Thoughts On Joss Whedon and the Toxic Workplace Accusation

I don’t know about anyone else, but one of the things I have learned in my professional life is that one’s relationship with their boss can make or break how you feel about your job.

Last week, Buffy the Vampire Slayer and Angel star Charisma Carpenter accused the show’s creator and showrunner Joss Whedon of creating a toxic workplace.

Since the news broke, her BVTS and Angel costars have banded together, supporting Carpenter and stepping back from the man who helped to build their careers.

Some people think that just because they are an artistic genius or at the top of their professional field, they can treat their staff like shit. But, the reality is that a television show or any product is rarely created by one person. It takes a team, and if there is negative energy coming from the top, it will quickly engulf everyone invovled.

The sad irony is that both BVTS and Angel brought strong female characters to the forefront of pop culture. Instead of elevating the women who worked for him, he treated them like the monsters of the week treated the characters.

I used to respect Joss. His work as a writer and creator is undeniable. But that is never an excuse for thinking that you can treat another person like they are dirt on the bottom of your shoe.

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Flashback Friday-See Jane Date (2003)

A wedding can be a glorious event. But if your single and your loved ones have well meaning and bothersome ideas about setting you up, going to a wedding may not be so glorious.

In 2003 TV movie See Jane Date, Jane Grant (Charisma Carpenter) needs a boyfriend ASAP. Her cousin’s wedding is coming up and she has stated that she has a boyfriend. The problem is that she is single.

Can she find a boyfriend in time to cover the lie she told to her aunt and former high school foe, Natasha Nutley (Holly Marie Combs)?

As I see it, this TV movie falls into the category of harmless and predictable. There is nothing spectacular about the film. However, as standard romcoms go, it’s surprisingly not the worst that I’ve seen.

Do I recommend it? Maybe.

Buffy the Vampire Slayer and Angel Character Review: Connor

*Warning: This post contains spoilers about the characters from the television series Buffy the Vampire Slayer and Angel. Read at your own risk if you have not watched one or both television series. In this series of character reviews, I will strictly be writing about the characters from the television series, not the 1992 film.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Buffy the Vampire Slayer and Angel to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

One of the marks of adulthood is making the conscious or unconscious decision to break away from your parents and how you were raised. The grey area of this decision is that as much as you may want to break away from your parents, they are always with you.

On Angel, that break is represented by Connor (Vincent Kartheiser). Born to two vampires, Angel (David Boreanaz) and Darla (Julie Benz), he was not raised in the typical happy family life.

Initially taken care of by his father and the rest of the gang at Angel Investigations, Connor is kidnapped and raised by Daniel Holtz (Keith Szarabajka) and raised in another dimension. Taught to hate his father, Connor has superhuman abilities and is not afraid to use those abilities.

Returning to Earth, Connor is now a teenager and is intent on killing Angel. But Angel, like many good parents, forgives his son, even after Connor tries to drown him and watches him from a distance. He also, like many young men, falls in love. The woman he falls in love is Cordelia (Charisma Carpenter). She becomes pregnant and both are manipulated by a cosmic entity bent on destruction.

To save his son’s life, Angel agrees to take over the running of Wolfram & Hart. Connor’s memories are wiped and replaced with that of a normal childhood. Though his memories are briefly returned to him, Angel tells him to go back to his foster parents and live as any young man would.

To sum it up: Though Connor tries to run from his past and his parentage, he can separate himself from the fact that he is Angel’s son. By the time the series ended, Connor found peace with himself, his past and his father. As fans, we remember Connor because we understand his inclinations and though we may have grown past that stage of life, we can easily remember going on that same path.

Thoughts On the 20th Anniversary of Angel

Sequels and spin-offs have an iffy reputation. If they are done well, they are an homage to their predecessor while blazing their own path. If they are done poorly, the sequel or the spin-ff casts a shade on it’s predecessor and it’s legacy.

On October 5th, 1999, Angel premiered. A spin-off of Buffy the Vampire Slayer, the show follows Angel (David Boreanaz), Buffy Summers (Sarah Michelle Gellar) soulful vampire ex-boyfriend. Angel has moved from Sunnydale to Los Angeles, where he is seeking to redeem his violent and bloody past by being a hero.

