Jennifer Walters (Tatiana Maslany) is a thirty-something lawyer who is doing her best to get ahead in her career. Then she gets into a car accident, which changes everything. In the passenger seat is Jennifer’s cousin, Bruce Banner/The Hulk (Mark Ruffalo).
As a result of this accident, Jennifer turns into a She-Hulk, creating new problems. In addition to her job and her personal life, she is now officially a superhero and must save the world.
So far, I really like this series. It is funny, action-packed, and Maslany as the title character is fantastic. It speaks to the fact that many women (regardless of their romantic or familial status) are balancing multiple aspects of whatever is part of our daily lives.
Do I recommend it? Yes.
New episodes of She-Hulk: Attorney at Law will be released on Thursday on Disneyplus.
P.S. There is a post-credit scene that is worth waiting for.
In the 2011 film, Thor, Thor (Chris Hemsworth), is the firstborn son of Odin and Frigga (Anthony Hopkins and Rene Russo). The heir to the throne of Asgard, he thinks that he can do no wrong. When his arrogance gets him into trouble, Odin sends Thor to Earth (Midgard). Falling for scientist Dr. Jane Porter (Natalie Portman), he has to learn humility while saving both realms from his vengeful younger brother Loki (Tom Hiddleston).
This movie is so good. It’s funny, it’s charming and entertaining, and Hemsworth is the perfect actor to play the role. Hiddleston, as usual, is spot on and proves once more why he is one of the best actors around today. Directed by Kenneth Branagh, the Shakespearean influence is subtle, yet powerful.
It is easy to denounce comic books or graphic novels as a form of childish entertainment or stories that are needlessly sexual or violent. But they can be a way to reach an audience who does not read traditional literature.
Maus I: A Survivor’s Tale: My Father Bleeds History, was published back in 1986. Written by Art Spiegelman, it is his parent’s story of survival during the Holocaust told in graphic novel form. Both the victims and perpetrators are represented by animals. The Jews are mice and the Nazis are cats. The narrative is as follows: The protagonist goes to visit his father. Their relationship, up to this point, has not been easy. The conversation turns to his parent’s experience during the war. Over the course of the book, his father tells his story. It starts off as an ordinary life, goes through tribulations that would break many, and ends with hope.
After reading this book, I now understand why some people want to ban it. Unlike other books on this subject, it is brutal in a way that words alone cannot convey. The images force the reader to confront the truth of this time in history and the savagery that was forced upon both the living and the dead.
It has been said that when we enjoy our jobs, it does not feel like work. But that does not mean that we cannot get cocky.
In the 2016 MCU film, Doctor Strange (based on the comic book of the same name), Dr. Stephen Strange (Benedict Cumberbatch) is a respected and egotistical New York City surgeon. After a debilitating car accident, he goes on a journey to seek out dimensions and ideas that go beyond the boundaries that humanity has created. Along the way, he becomes a hero, saving the world from Kaecilius (Mads Mikkelsen).
I enjoyed this movie. I have not read the comic book, so I cannot speak to what may have been altered from the source material. What I did like was this version of the hero’s journey, the main character lives both within the world of superhero’s and the everyday person, who is flawed and fallible.
March is Women’s History Month. This year, I would like to shine a spotlight on some of the female characters who both push against the glass ceiling and inspire us.
Behind Her Eyes (Netflix): It would have been easy to peg Adele (Eve Hewson) as the wronged wife and Louise (Simona Brown) as a modern version of Glenn Close’s character from Fatal Attraction. But both women are given the opportunity to be fully fledged characters that go well beyond the stereotypes.
Bridgerton (Netflix): For non-fans of the BPD (British Period Drama), Bridgerton would just another Jane Austen-ish historical romance/drama. But fans know that though women are second class citizens in this world, they have other abilities that are not obvious to the naked eye. My favorite characters are Eloise Bridgerton (Claudia Jessie) and Lady Danbury (Adjoah Andoh). Instead of mindlessly following in her elder sister’s footsteps, Eloise would love to be free of the constrictions that women are placed under in the 19th century. For her part, Lady Danbury is a badass who knows of her place in society and uses her experiences wisely.
