I apologize for the late publishing of this review. Life got in the way.
Warning: this review has spoilers from the end of season 5. Read at your own risk if you have not seen season 5.
For as much creativity as it takes to start a new narrative, it takes more creativity to continue in multiple segments. The writer(s) must be willing and able to expand their horizons and allow the characters to grow beyond their initial storyline.
The new season of Outlander premiered earlier this month on Starz. It starts not long after the previous season ended. Claire (Caitriona Balfe) is still dealing with the emotional effects of being kidnapped and raped. Up until this point, she has been able to present a strong front and now show any weaknesses. But the experience has started to break down those walls.
In addition to being concerned about his wife, Jamie (Sam Heughan) is dealing with problems from his past and his present. Meeting up with an old rival, Tom Christie (Mark Lewis Jones), and his children Malva (Jessica Reynolds) and Allan (Alexander Vlahos), he comes face to face with a part of his life he would rather forget. While this is happening, the Revolutionary War is slowly getting closer to Fraser’s Ridge, threatening to upend the lives of its residents.
So far, this season has lived up to my expectations and then some. What I love is that the first few episodes have focused on where the characters are emotionally. Add in the clouds of war on the horizon and the reaction will be nothing short of explosive.
In theory, childhood should be a time of innocence, fun, and protection from the grey areas that we experience as adults. But as much as our parents and grandparents would like to shield us from the wider world, it will still find its way in.
The new movie, Belfast, takes place in a working-class neighborhood in the Northern Ireland city of Belfast in 1969. Shot in black and white, the film opens on an ordinary afternoon. Children are playing while adults do their errands and go about their business. When a Protestantmob takes over the street and starts destroying the homes and property of Catholic residents, the life of a young man named Buddy (Jude Hill) is forever changed. His father (Jamie Dornan) works in England in construction and comes home on weekends. His mother (Caitriona Balfe) is doing the best she can to raise Buddy and his older brother Will (Lewis McAskie) on a limited income. When Buddy is not at home or at school, he is in the company of his grandfather (Ciaran Hinds) and his grandmother (Dame Judi Dench).
With the political and religious tension ratcheting up, the family has to make a choice. Do they stay and find a way to live as normally as possible? Or do they take a chance elsewhere?
Written and directed by Kenneth Branagh, the praise is well deserved. Hill’s performance is equally innocent and charming. When we talk about war and prejudice, it is often seen through the eyes of one who is no longer a child. But when it is seen through the eyes of a young person, the perspective is completely different. There is still hope, even when it is tinged by fear or anxiety.
The narrative of a stranger in a strange land is one of humanities oldest stories.
Outlander (based on the books of the same name by Diana Gabaldon) premiered on Starz back in 2014. In post World War II Scotland, former British military nurse Claire Randall (Caitriona Balfe) is enjoying a second honeymoon with husband Frank (Tobias Menzies). Then somehow, she is sent back two hundred years in the past. In order to survive, she marries Jamie Fraser (Sam Heughan).
Can she return to her own time and if she can’t, what changes must she make to adapt?
I am presently about 2/3rds of the way though the first season. Though I never read the books and cannot make any comparisons to the series, I am enjoying it. It has elements of the different genres that play well together to create a story that is engaging and very entertaining.