March is Women’s History Month. This year, I would like to shine a spotlight on some of the female characters who both push against the glass ceiling and inspire us.
Behind Her Eyes (Netflix): It would have been easy to peg Adele (Eve Hewson) as the wronged wife and Louise (Simona Brown) as a modern version of Glenn Close’s character from Fatal Attraction. But both women are given the opportunity to be fully fledged characters that go well beyond the stereotypes.
Bridgerton (Netflix): For non-fans of the BPD (British Period Drama), Bridgerton would just another Jane Austen-ish historical romance/drama. But fans know that though women are second class citizens in this world, they have other abilities that are not obvious to the naked eye. My favorite characters are Eloise Bridgerton (Claudia Jessie) and Lady Danbury (Adjoah Andoh). Instead of mindlessly following in her elder sister’s footsteps, Eloise would love to be free of the constrictions that women are placed under in the 19th century. For her part, Lady Danbury is a badass who knows of her place in society and uses her experiences wisely.
WandaVision (DisneyPlus): Every female character in this series is fully formed. As we learn more about this world and the women who inhabit it, their humanity is revealed in a manner that is normal and natural. They are allowed to be who they are without being pegged as certain character types and forced into boxes that can be easily checked off.
P.S. That series finale last night was nothing short of mind blowing. I don’t know about anyone else, but I am ready for season 2.
Law & Order: SVU (NBC): For a television show to last twenty plus years, it has to have a certain something about it. In a nutshell, what makes it stand out is the difficult subject the show brings to the forefront and the capable female detectives whose job it is to solve the crimes. At the head of the unit is Olivia Benson (Mariska Hargitay). Though she has been working sex crimes for decades, the job has not hardened her. She can be tough when she has to be, but she can also be compassion and humane. Amanda Rollins (Kelli Giddish) has fought against her demons and survived. That alone is worth its weight in gold. The newest and youngest member of the squad is Katriona Tamin (Jamie Gray Hyder). Though she still has a lot to learn, she has the passion and the drive to bring the criminals to justice.
Readers, what other female characters inspire you? Feel free to leave a comment in the comment section below.
From the outside looking it, archeology may appear to be akin to an Indiana Jonesmovie. But anyone with any amount of knowledge of this subject will tell you otherwise.
The Dig premiered yesterday on Netflix. As World War II rumbles in the distance in 1939, Basil Brown (Ralph Fiennes) is a self trained and unorthodox archeologist. He has been hired by Edith Pretty (Carey Mulligan) to excavate her land and see if he can find buried historical treasure. What he discovers will be known as Sutton Hoo, an Anglo-Saxon burial ship rich in previously unknown artefacts. But with war on the horizon and Basil’s expertise questioned, it looks as if the ship and her objects will remain buried.
I wanted to like this movie. The premise seemed interesting and the cast is stellar. It is a BPD (British Period Drama) with a narrative that is unusual for the genre. The problem is that I was bored, whatever promises that were made in the trailer did not come to fruition.
World on Fire (PBS): This PBS/Masterpiece follows a group of individuals as World War II is on the horizon.
Mrs. America (F/X/Hulu): In the 1970’s, the Equal Rights Amendment (ERA) was close to becoming the law of the land. A tug of war begins between one group of women that is for it and another that is against it.
Sanditon (PBS): Based off the unfinished book of the same name by Jane Austen, we follow Charlotte Heywood (Rose Williams), a young woman who leaves her family for the seaside resort town of Sanditon.
There is nothing like a good BPD (British Period Drama). It has the power to sweep the audience into another world and for a short time, take them away from their everyday life.
The full trailer for the new Shondaland Netflix series, Bridgerton, premiered earlier today. Based on the series of books by Julia Quinn, the audience is introduced to the influential Bridgerton family living in Regency England. As the program progresses, they deal with the ups and downs that are unique to that world and that era.
The characters and the narrative are in the vein of Jane Austen, but the stories are not specifically based on any Austen novel.
I am intrigued by the casting of Julie Andrews as Lady Whistledown, the all knowing gossiping narrator who, according to the trailer is only heard, but not seen.
From a writing perspective, the couple pretending to be in love to get others off their back is one of those storylines that is used semi-regularly. The question is if the writer(s) make it their own or just copy what has been done before.
I am really excited for program. I can only hope that the promises made in the trailer are kept.
One of the major conflicts over the course of human history is between the working class and the ruling and/or wealthy class.
The English Game premiered on Netflix earlier this year. Written by Julian Fellows (Downton Abbey), this six part series tells the story of how football (soccer for us Americans) became the sport it is today. In 1879 England, football is a game played by amateurs. The teams are made up of members of the upper class who are well, overprotective, of the game.
