Every film genre has its own basic narrative structure. The question is, does the screenplay blindly follow that narrative structure or is it used as merely the bones of the story?
The disaster film, San Andreas, was released in 2015. Raymond Gaines (Dwayne “The Rock” Johnson) is a helicopter rescue pilot living in Los Angeles. When the biggest earthquake in history hits California, his daughter, Blake (Alexandra Daddario) is in San Francisco. Ray’s ex-wife, Emma (Carla Gugino) reluctantly asked her former husband to find their daughter. Putting their history aside, Ray and Emma have to work together to locate Blake.
As disaster films go, the plot is paint by numbers. But there is something about this particular film that rises above what is expected. It is not the best movie I’ve ever seen. But if I was looking for a popcorn film that gives me the chance to step away from my reality for a few hours, this movie is it.
Do I recommend it? Yes.