WandaVision (DisneyPlus): Every female character in this series is fully formed. As we learn more about this world and the women who inhabit it, their humanity is revealed in a manner that is normal and natural. They are allowed to be who they are without being pegged as certain character types and forced into boxes that can be easily checked off.
P.S. That series finale last night was nothing short of mind blowing. I don’t know about anyone else, but I am ready for season 2.
Law & Order: SVU (NBC): For a television show to last twenty plus years, it has to have a certain something about it. In a nutshell, what makes it stand out is the difficult subject the show brings to the forefront and the capable female detectives whose job it is to solve the crimes. At the head of the unit is Olivia Benson (Mariska Hargitay). Though she has been working sex crimes for decades, the job has not hardened her. She can be tough when she has to be, but she can also be compassion and humane. Amanda Rollins (Kelli Giddish) has fought against her demons and survived. That alone is worth its weight in gold. The newest and youngest member of the squad is Katriona Tamin (Jamie Gray Hyder). Though she still has a lot to learn, she has the passion and the drive to bring the criminals to justice.
Readers, what other female characters inspire you? Feel free to leave a comment in the comment section below.
An onscreen or onstage translation of a beloved work of fiction is not as simple as it appears to be. On paper, transforming the narrative and the characters from the page to the screen or the stage seems like a simple process. But the reality is that is difficult task to complete.
WandaVision premiered on Friday on DisneyPlus. Vision (Paul Bettany) and Wanda Maximoff (Elizabeth Olsen) are newlyweds. Living in the world of classic family television comedies, it looks like their world is perfect. But there is a dark force hidden beneath the surface.
Before I go further, I have to warn that my knowledge of these characters extends only to the movies. I know nothing of the content in the comic books. That being said, this show is fantastic. I love that the creators used classic television shows to juxtapose the danger that is rumbling under Wanda and Vision’s feet.
Do I recommend it? Absolutely?
New episodes of WandaVision are released every Friday on DisneyPlus.
The myth of King Arthur has existed for thousands of years. From a writing perspective, the good thing about myths is that it open to a variety of interpretations.
Cursed premiered last weekend on Netflix. Based on the comic book by Frank Miller and Tom Wheeler, the series follows Nimue aka Lady of the Lake (Katherine Langford). On the verge of adulthood, she, like many girls in their late teens or early 20’s, thinks she knows it all. With dark magic in her blood, she is persona non grata to those around her.
Then the Red Paladins destroy her village and kill her mother. The Paladins have an end goal of ethnically cleansing the land of Fey (magical non-humans) and their supporters. Charged by her dying mother to take an ancient sword to Merlin (Gustaf Skarsgård), Nimue starts on a journey that will change her fate. Among those who join her on the journey are the brother/sister duo of Arthur (Devon Terrell) and Morgana aka Morgan le Fay (Shalom Brune-Franklin).
*Note: I have not read the comic book, so the review is strictly based on the series.
I enjoyed this non-traditional retelling of the King Arthur tale. I enjoyed it because while it is still familiar, it is not the same story that has been repeated for thousands of years. The main reason it works is that it is told from the female perspective with an eye on expanding a woman’s role in this world. In the traditional Arthurian myth, there are two distinct types of women: the love interest/damsel in distress (Guinevere) or the evil witch bent on taking power (Morgan le Fay). Boxed into these stereotypes, these women are not allowed to more than a one note character.
The other reason it works is that the world is turned upside down. Merlin is not the wise, old Obi-Wan Kenobi type whose sole task is to mentor the future ruler. He is old, but his life and his choices are complicated.
It also helps that the casting is both gender and color blind, reflecting both the world that exists within the narrative and the real world of the audience.
One of the more enjoyable aspects of art is re-interpretation.
Batman entered our cultural consciousness in 1939. In 1966, he finally was transferred from the pages of the comic books to the small screen. Lasting two years, the show starred the late Adam West as Bruce Wayne/Batman and Burt Ward as Dick Grayson/Robin.
I think the best way to view this adaptation of Batman is through the lenses of the 1960’s. While the more recent Batman films have recreated the world of the Dark Knight as dark and uneasy, there is a lightness and an a campiness to the television series that reflects the era that it was created in.