Tag Archives: Catherine Linton

Wuthering Heights Character Review: Catherine Linton

*Warning: This post contains spoilers about Emily Bronte’s classic novel, Wuthering Heights. Read at your own risk if you are unfamiliar with the either book or the various adaptations.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Wuthering Heights to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

Whether or not they are aware of it, parents will sometimes pass on their emotional scars to their children. The question is, if and when the child becomes aware that their parents emotional scar has become their scar, do they find a way to heal or let the scar remain open?

Catherine Linton is the living embodiment of emotional scars that are passed from one generation to the next. Her mother, also Catherine Linton (née Earnshaw), died soon after the birth of her daughter, torn between her husband and her soulmate/adopted brother, Heathcliff.  Raised by her indulgent father and Nelly, her late mother’s housekeeper, Catherine is protected from the world.

Then Heathcliff enters Catherine’s life and the emotional scars from the previous generation are brought into the light. Still resenting the loss of his true love to Edgar Linton, Heathcliff (who is also Catherine’s uncle), kidnaps the girl, knowing full well that she is her father’s heir. Catherine is forced to marry her cousin, Linton and watch Heathcliff take Thruthcross Grange as his own after the death of her father.

Soon Catherine becomes a widow herself. Her only consolation is Nelly, who is once more the housekeeper at Wuthering Heights and her other cousin, Hareton Earnshaw. Abused and imprisoned by Heathcliff, Catherine is no shrinking violet. She is her mother’s child and uses every ounce of her energy to hold onto her dignity and self respect. In the end, it is Catherine and Hareton who will walk away from the tragedy that is Wuthering Heights, finally healing the scars of the previous generation.

 

To sum it up: Scars can heal, if we let them. Or we can let them fester. Catherine chooses to let the scars heal. In doing so, the ghosts of the past are finally able to rest and Catherine and Hareton are able to walk off into the sunset together. As writers, we have a choice on how to end our stories. More important than the choice of ending, it has to feel right for the narrative and the characters. In choosing her own version of a happy ending for her novel, Emily Bronte is able to successfully end her narrative with a closing feels natural. If the ending of war is peace, than the ending of Wuthering Heights is as it ought to be.

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Filed under Books, Character Review, Emily Bronte, Wuthering Heights

Wuthering Heights Character Review: Hareton Earnshaw

*Warning: This post contains spoilers about Emily Bronte’s classic novel, Wuthering Heights. Read at your own risk if you are unfamiliar with the either book or the various adaptations.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Wuthering Heights to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

When we are children, the only environment we know is our family and our small world. The problem is that sometimes, when we grow up, we don’t grow out of the scars that we receive either consciously or unconsciously from our families and the world of our childhoods.

Hareton Earnshaw is the only child and heir to the Earnshaw name and estate. The problem is his father, Hindley Earnshaw drank and gambled away the family fortune after the death of his wife. After his father passes, Hareton is taken in (if you want to call it that) by Heathcliff to be used as a means of revenge.

As an adult, Hareton is treated as a servant in his ancestral home and treated poorly by Heathcliff. His only solace is his cousin, Catherine Linton, who is as imprisoned by Heathcliff as Hareton is.

To sum it up: The thing that always strikes me about Hareton is that despite the fact that is being degraded day after day by Heathcliff, he has a sense of pride. He takes pride in being an Earnshaw, and is not willing to completely bow to his captor. He is also sees an opportunity when Catherine also imprisoned in Wuthering Heights. She teaches him to read and they eventually get together, healing the wounds of the previous generation. When a character has enough pride and enough sense of self, despite a crappy childhood, to find peace within themselves, readers remember that. If a reader can finish a book, feel satisfied and feel like they have learned something about themselves because of a particular character’s journey, then the writer has done his or her job.

 

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Character Review: Isabella Linton

*Warning: This post contains spoilers about Emily Bronte’s classic novel, Wuthering Heights. Read at your own risk if you are unfamiliar with the either book or the various adaptations.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Wuthering Heights to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

Not everyone can have their happy ending. Some of us, no matter how much we try, will never be able to walk into the proverbial sunset. In Wuthering Heights, Isabella Healthcliff (nee Linton) is Catherine Linton’s (nee Earnshaw) sister-in-law. When Heathcliff comes back into Catherine’s life a couple of years after she has married Edgar, Isabella develops a crush on Heathcliff. Why shouldn’t she? He is handsome, wealthy and in every sense of the word, eligible. Isabella is single, of age to marry and ready to marry.

The problem is that neither Catherine or Heathcliff have gotten over each other. Isabella becomes a pawn in their relationship. Running away with Heathcliff, they elope and Isabella is cut off from her brother. She will soon learn about the darker side of her husband. When she can no longer live with Heathcliff, she leaves hims and takes their young son, Linton to London.  She dies young,  hoping to leave her son in her brother’s care. But her husband wants his son back.

To sum it up: While we all wish for a happy ending, both on page with our characters and in our lives as human beings, we  may not get that happy ending. Isabella is unfortunately a character whose happy ending is not what she envisioned. But she does one thing that makes her ending stand out: instead of staying with her abusive husband, she leaves him and takes their son with him.

In 19th century Victorian England, this was a brave choice that is a small, but pivotal change in the way happy endings are portrayed. So in a way, Isabella got her happy ending, but it was on her own terms. In that sense, Bronte flipped the standard happy ending narrative on its ear, creating a new happy ending. If a writer is looking to clear up the loose ends of their story with a happy ending, why not change that ending? Flip that happy ending on it’s ear, make the story even more memorable and leave the reader wanting more.

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Filed under Books, Character Review, Emily Bronte, Feminism, Writing