If I were to rank Jane Austen‘s novels, Persuasion would be on the top of my list. This story of second chances is one that over 200 years later still hits readers in the heart and sends a few tears down our cheeks.
The film stars Dakota Johnson as Anne Elliot, Cosmo Jarvis as Captain Frederick Wentworth, and Henry Golding as Mr. Elliot. For those unaware, the plot is as follows: eight years before the book starts Anne Elliott and Frederick Wentworth were young, in love, and newly engaged. She was persuaded to end their relationship due to his lack of status and income. Cut to the present and Anne is still single, still hurting from her decision. Wentworth is back in her life. He is a war hero, wealthy, and considered to be a catch. He is also still bitter from their breakup.
I would love to say that I am jumping for joy, but I have a few reservations. I am going to try to keep my concerns at bay because this is only the trailer. Trailers don’t always match up with the full movie.
The dialogue in the scenes that we see so far seems to be loosely taken from the original text. Maybe it’s the Janeite in me, but I would prefer the wording to be as it is in the novel. To paraphrase her brilliant writing (especially in a reboot set in the Regency era) could be seen as a shanda (disgrace).
The casting of Dakota Johnson as Anne. I have nothing against Johnson. I have a bias against American actors playing lead characters in Austen adaptations. It goes back to the casting of Gwyneth Paltrow in the 1996 Emma. Her portrayal of the character rubbed me the wrong way. But who knows, maybe Johnson will prove me wrong.
Her hair should not be down unless it is either the beginning or the end of the day. Only young girls wore their hair loose. By the time they got to their mid to late teens, their hair was up. On a side note, that was my only beef with Sanditon. Charlotte Heywood’s (Rose Williams) hair should have been up.
It comes off a little too rom-com-like. I like a romantic comedy as much as the next person, but Persuasion is not and has never been one. To turn this story into a rom-com is a double shanda and sure to turn off the fanbase.
On the upside, we see the early romance between Anne and Frederick. In previous film versions, the audience is only told about this experience.
That being said, I am willing to have an open mind and not condemn the film before it is released.
The Regency era is an interesting time in human history. Looking back, it is easy to see that, as a species. we are on the road to the modernity that is life today. But we are also still clinging to the rules and social structure of previous generations.
After a year and a half wait, season two of Bridgerton premiered last weekend on Netflix. It’s been nine months since the narrative of season one ended. Daphne Bridgerton and Simon Bassett (Phoebe Dyvenor and Rege-Jean Page, who decided to move onto other projects) are happily married and have a baby boy. The oldest Bridgerton son Anthony (Jonathan Bailey) has decided it is his time to settle down. Among the eligible women of the ton, he chooses Edwina Sharma (Charitha Chandran). But before they can walk down the aisle, he has to get through her overprotective older sister, Kate (Simone Ashley). She is tough, smart, and unwilling to compromise on whom she sees as her future brother-in-law. The problem is that there is something between Anthony and Kate that cannot be ignored.
If last season one was hot, this season has the fire of several volcanoes exploding at the same time. The chemistry between Ashley and Bailey is intense. The enemies to lovers/slow-burn narrative is so perfect that I would recommend that anyone who wants to write a good romance novel watch this series. It’s that good.
Its been nine months since the audience has spent time with the denizens of Sanditon. After the death of her first love, Sydney Parker (Theo James), Charlotte Heywood (Rose Williams) has returned to the seaside town and the Parkers. Bringing her younger sister, Alison (Rosie Graham) with her, Charlotte reunites with old friends while making new male acquaintances. Among them are Charles Lockhart (Alexander Vlahos) and Colonel Francis Lennox (Tom Weston-Jones).
With her usual tenacity and intelligence, Charlotte is trying to move on with her life. But she is still grieving (as I suspect the viewers are as well) for what might have been, had things gone in another direction. As much as we all miss Sydney, I feel like this is opening the door for new opportunities for her in both the romantic and career arenas (as much as a woman could have back then). Akin to Matthew Crawley (Dan Stevens) dying in a car crash at the end of the third season of Downton Abbey, it was a heartbreaking loss. But I feel like if we look at it from a modern perspective, this unexpected change is normal. Not everyone spends their life with the first person they fell in love with. It sometimes takes a few years and a few relationships to find your other half.
Do I recommend it? Yes.
Bridgerton is available for streaming on Netflix. Sanditon airs on PBS on Sunday night at 9PM.
World on Fire (PBS): This PBS/Masterpiece follows a group of individuals as World War II is on the horizon.
Mrs. America (F/X/Hulu): In the 1970’s, the Equal Rights Amendment (ERA) was close to becoming the law of the land. A tug of war begins between one group of women that is for it and another that is against it.
Sanditon (PBS): Based off the unfinished book of the same name by Jane Austen, we follow Charlotte Heywood (Rose Williams), a young woman who leaves her family for the seaside resort town of Sanditon.
When someone dies young, there are questions of what this person might have accomplished had they lived longer.
When Jane Austen died in 1817 at the age of 41, she left behind grieving family members, six completed novels and fragments of other novels. One of these fragments is Sanditon. Where Jane Austen left off, write Kate Riordan stepped in to complete the story.
Charlotte Heywood is a young woman who has never traveled far from home. Her fate changes when the carriage carrying Tom and Mary Parker turns over. After their carriage is repaired, Charlotte travels with Mr. and Mrs. Parker to the small seaside village of Sanditon. Tom’s goal is to turn this sleepy seaside village into the must-see vacation spot. Charlotte’s world expands in multiple ways, especially when she meets Tom’s brother Sidney.
Jane Austen is one of those writers who is often imitated, but never properly duplicated. Ms. Riordan was able to perfectly match Austen’s tone, dialogue, voice and narrative in such a way that I was not sure where Austen ended and Ms. Riordan began.
Among those of us who know and love her novels, we know that Austen is subversive when it comes to her opinion of the world around her. In this book, her opinion is in your face. Unlike other unmarried young people, Charlotte’s reason for traveling to Sanditon is not to find a wealthy spouse. It is to see the world and expand her horizons. She also included her first character of color. Georgiana Lambe is a bi-racial heiress who is fighting for her own identity and her own choices in a world that would deny her both.