William teeters between a disapproving paternal figure and a suitor who is quicker to recognize their growing attraction than she is. Emily is determined to keep him at arm’s length. When they finally get together, the dam breaks. But when real life intervenes, they are torn apart.
There are two schools of thought when it comes to Emily. If an audience member knows nothing or next to nothing about the Brontes, it’s fine. But, if you are a fangirl of the sisters (like I am), that’s another story entirely.
What kills me is that there is so much information out there that O’Connor either ignored or played around with to fit her narrative. I understand that this is a work of fiction and not a documentary. That being said, she could have been a lot more faithful to what is known about Bronte.
Though I did appreciate the callbacks to Wuthering Heights and Mackey’s performance, I was highly disappointed with the movie and O’Connor’s choice of story.
Do I recommend it? No. It is one of the worst films that I have seen in a long time.
As the war rages on, children are being evacuated from the cities to the country. Frank (Lucas Bond) is a young boy who needs a temporary home. Begrudgingly, Alice takes him in. As they start to grow on one another, we flash back to Alice’s past and her relationship with Vera (Gugu Mbatha-Raw).
It’s a really sweet story about love, acceptance, and opening your heart to someone whom you never expected to. The casting is top-notch and the film is entirely watchable. It is also a reminder that love is love is love, regardless of gender or sexual identity.
When Downton Abbey premiered more than a decade ago, it looked to be nothing more than your run-of-the-mill BPD (British Period Drama). Who knew that it would become a worldwide cultural phenomenon that still enthralls audiences?
With the roof leaking, she has accepted an offer from a Director to use the Abbey as a film set. Jack Barber (Hugh Dancy) brings the glamour of Hollywood along with his lead actors: Guy Dexter (Dominic West) and Myrna Dalgleish (Laura Haddock).
The best word to describe the experience of watching this film is meta. This movie was made with so much love that it pours out of the screen. Julian Fellows brilliantly balances both the instinctive narrative and the wants of the audience. It’s not an easy task, given the expectations of the fanbase.
I’ve been a fan of the show since the first episode. I was not disappointed. It was everything I wanted and more.
My only qualm is that a little over 2 hours, it is just a tad long. However, Fellows gets a pass, given the number of storylines he has to balance.
Do I recommend it? Absolutely.
Downton Abbey: A New Era is presently in theaters.
There is something about a BPD (British Period Drama) that is sometimes what we need at a specific moment. It is not just the narrative itself, it is the ability for us to be taken out of our daily lives for a short time.
The trailer for the new film, Mr. Malcolm’s List, was released last week. Based on the book by Suzanne Allain, the epymonous Mr. Jeremy Malcolm, (Sope Dirisu) is the most wanted bachelor of the season. Every eligible young lady and her matchmaking mama have set their cap at him.
In response, he has created a list of qualities that his future wife must-have. They seem so impossible that no woman would ever fit the bill. Enter Selina Dalton (Freida Pinto). She checks off all of the boxes and then some. But she has a secret that could derail this marriage before he can pop the question.
I am very excited about this film. I loved the book, which owes a great deal to Jane Austen, and I loved the short film that was released a few years ago.
I can only hope that the full-length feature lives up to its promise and the book it is based on.
Mr. Malcolm’s List will be in theaters starting on July 1st, 2022.
The appeal of adapting a beloved novel for the stage or the screen is never easy. It has to be as true as possible to the original text. However, there may be the necessity of some changes, which may not or may not please those who love the story in its original form.
The 1992 film, HowardsEnd, is based on the book by E.M. Forster. It is the story of three different families from three different social strata in early 20th century England. The Wilcox family is firmly entombed within the upper class. The Schlagels are middle class and believe in helping others who are not so fortunate. The Basts are at the bottom of the barrel and doing their best to survive. Starring Anthony Hopkins, Emma Thompson, and Helena Bonham Carter, it is a story of class, breaking boundaries, and getting to know someone beyond where they are in the social hierarchy.
This movie is amazing. Not only is this BPD adaption loyal to the book, but it is well written, well acted, and thoroughly engaging. It immediately hooks the audience, taking them on a ride that is unexpected and not forgotten anytime soon.
In the fairy tales we were told as children, the stories always ended in a happily ever after. The prince and princess walked into the sunset with nothing but a bright and easy future ahead of them. The reality of that life is far more complicated than childhood tale could create.
The series starts when the teenage princess travels to England to marry. Arthur Tudor, the Prince of Wales (August Imrie). Their marriage was suppose to cement the relationship between England and Spain and create a figurative wall against the power of the French. But Arthur died young, leaving Catherine not only a widow, but childless. Without the heir to the English throne growing inside of her, her fate is unknown.
The solution to the problem is for Catherine to marry Henry. But the question of her virginity looms over their relationship. It is a concern that hovers over the rest of their years together, even after the birth of their daughter (and only surviving child), the future Mary I of England.