When they are confronted with other teams who come from the working class, the conflict becomes more than football. It represents the idea that the traditional social hierarchy is changing. Those who were born on the lower end of the hierarchy are no longer content to remain where they are. They want a piece of the action, so to speak, and are more than willing to fight for their rights.
Representing the upper classes is Arthur Kinnaird (Edward Holcroft). Standing up for the working men and women is Fergus Suter (Kevin Guthrie).
I enjoyed watching the series. Though it is a BPD (British Period Drama), the narrative is not the standard BPD narrative. It tells the story of a time in which the world was changing and the forces it took to create that change.
I recommend it.
The English Game is available for streaming on Netflix.
When it comes to BPD’s (British Period Dramas), the audience only sees the world from the perspective from the upper classes. The world is not seen from the point of the view of the servants or the average working folk.
In 2010, the reboot of the 1970’s series Upstairs Downstairs premiered. Both programs told the stories of an upper class aristocratic couple and their servants living in 1930’s England.
At the outset, the premise of the program sounded interesting. But it had two strikes against it. The first strike was that I tried watching Upstairs Downstairs, but it didn’t hook me as I hoped it would have. The second strike was that Downton Abbey premiered at the same time in the States and the rest is history.
A good movie trailer is essentially a tease of the full movie. It gives enough away to tempt the audience to pay to see the movie, but it doesn’t (well hopefully it doesn’t) give away too much of the narrative.
The full trailer for the Downton Abbey movie was released earlier today.
Based on the uber-successful BPD Masterpiece television program of the same name created and written by Julian Fellows, the movie starts in 1927, a year after the series ended. King George V and Queen Mary will soon be visiting Downton, causing all sorts of commotion. I also fully expect there to be plenty of personal drama between the characters while the household is preparing for their royal visitors.
I am definitely looking forward to seeing this movie.
P.S. Whoever decided to end the trailer with a delicious verbal duel between Isobel (Penelope Wilton) and Violet (Maggie Smith) is a genius.
This short film, directed by Emma Holly Jones and written by Suzanne Allain (who also wrote the book of the same name) is absolutely brilliant. Written in the spirit of Jane Austen with a multi-cultural cast, this piece is sure to delight fans of Jane Austen and British Period Dramas.
Jeremy Malcolm (Sope Dirisu) is the most eligible bachelor of the season. Miss Julia Thislethate (Gemma Chan) is sure that she is the future Mrs. Malcolm. But Mr. Malcolm has an extensive list of qualities that he is looking for in a wife. His friend, played by Oliver Jackson-Cohen (whose character is nameless for the short film) is trying to tempt Mr. Malcolm into matrimony. Enter Selina Dalton (Freida Pinto), Julia’s friend. Julia plans to use Selina as revenge against Mr. Malcolm for his rejection of her suit, but in doing so, she may ruin her friend’s chance at happiness.
I adore this film. It has all of the hallmarks of a BPD (British Period Drama), with the biting satire of Jane Austen. But at the same time, but it feels entirely new. Not only do I love the color blind casting and the completely female production team, but I also love it is also going to be made into a feature length film.
There are only a handful of films where I gladly pay for the movie ticket well before the movie hits theaters. Mr. Malcolm’s List is one of these movies.
Seeing a woman in the halls of power is relatively new in the course of human history. At best, in the past, women have been help-meets, wives and servants. At worst, they are disposable to relegated the background of history.
The new movie, Mary Queen of Scots (based on the book Queen of Scots: The True Life of Mary Stuart by John Guy) takes place in the 16th century, when two women ruled England and Scotland concurrently. Elizabeth I of England (Margot Robbie) has successfully ruled England without questions of her legitimacy to the throne. The only issue that she is without a husband and a child. Her cousin, Mary Stuart (Saoirse Ronan) has recently taken her place as Queen of Scotland after the passing of her first husband. She knows that she has to marry and bring a male heir into the world, but she is not willing to marry for the sake of politics.
Both Mary and Elizabeth wish for peace between their kingdoms, but the men who council both Queens are not content to bow before women, nor are they willing to let two women maintain a political friendship. Around them, the seeds of discord are being sewn. Will Mary and Elizabeth rule their respective countries in peace or will the interference of the men around them result in upheaval and violence?
It takes a certain kind of BPD (British Period Drama) to appeal to a wide range of audience members. While Mary Queen Of Scots falls squarely within the BPD genre, it has a specific message that appeals to a certain kind of audience member. While I very much appreciate the timely message of women in power and how we react/treat them, this film is a bit on the heavy side when it comes to the narrative.