The appeal of adapting a beloved novel for the stage or the screen is never easy. It has to be as true as possible to the original text. However, there may be the necessity of some changes, which may not or may not please those who love the story in its original form.
The 1992 film, HowardsEnd, is based on the book by E.M. Forster. It is the story of three different families from three different social strata in early 20th century England. The Wilcox family is firmly entombed within the upper class. The Schlagels are middle class and believe in helping others who are not so fortunate. The Basts are at the bottom of the barrel and doing their best to survive. Starring Anthony Hopkins, Emma Thompson, and Helena Bonham Carter, it is a story of class, breaking boundaries, and getting to know someone beyond where they are in the social hierarchy.
This movie is amazing. Not only is this BPD adaption loyal to the book, but it is well written, well acted, and thoroughly engaging. It immediately hooks the audience, taking them on a ride that is unexpected and not forgotten anytime soon.
In the fairy tales we were told as children, the stories always ended in a happily ever after. The prince and princess walked into the sunset with nothing but a bright and easy future ahead of them. The reality of that life is far more complicated than childhood tale could create.
The series starts when the teenage princess travels to England to marry. Arthur Tudor, the Prince of Wales (August Imrie). Their marriage was suppose to cement the relationship between England and Spain and create a figurative wall against the power of the French. But Arthur died young, leaving Catherine not only a widow, but childless. Without the heir to the English throne growing inside of her, her fate is unknown.
The solution to the problem is for Catherine to marry Henry. But the question of her virginity looms over their relationship. It is a concern that hovers over the rest of their years together, even after the birth of their daughter (and only surviving child), the future Mary I of England.
The program introduces the audience first to the young girl who has been trained from birth to be a future queen. She then becomes the woman who leads the country when her husband goes off to war and finally, a Queen who realizes that both the man and the crown she loves and will soon be slipping from her fingers.
I have never read the books, so I cannot comment on what changes may have been made between the page and the screen. Either way, the program is fantastic. This world is brought to life with all of the colors and complexities that only a well done BPD (British Period Drama) can bring to audiences. Supported by a fantastic cast, this show is one that is worthy of our television viewing time.
Do I recommend it? Yes.
The Spanish Princess is available for streaming on Hulu.
When we are young, we may dream of marriage and the life that follows. But like many dreams, reality does not match the fantasy.
In the 2014 film, Effie Gray, the title character whose full name is Euphemia Chalmers Gray (Dakota Fanning) is 19 when she marries the much older writer John Ruskin (Greg Wise). What starts out to be a good match goes south fast. John refuses to consummate their marriage. Needing the physical and emotional attention she should be getting from her husband, Effie turns to pre-Raphaelite painter John Everett Millais (Tom Sturridge). Effie also has a friend in Lady Elizabeth Eastlake (Emma Thompson). After five years of marriage Effie has to make a choice. She could stay in her empty and loveless marriage. Or, she could defy the strict standards of the Victorian era and find the happiness she deserves.
I truly enjoyed this movie. Written by Thompson, it has the usual beats of BPD (British Period Drama), but it is more than what the viewer expects. It is a story of female empowerment in an era in which women had no power. Based on Gray’s life, it is powerful, emotional, and a reminder that us females not only have a voice, we have the right to use it.
March is Women’s History Month. This year, I would like to shine a spotlight on some of the female characters who both push against the glass ceiling and inspire us.
Behind Her Eyes (Netflix): It would have been easy to peg Adele (Eve Hewson) as the wronged wife and Louise (Simona Brown) as a modern version of Glenn Close’s character from Fatal Attraction. But both women are given the opportunity to be fully fledged characters that go well beyond the stereotypes.
Bridgerton (Netflix): For non-fans of the BPD (British Period Drama), Bridgerton would just another Jane Austen-ish historical romance/drama. But fans know that though women are second class citizens in this world, they have other abilities that are not obvious to the naked eye. My favorite characters are Eloise Bridgerton (Claudia Jessie) and Lady Danbury (Adjoah Andoh). Instead of mindlessly following in her elder sister’s footsteps, Eloise would love to be free of the constrictions that women are placed under in the 19th century. For her part, Lady Danbury is a badass who knows of her place in society and uses her experiences wisely.
WandaVision (DisneyPlus): Every female character in this series is fully formed. As we learn more about this world and the women who inhabit it, their humanity is revealed in a manner that is normal and natural. They are allowed to be who they are without being pegged as certain character types and forced into boxes that can be easily checked off.
P.S. That series finale last night was nothing short of mind blowing. I don’t know about anyone else, but I am ready for season 2.
