From the outside looking it, archeology may appear to be akin to an Indiana Jonesmovie. But anyone with any amount of knowledge of this subject will tell you otherwise.
The Dig premiered yesterday on Netflix. As World War II rumbles in the distance in 1939, Basil Brown (Ralph Fiennes) is a self trained and unorthodox archeologist. He has been hired by Edith Pretty (Carey Mulligan) to excavate her land and see if he can find buried historical treasure. What he discovers will be known as Sutton Hoo, an Anglo-Saxon burial ship rich in previously unknown artefacts. But with war on the horizon and Basil’s expertise questioned, it looks as if the ship and her objects will remain buried.
I wanted to like this movie. The premise seemed interesting and the cast is stellar. It is a BPD (British Period Drama) with a narrative that is unusual for the genre. The problem is that I was bored, whatever promises that were made in the trailer did not come to fruition.
World on Fire (PBS): This PBS/Masterpiece follows a group of individuals as World War II is on the horizon.
Mrs. America (F/X/Hulu): In the 1970’s, the Equal Rights Amendment (ERA) was close to becoming the law of the land. A tug of war begins between one group of women that is for it and another that is against it.
Sanditon (PBS): Based off the unfinished book of the same name by Jane Austen, we follow Charlotte Heywood (Rose Williams), a young woman who leaves her family for the seaside resort town of Sanditon.
There is nothing like a good BPD (British Period Drama). It has the power to sweep the audience into another world and for a short time, take them away from their everyday life.
The full trailer for the new Shondaland Netflix series, Bridgerton, premiered earlier today. Based on the series of books by Julia Quinn, the audience is introduced to the influential Bridgerton family living in Regency England. As the program progresses, they deal with the ups and downs that are unique to that world and that era.
The characters and the narrative are in the vein of Jane Austen, but the stories are not specifically based on any Austen novel.
I am intrigued by the casting of Julie Andrews as Lady Whistledown, the all knowing gossiping narrator who, according to the trailer is only heard, but not seen.
From a writing perspective, the couple pretending to be in love to get others off their back is one of those storylines that is used semi-regularly. The question is if the writer(s) make it their own or just copy what has been done before.
I am really excited for program. I can only hope that the promises made in the trailer are kept.
One of the major conflicts over the course of human history is between the working class and the ruling and/or wealthy class.
The English Game premiered on Netflix earlier this year. Written by Julian Fellows (Downton Abbey), this six part series tells the story of how football (soccer for us Americans) became the sport it is today. In 1879 England, football is a game played by amateurs. The teams are made up of members of the upper class who are well, overprotective, of the game.
When they are confronted with other teams who come from the working class, the conflict becomes more than football. It represents the idea that the traditional social hierarchy is changing. Those who were born on the lower end of the hierarchy are no longer content to remain where they are. They want a piece of the action, so to speak, and are more than willing to fight for their rights.
Representing the upper classes is Arthur Kinnaird (Edward Holcroft). Standing up for the working men and women is Fergus Suter (Kevin Guthrie).
I enjoyed watching the series. Though it is a BPD (British Period Drama), the narrative is not the standard BPD narrative. It tells the story of a time in which the world was changing and the forces it took to create that change.
I recommend it.
The English Game is available for streaming on Netflix.
When it comes to BPD’s (British Period Dramas), the audience only sees the world from the perspective from the upper classes. The world is not seen from the point of the view of the servants or the average working folk.
In 2010, the reboot of the 1970’s series Upstairs Downstairs premiered. Both programs told the stories of an upper class aristocratic couple and their servants living in 1930’s England.
At the outset, the premise of the program sounded interesting. But it had two strikes against it. The first strike was that I tried watching Upstairs Downstairs, but it didn’t hook me as I hoped it would have. The second strike was that Downton Abbey premiered at the same time in the States and the rest is history.
This hobby blog is dedicated to movie nerdom, nostalgia, and the occasional escape. In the late 90s, I worked at Blockbuster Video where they let me take home two free movies a day. I caught up on the classics and wrote movie reviews for Denver 'burbs newspapers and magazines. Today, I continue to revisit the old and discover the new on the screen. Comments and dialogue are highly encouraged. This year, I'm excited to collaborate with other writers via SLICETHELIFE, in which we will share our movie genre favorites in our 2021 Movie Draft!