The word “genius” is often thrown around without anything to back it up. One of the few people who can legitimately be given that title is Mel Brooks. He has made audiences laugh for 70+ years, taking comedy in a direction that few have dared to.
In his mid 90’s, he has more energy and gusto many are half his age. It was an incredible insight into a man who has made generations of audiences laugh. What I loved was the revelation of the man behind the jokes. He reminds me of someone’s old uncle who is not quite politically correct. They know that they are crossing the line. But it is not out of spite or to cause trouble. It’s to make the audience laugh and while they are laughing, perhaps think about the message behind the joke.
As I read the book, two things jumped out at me. The first was that there was no mention of his first wife and not a lot of time focused on his older children. The second is that he refers to almost every woman first by her looks and then by her talent. Maybe it’s me or maybe it’s a generational thing. I get that it could be construed as a compliment, but I would rather be known for my abilities first and my looks second.
Other than that, do I recommend it? Absolutely.
All About Me!: MyRemarkable Life in Show Business is available wherever books are sold.
Benjamin Braddock (Dustin Hoffman) has recently graduated college. He has started sleeping with Mrs. Robinson (Anne Bancroft), the wife of his father’s business partner. The affair is short, but it comes back to bite Benjamin in the behind when he falls in love with Elaine (Katharine Ross), Mrs. Robinson’s daughter.
Martha (Elizabeth Taylor) and George (Richard Burton) are a middle aged married couple who seem to never stop arguing. Their arguments are fueled by alcohol and the fact that Martha’s father is the president of the university where George works as a history professor. They invite Nick (George Segal), a young, ambitious biology professor and his mousy wife, Honey (Sandy Dennis) out for a night cap after a faculty event. That’s when sh*t gets real and the underlying issues between Martha and George come to light.
While both of these movies are very different, they are both very good and worth another viewing.
Dr. Frankenstein (Gene Wilder) is the grandson of the original Dr. Frankenstein. After years of trying to remove himself from his familial past, he is pulled back in and attempts to re-create his grandfather’s work. Co starring the late Peter Boyle (the monster), Marty Feldman (Igor), Teri Garr (Inga) and the late great Madeline Kahn (Elizabeth).
What can I say about this movie? It is immensely quotable and beyond funny. Brooks retains the origins of Mary Shelley’s original novel while putting his own stamp on the story.
And now for your viewing pleasure, the trailer for Young Frankenstein:
I’m also including Putting On The Ritz, it’s the funniest scene in the film.
To Be Or Not To Be is Brook’s 1983 remake of the 1942 original film starring Jack Benny and Carole Lombard.
Just before World War II, a Polish acting troupe led by Frederick and Anna Bronski (Brooks and his late wife, Anne Bancroft) is preparing for their next production when they learn that it has to be scrapped. The Nazis are massing on the borders of Poland. When Anna starts receiving flowers and visits from a young Polish officer (Tim Matheson), the entire troupe becomes involved in the war.
Brooks and his collaborators kept much of the original screenplay intact while putting their own spin on the film. As he did in The Producers, Brooks taking the sting out of the Nazis (as much as one can), while pointing out the absurdity of their beliefs. This movie is perfect and funny and always enjoyable.