Buffy the Vampire Slayer and Angel Character Review: Connor

*Warning: This post contains spoilers about the characters from the television series Buffy the Vampire Slayer and Angel. Read at your own risk if you have not watched one or both television series. In this series of character reviews, I will strictly be writing about the characters from the television series, not the 1992 film.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Buffy the Vampire Slayer and Angel to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

One of the marks of adulthood is making the conscious or unconscious decision to break away from your parents and how you were raised. The grey area of this decision is that as much as you may want to break away from your parents, they are always with you.

On Angel, that break is represented by Connor (Vincent Kartheiser). Born to two vampires, Angel (David Boreanaz) and Darla (Julie Benz), he was not raised in the typical happy family life.

Initially taken care of by his father and the rest of the gang at Angel Investigations, Connor is kidnapped and raised by Daniel Holtz (Keith Szarabajka) and raised in another dimension. Taught to hate his father, Connor has superhuman abilities and is not afraid to use those abilities.

Returning to Earth, Connor is now a teenager and is intent on killing Angel. But Angel, like many good parents, forgives his son, even after Connor tries to drown him and watches him from a distance. He also, like many young men, falls in love. The woman he falls in love is Cordelia (Charisma Carpenter). She becomes pregnant and both are manipulated by a cosmic entity bent on destruction.

To save his son’s life, Angel agrees to take over the running of Wolfram & Hart. Connor’s memories are wiped and replaced with that of a normal childhood. Though his memories are briefly returned to him, Angel tells him to go back to his foster parents and live as any young man would.

To sum it up: Though Connor tries to run from his past and his parentage, he can separate himself from the fact that he is Angel’s son. By the time the series ended, Connor found peace with himself, his past and his father. As fans, we remember Connor because we understand his inclinations and though we may have grown past that stage of life, we can easily remember going on that same path.

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Buffy the Vampire Slayer and Angel Character Review: Lorne

*Warning: This post contains spoilers about the characters from the television series Buffy the Vampire Slayer and Angel. Read at your own risk if you have not watched one or both television series. In this series of character reviews, I will strictly be writing about the characters from the television series, not the 1992 film.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Buffy the Vampire Slayer and Angel to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

A good joke has the ability to lighten the mood. When a show is particularly dark, comedy is needed to break up the darkness for both the characters and the viewers. On Angel, the comedy came by way of Lorne (the late Andy Hallett). Given the name of  Krevlornswath of the Deathwok Clan at birth, Lorne comes from a warrior clan who are constantly battling against the forces of evil and have a serious distaste for humans.

Among his kind, Lorne was unique. He enjoyed art and music and preferred to spend his time doing anything but training for battle. After being sucked to Earth via a portal (the same portal that sent Winifred” Fred” Burkle (Amy Acker) to Lorne’s home dimension of Pylea), he opened a karaoke bar. Instead of using his innate mystical gifts to hunt prey or fight, he used them to read the emotions of those who sung on his karaoke stage.

Lorne reluctantly joins Angel Investigations, initially preferring to do his part as a neutral third party. But Angel (David Boreanaz) has a way with words and before he knows it, Lorne is part of the crew. While living and working with Angel’s team (and taking care of Connor (played as an adult by Vincent Kartheiser), Angel’s newborn son), he discovers that the hotel they call home is bugged.

A brief stay in Las Vegas turns into a nightmare when a crime lord threatens to kill innocent people unless Lorne uses his abilities for less than honest means. In the final season of Angel, after the team takes over running Wolfram & Hart, Lorne is put in charge of the entertainment division. But all is not what it seems.

After Fred is murdered and Illyria takes over her body, Lorne’s normal cheerful disposition turns dark. Disgusted with the way that his world and his friends have changed, he walks away for good.

To sum it up: We all need a good laugh. In the world of Angel, where darkness and death were sewn into the narrative, Lorne provided a laugh, a one-liner and a moment to just breathe. As a character, the audience remembers Lorne because of his ability to make the audience laugh. That is why we love him and why we keep going back to this character time and again.