While Angel goes on the hero’s journey to make up for his past, he is joined by allies who support his cause and his goal of redemption. Cordelia Chase (Charisma Carpenter) and Doyle (the Glenn Quinn) joined Angel in the first season. Later on in the show’s run Wesley Wyndam-Price (Alexis Denisof), Charles Gunn (J. August Richards), Lorne (the late Andy Hallett), Winifred “Fred” Burkle (Amy Acker) and Spike (James Marsters) fought against the forces of darkness.

Compared to BVTS, Angel was darker. It dealt with the same themes as BVTS, but the show dealt with those same issues with a grittier and more mature perspective. Unlike other heroes who see the world as black and white, Angel saw and understood the shades of grey that exist and force us to make decisions that in hindsight are not always wise.

Twenty years later, Angel still resounds with the fans because of the show’s grittiness, it’s honesty and the universal desire for redemption.

Buffy the Vampire Slayer and Angel Character Review: Doyle

*Warning: This post contains spoilers about the characters from the television series Buffy the Vampire Slayer and Angel. Read at your own risk if you have not watched one or both television series. In this series of character reviews, I will strictly be writing about the characters from the television series, not the 1992 film.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Buffy the Vampire Slayer and Angel to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

The death of an actor who plays a pivotal role in a movie or television show is more than the loss of the actor who played the role and the human being who is no longer on this earth. It requires the creative team to reinvent the narrative and the character development without this actor and the character they played.

On Angel, half demon Allen Francis Doyle, otherwise known as Doyle, was played by the late Glenn Quinn, who died from a tragic overdose in 2002.

Doyle’s powers did not manifest until he turned 21, when he was married to a human woman. The marriage did not work out due to his ex-wife hesitance to accept who her husband was. This led to Doyle living only for himself, not caring who he hurt in the process. Then the visions came and Doyle turned his life around. Teaming up with Angel (David Boreanaz) and Cordelia Chase (Charisma Carpenter), they officially form Angel Investigations.

Doyle falls in love with Cordelia, but she wants nothing to do with him because he is half demon. It is only after the brief reappearance of Doyle’s ex-wife and his sacrificing himself to save Los Angeles that Cordelia accepts Doyle for who he is. Their brief kiss is more than a kiss, his powers of sight and the headaches that come with those powers are now Cordelia’s.

Though Quinn’s time on Angel was short, his character had a major impact on the world of the show and the fans. Like many of the characters in the BVTS and Angel universe, Doyle had a past and challenges he had to overcome due to his past. In his short time on Angel, Doyle was starting to see beyond his past. Unfortunately, both the character and the actor’s passing prevented Doyle from growing further.

RIP Glenn Quinn.

Buffy the Vampire Slayer and Angel Character Review: Winifred “Fred” Burkle

Dearest readers, I apologize for not posting last week. Life, as it sometimes does, got in the way.

*Warning: This post contains spoilers about the characters from the television series Buffy the Vampire Slayer and Angel. Read at your own risk if you have not watched one or both television series. In this series of character reviews, I will strictly be writing about the characters from the television series, not the 1992 film.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Buffy the Vampire Slayer and Angel to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

In any team, there is the brawn and there is the brains. While they are equally important, there is something to be said for using your brains instead of just physically beating your enemy with everything that you have. On Angel, Angel (David Boreanaz) was the brawn, the brains of Angel Investigations was Winifred “Fred” Burkle (Amy Acker).

Fred was introduced to the audience in 2001, when she is rescued from Pylea by the Angel Investigations crew. Her rescue was not planned, the plan by the Angel Investigations crew was just to bring home Cordelia (Charisma Carpenter). But they discovered that Fred was enslaved, they freed her and brought her back to Los Angeles.

Using Fred’s background in physics and mathematics, the Angel Investigations team was able to develop strategies to protect Los Angeles from whatever baddies threatened the city. But Fred was more than a brain, she had two relationships that were not quite so happily ever after: Charles Gunn (J. August Richards) and Wesley Wyndam Price (Alexis Denisof).

When the crew takes over Wolfram & Hart, a mysterious sarcophagus appears. The being inside the sarcophagus, Illyria, slowly kills Fred before taking over her body. Fred’s last words before dies are “Wesley, why can’t I stay?”.

To sum it up: Though every action/adventure narrative has to have a character who uses intellect to solve the problem, this character has to be more than just “the brain”. Fred is more than “the brain”. She is woman with a heart, a conscious, an innocent look that belies an intelligence and most of all, a vital part of Angel Investigations.

