On the surface, Christmas (or any holiday) is about family, food, and being with your loved ones. But, as we all know, this simple message is not always clear.
The final film in the Look Who’s Talking trilogy is Look Who’s Talking Now (1993). Taking place several years after Look Who’s Talking (1989) andLook Who’s Talking Too(1990), the family has grown. But so has their troubles. Mollie (Kirstie Alley) has lost her job due to the recession. James (John Travolta) has achieved his professional dream of becoming a pilot. Their children, Mikey (David Gallagher) and Julie (Tabitha Lupien) are now school aged.
The narrative kicks off with the arrival of James’s new boss, Samantha (Lysette Anthony). Samantha has eyes for James that go beyond the professional realm. Meanwhile, the family reluctantly adopts Rocks (voiced by Danny DeVito) and is forced to temporarily take care of Samantha’s dog Daphne (voiced by Diane Keaton). With Christmas coming, will they be together or will circumstances pull them apart?
I personally think that this movie is adorable. Though it fits neatly in the Christmas movie genre, it is neither too cutesy, schmaltzy, or over the top. There is just enough comedy and the message of being together for this time of year that makes it a pretty good watch in my book.
Over the past few years, Disney is intend on using our childhood memories to bring us once more to the movie theaters. This weekend, the reboot of Dumbo (1941) was released.
Holt Farrier (Colin Farrell) has just returned home from fighting in World War I, sacrificing one of his arms in the process of fighting for his country. His wife died during the war, leaving his two children Milly (Nico Parker, Thandie Newton‘s daughter) and Joe (Finley Hobbins) motherless. Stuck in the past, Holt is unable to move forward until his boss and circus owner Max Medici (Danny DeVito) puts Holt in charge of the elephants. One of the female elephants has just given birth, the newborn elephant has unusually large ears that allow him to fly. After the circus has a bit of success with the new elephant, named Dumbo, V.A. Vandervere (Michael Keaton) takes notice of the little elephant. He wants to add Dumbo to Colette Marchant’s (Eva Green) aerialist act. But Vandervere’s plans are not completely altruistic; he has some plans up his sleeve that are questionable.
First of all, I have to give kudos to the screenwriters. Not only did smartly remove the racist caricatures of the crows, but they used Dreamland as the background for the second half of the movie. Dreamland is not a well-known subject unless one is well versed in the history of New York City or early 20th century amusement parks.
I haven’t seen the original animated film in quite a few years, but I feel like this reboot is close enough in narrative to its predecessor. What is nice about this film is that not only is not the typical slightly out-there Tim Burton film, but it speaks of animal cruelty and gives Milly, as a budding scientist, her due.
Words, words, words... well said Hamlet! A little blog to go off on tangents within the worlds of history and literature that interest me. From the Tudors to Tom Hardy's Tess, or from the Wars of the Roses to Wuthering Heights, feel free to browse through my musings to pick up extra ideas and points for discussion!