Buffy the Vampire Slayer and Angel Character Review-Wesley Wyndam-Price

*Warning: This post contains spoilers about the characters from the television series Buffy the Vampire Slayer and Angel. Read at your own risk if you have not watched one or both television series. In this series of character reviews, I will strictly be writing about the characters from the television series, not the 1992 film.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Buffy the Vampire Slayer and Angel to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

By stereotype, the British are believed to be traditional, by the book and unable/unwilling to move away from the tried and true. On Buffy the Vampire Slayer, this 2D character stereotype was introduced in the form of Wesley Wyndam-Price (Alexis Denisof). Sent by the Watchers Council to be a second watcher to assist Rupert Giles (Anthony Stewart-Head) with slayers Buffy Summers (Sarah Michelle Gellar) and Faith LeHane (Eliza Dushku), their relationship does not start well. Full of it and not exactly able to do his job, Wesley is as ineffective as one can get as a Watcher.

It does not help that there is a mutual crush between himself and underage Cordelia Chase (Charisma Carpenter). When the final battle happens between the students of Sunnydale High and the Mayor, Wesley is knocked out as the battle is just getting started.

The viewer then sees Wesley in Los Angeles. Filling a void left by Doyle (the late Glenn Quinn), he joins Angel Investigations working with Angel (David Boreanaz) and Cordelia. When Faith is hired by Wolfram and Hart to kill Angel, but she kidnaps and tortures Wesley instead.

A while later, Wesley develops feeling for Winifred “Fred” Burke (Amy Acker), the newest member of the team. He also switches to the dark side when he tries to save Angel’s newborn son, Connor (played as a teenager by Vincent Kartheiser), but his throat is slit in the process. After dealing with loss, a bruised ego and discovering the truth about his father, he dies next to his beloved, Fred.

To sum it up: Over the course of his time on screen, Wesley moves from a pompous know it all who is obsessed with rules to a man who more often than not, gave into his flaws and weaknesses. But in the end, he redeemed himself by fighting for what was right. As an audience member, I can’t ask for a better character arc.

P.S. Fun fact: Alexis Denisof and Alyson Hannigan are married IRL and have two daughters.

Buffy the Vampire Slayer and Angel Character Review: Darla

*Warning: This post contains spoilers about the characters from the television series Buffy the Vampire Slayer and Angel. Read at your own risk if you have not watched one or both television series. In this series of character reviews, I will strictly be writing about the characters from the television series, not the 1992 film.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Buffy the Vampire Slayer and Angel to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

The hallmark of any good character is change over the course of their time that they are on the screen or on the stage. Without that change, the character is static and unappealing to the audience. On Buffy the Vampire Slayer and Angel, Darla (Julie Benz) went through what can only be described a roller coaster of change.

When the audience meets Darla in the premiere episode of BVTS, she is just another vampire out to kill as many humans as she can. But unlike other vampires on BVTS and Angel, the audience gets to know Darla. Born in the 16th century, she was turned into a vampire by The Master (Mark Metcalf) in the early 17th century. Nearly and a century and a half later, Darla sired Angel (David Boreanaz), who became her lover. In the mid 19th century, their twosome grew to a foursome when Spike (James Marsters) and Drusilla (Juliet Landau) joined their group.

In Sunnydale, Darla sees the town and her living residents as fresh meat. She understands that fighting Buffy Summers (Sarah Michelle Gellar) will require intellect as well as physical strength. She uses Angel, who is now with Buffy to get the slayer. Ultimately, it is Angel who stakes Darla.

Three years later, Darla is revived by Wolfram and Hart to get to Angel. This plan gets tangled when Angel and Darla sleep together. Her last act on earth is giving birth to their son, Connor (Vincent Kartheiser), redeeming herself after centuries of murder and destruction.

To sum it up: As a character, Darla goes through an extraordinary change. As a viewer, Darla is one of the more interesting characters because of the journey she goes on and the change that she experiences. It is our job as a writer to create that roller coaster. If done well, that roller coaster not draws the audience in, but keeps the actor on their toes. This is why BVTS and Angel fans still have a high regard for Darla.