The program introduces the audience first to the young girl who has been trained from birth to be a future queen. She then becomes the woman who leads the country when her husband goes off to war and finally, a Queen who realizes that both the man and the crown she loves and will soon be slipping from her fingers.
I have never read the books, so I cannot comment on what changes may have been made between the page and the screen. Either way, the program is fantastic. This world is brought to life with all of the colors and complexities that only a well done BPD (British Period Drama) can bring to audiences. Supported by a fantastic cast, this show is one that is worthy of our television viewing time.
Do I recommend it? Yes.
The Spanish Princess is available for streaming on Hulu.
When we are young, we may dream of marriage and the life that follows. But like many dreams, reality does not match the fantasy.
In the 2014 film, Effie Gray, the title character whose full name is Euphemia Chalmers Gray (Dakota Fanning) is 19 when she marries the much older writer John Ruskin (Greg Wise). What starts out to be a good match goes south fast. John refuses to consummate their marriage. Needing the physical and emotional attention she should be getting from her husband, Effie turns to pre-Raphaelite painter John Everett Millais (Tom Sturridge). Effie also has a friend in Lady Elizabeth Eastlake (Emma Thompson). After five years of marriage Effie has to make a choice. She could stay in her empty and loveless marriage. Or, she could defy the strict standards of the Victorian era and find the happiness she deserves.
I truly enjoyed this movie. Written by Thompson, it has the usual beats of BPD (British Period Drama), but it is more than what the viewer expects. It is a story of female empowerment in an era in which women had no power. Based on Gray’s life, it is powerful, emotional, and a reminder that us females not only have a voice, we have the right to use it.
March is Women’s History Month. This year, I would like to shine a spotlight on some of the female characters who both push against the glass ceiling and inspire us.
Behind Her Eyes (Netflix): It would have been easy to peg Adele (Eve Hewson) as the wronged wife and Louise (Simona Brown) as a modern version of Glenn Close’s character from Fatal Attraction. But both women are given the opportunity to be fully fledged characters that go well beyond the stereotypes.
Bridgerton (Netflix): For non-fans of the BPD (British Period Drama), Bridgerton would just another Jane Austen-ish historical romance/drama. But fans know that though women are second class citizens in this world, they have other abilities that are not obvious to the naked eye. My favorite characters are Eloise Bridgerton (Claudia Jessie) and Lady Danbury (Adjoah Andoh). Instead of mindlessly following in her elder sister’s footsteps, Eloise would love to be free of the constrictions that women are placed under in the 19th century. For her part, Lady Danbury is a badass who knows of her place in society and uses her experiences wisely.
WandaVision (DisneyPlus): Every female character in this series is fully formed. As we learn more about this world and the women who inhabit it, their humanity is revealed in a manner that is normal and natural. They are allowed to be who they are without being pegged as certain character types and forced into boxes that can be easily checked off.
P.S. That series finale last night was nothing short of mind blowing. I don’t know about anyone else, but I am ready for season 2.
Law & Order: SVU (NBC): For a television show to last twenty plus years, it has to have a certain something about it. In a nutshell, what makes it stand out is the difficult subject the show brings to the forefront and the capable female detectives whose job it is to solve the crimes. At the head of the unit is Olivia Benson (Mariska Hargitay). Though she has been working sex crimes for decades, the job has not hardened her. She can be tough when she has to be, but she can also be compassion and humane. Amanda Rollins (Kelli Giddish) has fought against her demons and survived. That alone is worth its weight in gold. The newest and youngest member of the squad is Katriona Tamin (Jamie Gray Hyder). Though she still has a lot to learn, she has the passion and the drive to bring the criminals to justice.
Readers, what other female characters inspire you? Feel free to leave a comment in the comment section below.
From the outside looking it, archeology may appear to be akin to an Indiana Jonesmovie. But anyone with any amount of knowledge of this subject will tell you otherwise.
The Dig premiered yesterday on Netflix. As World War II rumbles in the distance in 1939, Basil Brown (Ralph Fiennes) is a self trained and unorthodox archeologist. He has been hired by Edith Pretty (Carey Mulligan) to excavate her land and see if he can find buried historical treasure. What he discovers will be known as Sutton Hoo, an Anglo-Saxon burial ship rich in previously unknown artefacts. But with war on the horizon and Basil’s expertise questioned, it looks as if the ship and her objects will remain buried.
I wanted to like this movie. The premise seemed interesting and the cast is stellar. It is a BPD (British Period Drama) with a narrative that is unusual for the genre. The problem is that I was bored, whatever promises that were made in the trailer did not come to fruition.
World on Fire (PBS): This PBS/Masterpiece follows a group of individuals as World War II is on the horizon.
Mrs. America (F/X/Hulu): In the 1970’s, the Equal Rights Amendment (ERA) was close to becoming the law of the land. A tug of war begins between one group of women that is for it and another that is against it.
Sanditon (PBS): Based off the unfinished book of the same name by Jane Austen, we follow Charlotte Heywood (Rose Williams), a young woman who leaves her family for the seaside resort town of Sanditon.
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