*I apologize for the delay in posting. I should have written this before New Year’s Eve.
Loki: Tom Hiddleston shines once more as Loki, the complicated immortal who has become much more than the standard antagonist. Forced into new circumstances, he goes on a journey that forever changes him.
Ordinary Joe: This new NBC series is the story of one man and three distinct life paths before him. Told concurrently and using different colors for each decision, is is a reminder of how one choice can affect the rest of our lives.
The Book of Boba Fett: This latest entry into the Star Wars universe from DisneyPlus just premiered on December 29th. Though only two episodes have been released, it is already asking questions that are begging for answers.
Behind Her Eyes: Based on the book by Sarah Pinborough, this six part Netflix series about a married man’s affair with his secretary has a delicious ending that is jaw dropping and completely out of left field. Few endings have wowed me as this did.
The beauty of a world like the MCU universe is that the number of stories that can be told is nearly endless. Over the last year or so, DisneyPlus has released four different series that extend the narrative beyond the ones that exist on the big screen. The list below is my ranking of the existing series.
Loki: Tom Hiddleston shines once more as the trickster g-d turned hero. With Owen Wilson as a mid-level bureaucrat and Sophia Di Martino as Sylvie/the Variant, the program takes one of Marvel’s most beloved and iconic characters in surprising directions.
WandaVision: A loving rip-off of the family sitcom over the decades, Elisabeth Olsen and Paul Bettany returned to the roles of Wanda Maximoff and Vision. An allegory of grief and loss, it speaks to how difficult it is to lose the ones we love. The highlight at least for me, was Kathryn Hahn as nosy neighbor/baddie Agatha Harkness. That is a character for the ages
What If…: This animated series takes the narrative into new directions, introducing new storylines and mixing characters in ways that do not fit into the big screen timeline. From a writing perspective, this program is completely unique and a lovely way to take this world to places where it had not been before.
The Falcon and the Winter Soldier: Taking place after Avengers: Endgame, this is sort of a buddy comedy meets series with a not-so-subtle political message. Though it was did not quite hit the mark as other series did, it was still relatively engaging. The addition of Erin Kellyman’s character, who turns from baddie to hero was a nice twist that I happily did not see coming.
Warning: This post contains spoilers about the final episode of WandaVision. Read at your own risk if you have not seen it.
The MCU is not known for clean, “they lived happily ever after” endings. The pain and the joy of watching any MCU piece are the dangling story threads, especially are the tantalizing clues that come out of the mid-credit scenes.
If there was ever a guidebook on how to create a season finale, the 9th episode of WandaVision would be found within the first five pages. Kudos to Elizabeth Olsen (Wanda Maximoff/Scarlet Witch), Paul Bettany (Vision), Kathryn Hahn (Agnes/Agatha Harkness), and the rest of the cast. The action and the emotion were given equal weight, creating a perfect balance that was equally heart-pounding and heartbreaking.
My favorite moment was when Wanda comes back down to Earth (literally and physically) and realizes what she has done. It was a human moment in a superhuman narrative, forcing the characters and the audience down to take an honest look at the difficult choices that must be made.
If I had to choose between the mid-credit scenes, it would be the final one. The split between Wanda Maximoff as a human being and Scarlet Witch as the magical superhero was a nice representation of the two sides of the same person.
Is anyone else’s head still spinning? Season 2 better come quick.