Which is why, after all of these years, Fred is still a beloved character.

Buffy the Vampire Slayer and Angel Character Review: Charles Gunn

*Warning: This post contains spoilers about the characters from the television series Buffy the Vampire Slayer and Angel. Read at your own risk if you have not watched one or both television series. In this series of character reviews, I will strictly be writing about the characters from the television series, not the 1992 film.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Buffy the Vampire Slayer and Angel to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

Sometimes, a warrior does not come from a traditional background where they receive formal fight training. A warrior may learn to fight because he has to. On Angel, Charles Gunn (J. August Richards) fought because he had to. Born and raised in inner city Los Angeles, Gunn learned from an early age that it was up to him and those around him to protect the residents of his neighborhood. Especially when the vampires invaded.

Gunn meets Angel (David Boreanaz) when he tries to dust Angel, not knowing that Angel is not a baddie. It takes Gunn a little bit of time, but he soon joins Angel’s crew as a fully fledged member. When Cordelia (Charisma Carpenter) is sucked into the alternative world of Pylea, Gunn joins the boys in finding her and bringing her home.

When they return home, Gunn must face his past when his former gang is slaughtering demons for no reason. Knowing that he cannot go back, he finds the family he did not have before. He also finds love with Winifred “Fred” Burkle (Amy Acker). But that love is tested when Gunn kills the man that sent Fred to Pylea, where the Angel Investigations crew first met Fred.

The guilt of the murder leads Gunn to Wolfram and Heart, where he become a lawyer by the power of magic and takes over the L.A. office. Though Gunn has good intentions, you know what they say about those who have good intentions. In the end, Gunn dies fighting for what he believes in.

To sum it up: A warrior is someone who does what they need to do to protect their home and their loved ones. Though Gunn does not have the traditional background of a warrior, he is still a warrior in every sense of the word. He may not always make the wisest choices, but his heroism comes through in the end.

Buffy the Vampire Slayer and Angel Character Review-Wesley Wyndam-Price

*Warning: This post contains spoilers about the characters from the television series Buffy the Vampire Slayer and Angel. Read at your own risk if you have not watched one or both television series. In this series of character reviews, I will strictly be writing about the characters from the television series, not the 1992 film.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Buffy the Vampire Slayer and Angel to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

By stereotype, the British are believed to be traditional, by the book and unable/unwilling to move away from the tried and true. On Buffy the Vampire Slayer, this 2D character stereotype was introduced in the form of Wesley Wyndam-Price (Alexis Denisof). Sent by the Watchers Council to be a second watcher to assist Rupert Giles (Anthony Stewart-Head) with slayers Buffy Summers (Sarah Michelle Gellar) and Faith LeHane (Eliza Dushku), their relationship does not start well. Full of it and not exactly able to do his job, Wesley is as ineffective as one can get as a Watcher.

It does not help that there is a mutual crush between himself and underage Cordelia Chase (Charisma Carpenter). When the final battle happens between the students of Sunnydale High and the Mayor, Wesley is knocked out as the battle is just getting started.

The viewer then sees Wesley in Los Angeles. Filling a void left by Doyle (the late Glenn Quinn), he joins Angel Investigations working with Angel (David Boreanaz) and Cordelia. When Faith is hired by Wolfram and Hart to kill Angel, but she kidnaps and tortures Wesley instead.

A while later, Wesley develops feeling for Winifred “Fred” Burke (Amy Acker), the newest member of the team. He also switches to the dark side when he tries to save Angel’s newborn son, Connor (played as a teenager by Vincent Kartheiser), but his throat is slit in the process. After dealing with loss, a bruised ego and discovering the truth about his father, he dies next to his beloved, Fred.

To sum it up: Over the course of his time on screen, Wesley moves from a pompous know it all who is obsessed with rules to a man who more often than not, gave into his flaws and weaknesses. But in the end, he redeemed himself by fighting for what was right. As an audience member, I can’t ask for a better character arc.

P.S. Fun fact: Alexis Denisof and Alyson Hannigan are married IRL and have two daughters.

