I suspect that if an actor was asked about their career, they would not want to talk about just one role. But that doesn’t mean that the audience feels the same way.
Canadian actor Christopher Plummerdied yesterday. He was one of those actors who could never be typecast, the number of characters he played over 70ish years is as long as my arm. For most of us, we know him for one film: The Sound of Music.
Playing opposite Julie Andrews, his Georg von Trapp was a man held back by grief, initially unable to open up to his children. At the time, he was in his mid 30’s, aged up to play a character a decade his senior. Though some might say the movie is sappy and sentimental (as Plummer himself put it), it is charming and thoroughly entertaining. It is no wonder that more than five decades later, it is a beloved classic that has been watched and memorized by generations of fans.
A Christmas Carol is the progenitor of every Christmas story has been published since 1843. The Charles Dickens novel has not only become synonymous with the holiday, but also with the idea of being kind to our fellow mortals.
The new film, The Man Who Invented Christmas, stars Dan Stevens as Charles Dickens. With the recent success of Oliver Twist, Dickens is under pressure to write his next novel. But with the creative well running dry and his bank account running equally as dry, he has to do something. Soon the idea for his next novel will start flowing, but so will the tension with his wife, Kate (Morfydd Clark) and his father, John (Jonathan Price). He must also contend with the characters that are talking to him, including the man who will soon be known to the world as Scrooge (Christopher Plummer) and face his own past.
As a writer, it is always fascinating to see how other writers go on their creative journey to create their work. As an audience member, for me at least, it is fascinating to watch how a screenwriter can expand not just upon the myth, but on the everyday human struggles of their characters, especially ones that are as well known as Charles Dickens.
I recommend it.
The Man Who Invented Christmas is presently in theaters.
This past Thursday, NBC aired a live telecast of the Rodgers and Hammerstein classic musical The Sound Of Music.
Any national or Broadway revival of this musical will obviously be compared to the original production from the 1950’s with Mary Martin in the lead role and the iconic 1965 movie.
Carrie Underwood as Maria was an interesting choice by the producers. Yes, the woman can sing. One does not win American Idol and sell as many albums as she has without the ability to sing as well as she does. However, singing your own songs on a concert stage or acting in a music video which will ultimately be less than five minutes long is very different than playing one of the most iconic characters in musical theater. Did she know her lines? Yes. But there was little emotion behind those lines.
And now to Stephen Moyer. A great actor who is incredibly sexy on True Blood. And so wrong for Captain Von Trapp.
He is age appropriate and is as much as a name as Carrie Underwood. I don’t expect him to hit the high notes that Maria hits, but I found him to be stiff and his singing to be simply underwhelming. The Captain is emotionally closed off and stiff at the beginning of the story, but that is his character. Even when he began to open himself up to his children and become the father they needed, Moyer just wasn’t doing it for me. I found myself wishing that Christopher Plummer was still young enough to play this part again.
The upshot to this production was the decision to hire Broadway veterans to fill out the adult supporting roles. Audra McDonald (Mother Abbess), Laura Benanti (Elsa Schrader) and Christian Borle (Max Detweiler). Benati played Maria in the last revival, perhaps she might have imparted some advice to Underwood.
I applaud NBC for this undertaking, a live televised production of one of the most beloved musicals is not an easy thing to pull off. But next time, if there is a next time, I would recommend choose actors who actually have musical theater credentials and not just pop stars and TV actors who can sing.