Law & Order: SVU (NBC): For a television show to last twenty plus years, it has to have a certain something about it. In a nutshell, what makes it stand out is the difficult subject the show brings to the forefront and the capable female detectives whose job it is to solve the crimes. At the head of the unit is Olivia Benson (Mariska Hargitay). Though she has been working sex crimes for decades, the job has not hardened her. She can be tough when she has to be, but she can also be compassion and humane. Amanda Rollins (Kelli Giddish) has fought against her demons and survived. That alone is worth its weight in gold. The newest and youngest member of the squad is Katriona Tamin (Jamie Gray Hyder). Though she still has a lot to learn, she has the passion and the drive to bring the criminals to justice.
Readers, what other female characters inspire you? Feel free to leave a comment in the comment section below.
From the outside looking it, archeology may appear to be akin to an Indiana Jonesmovie. But anyone with any amount of knowledge of this subject will tell you otherwise.
The Dig premiered yesterday on Netflix. As World War II rumbles in the distance in 1939, Basil Brown (Ralph Fiennes) is a self trained and unorthodox archeologist. He has been hired by Edith Pretty (Carey Mulligan) to excavate her land and see if he can find buried historical treasure. What he discovers will be known as Sutton Hoo, an Anglo-Saxon burial ship rich in previously unknown artefacts. But with war on the horizon and Basil’s expertise questioned, it looks as if the ship and her objects will remain buried.
I wanted to like this movie. The premise seemed interesting and the cast is stellar. It is a BPD (British Period Drama) with a narrative that is unusual for the genre. The problem is that I was bored, whatever promises that were made in the trailer did not come to fruition.
World on Fire (PBS): This PBS/Masterpiece follows a group of individuals as World War II is on the horizon.
Mrs. America (F/X/Hulu): In the 1970’s, the Equal Rights Amendment (ERA) was close to becoming the law of the land. A tug of war begins between one group of women that is for it and another that is against it.
Sanditon (PBS): Based off the unfinished book of the same name by Jane Austen, we follow Charlotte Heywood (Rose Williams), a young woman who leaves her family for the seaside resort town of Sanditon.
There is nothing like a good BPD (British Period Drama). It has the power to sweep the audience into another world and for a short time, take them away from their everyday life.
The full trailer for the new Shondaland Netflix series, Bridgerton, premiered earlier today. Based on the series of books by Julia Quinn, the audience is introduced to the influential Bridgerton family living in Regency England. As the program progresses, they deal with the ups and downs that are unique to that world and that era.
The characters and the narrative are in the vein of Jane Austen, but the stories are not specifically based on any Austen novel.
I am intrigued by the casting of Julie Andrews as Lady Whistledown, the all knowing gossiping narrator who, according to the trailer is only heard, but not seen.
From a writing perspective, the couple pretending to be in love to get others off their back is one of those storylines that is used semi-regularly. The question is if the writer(s) make it their own or just copy what has been done before.
I am really excited for program. I can only hope that the promises made in the trailer are kept.
One of the major conflicts over the course of human history is between the working class and the ruling and/or wealthy class.
The English Game premiered on Netflix earlier this year. Written by Julian Fellows (Downton Abbey), this six part series tells the story of how football (soccer for us Americans) became the sport it is today. In 1879 England, football is a game played by amateurs. The teams are made up of members of the upper class who are well, overprotective, of the game.
When they are confronted with other teams who come from the working class, the conflict becomes more than football. It represents the idea that the traditional social hierarchy is changing. Those who were born on the lower end of the hierarchy are no longer content to remain where they are. They want a piece of the action, so to speak, and are more than willing to fight for their rights.
Representing the upper classes is Arthur Kinnaird (Edward Holcroft). Standing up for the working men and women is Fergus Suter (Kevin Guthrie).
I enjoyed watching the series. Though it is a BPD (British Period Drama), the narrative is not the standard BPD narrative. It tells the story of a time in which the world was changing and the forces it took to create that change.
I recommend it.
The English Game is available for streaming on Netflix.
When it comes to BPD’s (British Period Dramas), the audience only sees the world from the perspective from the upper classes. The world is not seen from the point of the view of the servants or the average working folk.
In 2010, the reboot of the 1970’s series Upstairs Downstairs premiered. Both programs told the stories of an upper class aristocratic couple and their servants living in 1930’s England.
At the outset, the premise of the program sounded interesting. But it had two strikes against it. The first strike was that I tried watching Upstairs Downstairs, but it didn’t hook me as I hoped it would have. The second strike was that Downton Abbey premiered at the same time in the States and the rest is history.