Buffy the Vampire Slayer and Angel Character Review: Cordelia Chase

*Warning: This post contains spoilers about the characters from the television series Buffy the Vampire Slayer and Angel. Read at your own risk if you have not watched one or both television series. In this series of character reviews, I will strictly be writing about the characters from the television series, not the 1992 film.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Buffy the Vampire Slayer and Angel to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

According to the lore of the high school social hierarchy, the popular cheerleader is the girl that we should all aspire to be. On the top of the pyramid that the social aspect of high school, the girls want to be her and the boys want to date her. She is also often cast as the mean girl who takes pleasure in putting down her classmates.

In Buffy the Vampire Slayer, the character trope of the popular cheerleader/mean girl was filled by Cordelia Chase (Charisma Carpenter). When Cordelia meets Buffy (Sarah Michelle Gellar), she genuinely likes her. That is, until Buffy becomes friends with Willow (Alyson Hannigan) and becomes a target for Cordelia’s cruel taunts. She is also unaware of the darker elements that are engulfing the school and the community.

At the end of the first season, Cordelia’s eyes are opened about the nature of the world that she lives in. Not only does she become friends with the Scooby gang, but she starts an on/off relationship with Xander (Nicholas Brendon). Towards the end of season three, as the prom nears, Cordelia reveals that her family is having major financial issues and she must now fend for herself.

After surviving graduation and the destruction of Sunnydale High School by the mayor, Cordelia moves to Los Angeles in hopes of becoming an actress. Instead, she works with Angel (David Boreanaz) to solve supernatural cases. She is no longer the popular cheerleader/mean girl that she was in high school, she is working for a greater cause. After gaining the power to know when someone is in trouble from Doyle (the late Glenn Quinn), the person that she was back in Sunnydale disappeared. Instead, she has become an adult who understands what it means to sacrifice yourself for something greater.

To sum it up: the essence of any character arc is to watch a character develop over the course of the time that they are on our screens. Between BVTS and Angel, Cordelia morphed from the standard teenage trope of the popular cheerleader/mean girl to a woman who put others needs before hers. It is a remarkable journey for a character that could have easily remained two-dimensional and predictable.

Instead, the writers of BVTS and Angel created a character who grew from a young girl to a woman. The one thing I remember about Cordelia is that her arc felt very real. The growing process from our teenage years to adulthood is full of emotional potholes and barriers. By the time Angel ended in 2004, Cordelia was a woman who looked like the young girl that she was, but was a very different person from the audience’s initial introduction.

That, if nothing else, is the mark of a good writer.

Buffy the Vampire Slayer and Angel Character Review: Anya Jenkins

*Warning: This post contains spoilers about the characters from the television series Buffy the Vampire Slayer and Angel. Read at your own risk if you have not watched one or both television series. In this series of character reviews, I will strictly be writing about the characters from the television series, not the 1992 film.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Buffy the Vampire Slayer and Angel to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

Revenge is a dish best served cold, especially when a woman takes revenge on her cheating husband or boyfriend.

On Buffy the Vampire Slayer, Anya Jenkins (Emma Caulfield) was introduced in third season as a guest character. Though she was once human, the audience meets her as Anyanka, a demon that women call on when they want to take revenge on the men who have cheated on them. When Cordelia (Charisma Carpenter) catches her boyfriend, Xander (Nicholas Brendon) kissing Willow (Alyson Hannigan), she wishes that Buffy (Sarah Michelle Gellar) had never moved to Sunnydale. This opens the door to an alternate reality where there is no slayer and the vampires control the town. Thankfully, Giles (Anthony Stewart Head), destroys her necklace (where her power comes from), returning the world back to normal and returning Anya back to human form.

Because she has lived for 1000 years as a demon, Anya is unaware of the social cues and social norms. This leads to uncomfortable moments within the Scooby gang and comedy for the audience as Anya says and does things that someone who is aware of social cues and norms would not say or do. She also has a will they or won’t they relationship with Xander, which leads to them nearly saying I do. But Xander is manipulated by someone from his soon be wife’s past and his growing anxieties lead him to break off the engagement just before the ceremony. At the end of the series, Anya becomes a martyr, sacrificing herself to save her former lover.

To sum it up: the woman taking revenge on her cheating significant other is a standard narrative. Anya makes the character more interesting by adding the comedy and the lack of awareness of what not say and do. This comedy not only lightens the dark mood of BVTS, allowing the audience to laugh and wanting to come back for more.

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