For 150 years, readers have read and adored Little Women. Louisa May Alcott‘s timeless tale about the March sisters is a universal story of growing up, sisterhood and finding out who you are.
The new adaption, written and directed by Greta Gerwig, was released a couple of weeks ago.
Told in a non-linear narrative, the film starts as the girls are setting out on their own paths in life. Meg March (Emma Watson) is juggling marriage and motherhood. Jo March (Saoirse Ronan) has a day job as a private tutor and sells her stories to local newspapers. Beth March (Eliza Scanlen) remains content to be at home. Amy March (Florence Pugh) is in Paris and living with Aunt March (Meryl Streep) while she is pursuing her dream of becoming a painter.
The movie then flashes back and forth, from the present to the past. Growing up in New England during the Civil War, the girls are being raised by their mother, known as Marmee (Laura Dern) while their father fights for the North. Early in the story, Theodore “Laurie” Laurence (Timothee Chalamet) introduces himself to Jo. He is literally the boy next door and becomes Jo’s best friend.
Though some fans might disagree with Gerwig’s choice of narrative, I think it was a wise choice. Given the number of filmed adaptations of this beloved book, she chose to make her adaptation stand out because of that unorthodox narrative.
One of the things that impressed me about the film is how Amy is no longer a brat. In most adaptations and in the eyes of many fans, Amy March is disliked because she is spoiled and remains so throughout the book. But in this adaptation, Amy is spoiled like many youngest children are spoiled. But she also grows up into a woman who knows she wants, in spite of a world that would hold her back.
Anyone who has ever watched a film adaptation of their favorite book are likely to be disappointed. Changes to either character or narrative are certain. But Gerwig remains true to the text, retelling this beloved tale with a modern spirit and a reminder of why 150 years later, Little Women is a cherished novel.
Little Women is one of those books. It is the literary gateway drug that for many young bookworms (myself included). I remember reading an abridged version of the novel when I was around eleven or twelve. I loved it then and almost thirty years later, that love has blossomed into a life long affection.
The trailer for the reboot written and directed by Greta Gerwig was just released earlier today. Stepping into the iconic, universal and beloved roles of the March sisters are Emma Watson (Meg), Saoirse Ronan (Jo), Eliza Scanlan (Beth) and Florence Pugh (Amy). Supporting and sometimes bumping heads with the March girls are Marmee (Laura Dern), Laurie (Timothée Chalamet ) and Meryl Streep (Aunt March).
As a friend stated on Facebook, about this trailer and the film’s potential success, ” If anyone can top Winona’s Jo, is DEFINITELY Saoirse”. I have an incredible amount of love for the 1994 adaptation, but if this version can top that love, I will love this film forever.
*Warning: This post contains spoilers in regards to the narrative and characters from the book Little Women by Louisa May Alcott. Read at your own risk if you have not read the book or have seen any of the adaptations.
There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.
In this series of weekly blog posts, I will examine character using the characters from Little Women to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.
If we are lucky, we have older relations who love us and want the best for us. But that doesn’t mean that they are always right. In Little Women, that older relation is Aunt March. Aunt March is the wealthy and widowed Aunt by marriage of Mr. March. She is also very opinionated and not afraid to share her opinions. The reader is introduced to Aunt March when we follow Jo to her job as her aunt’s companion. They get along like oil and water.
It is Aunt March who continually harps on what she believes to be her nephew’s poor decision-making abilities. She also nearly breaks up the engagement of Meg to John Brooke. John is just poor tutor without connections or a large fortune and according to Aunt March, an unwise choice of a spouse.
Though she is critical and not afraid to speak her mind, Aunt March is not heartless. She takes a shining to Amy and encourages her to develop her artistic abilities. She also leaves her home, Plumfield to Jo after her death.
To sum it up: Aunt March maybe a cantankerous and stubborn old woman, but that does not mean that she puts money above family. I think when writers create characters like Aunt March, there has to be a balance between the smart-mouthed old biddy who thinks she knows everything and the woman who really does care, but it doesn’t come out in a direct fashion. It’s just a matter of knowing when to reveal which part of the character’s personality.
This will be the last character review post for Little Women. The next group of characters who will receive a character review in two weeks is…….I’m not telling you. You have to wait and see.