagination. But it is necessary if we want to grow beyond our past mistakes.
Which is why Thomas Bertram is a memorable character.
By nature, the corset is a garment meant to constrict the body of the person who is wearing it. It can also be a metaphor for the lack of opportunity and the second-class treatment that has been the norm for women for generations.
Andrea Kayne‘s 2021 book, Kicking Ass in a Corset: Jane Austen’s 6 Principles for Living and Leading from the Inside Out, is half self-help book and half wisdom via Jane Austen. Using six of Austen’s beloved leading ladies (Elizabeth Bennet, Emma Woodhouse, Anne Elliot, Elinor Dashwood, Fanny Price, and Catherine Moreland) as an example, Kayne explains how readers and women readers, in particular, can learn from these beloved characters. Combining real-world advice with exercises and examples from the novels, she inspires us to go for what we want while learning from the women whose stories we adore.
I loved this book. Kayne brings both worlds together in a way that increases my love of Austen while lighting the proverbial fire under the behind. It makes me want to re-read all six books and be open to the lessons that can be gleaned from the genius that is Jane Austen.
Do I recommend it? Absolutely.
Though it appears that a film or television appears as a finished product as if out of thin air, the reality is that it takes a lot of people working together to bring the magic that feels seamless.
The 1995 book, The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen’s Novel to Film, takes the reader into the process of making the 1995 adaptation of the Jane Austen novel, Sense and Sensibility. Written by the movie’s screenwriter and star Emma Thompson (who played the lead role of Elinor Dashwood), the book contains the complete screenplay and Thompson’s diaries of the making of the film.
This book is so much fun to read. Seeing the screenplay in black and white was a treat. Thompson’s journal from the period is bawdy, funny, honest, and full of delicious minutiae of movie making that only adds to the joy of this beloved classic.
Do I recommend it? Yes.
Writergurlny 
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