- Soul: Though it is marketed as a kids movie, the subtext of appreciating life feels appropriate and potent this year.
- Mulan: The live-action reboot of the 1998 animated film Mulan rises above its predecessor, making it fresh and relevant.
- Emma.: Anya Taylor-Joy stars as Jane Austen‘s eponymous heroine, Emma Woodhouse, introduced as clever, rich, and handsome. Directed by Autumn de Wilde, this adaption is entertaining, funny, and a lovely addition to the list of Austen adaptations.
- The Trial of the Chicago 7: The film tells. the story of the 7 men accused of being responsible for the 1968 Democratic National Convention protests. Though it is set in the late 1960s and early 1970s, it feels very 2020.
- Portrait of a Lady on Fire: This LBGTQ historical romance between a young woman and the female artist hired to paint her portrait is sweet, romantic, and powerful. It proves once more that love is love is love.
- Ordinary Love: Joan (Lesley Manville) and Tom (Liam Neeson) are your average middle-aged couple. When she is diagnosed with Breast Cancer, they both must deal with the rough road ahead.
- The Assistant: Jane (Julia Garner) is an assistant to a Harvey Weinstein-esque powerful movie producer. She starts to notice things that don’t sit right with her.
- I am Greta: This documentary follows teenage climate activist Greta Thunberg as she advocates for the world to pay serious attention to climate change.
- Mank: Gary Oldman plays Citizen Kane screenwriter Herman J. Mankiewicz in a performance that is nothing but Oscar bait.
- #AnneFrank-Parallel Lives: Narrated by Helen Mirren, this documentary tells not just Anne’s story. It follows other young women who survived the Holocaust. Parallel to the stories of the past, the viewer is traveling with another young woman as she visits different countries in present-day Europe.
Tag Archives: Disney movie
We all know that at some point, we will exit this life. The question is, will we live to the fullest while we can?
The new Disney Plus movie, Soul, premiered yesterday. Joe Gardiner (voiced by Jamie Foxx) is a junior high school band teacher with a passion for playing music. At this point in his adult life, his dream of being a professional jazz musician has yet to be achieved. Then he gets an opportunity to play at a local jazz club.
But before he can play, he falls into a manhole. Discovering that he is in the Great Beyond, Joe tries everything he can to get back to his body. His ticket back to Earth is 22, (Tina Fey) an infant soul who is disinterested in being born. Together, they will learn about what true passion is and how to live life to the fullest.
What I like about this movie is while it is obviously a kids movie, there are themes that are well over the heads of younger audience members. The message of appreciating being alive and knowing what is truly important radiates through the narratives, reaching the viewer as only a touching and funny film can.
Do I recommend it? Absolutely.
Soul is available for streaming on Disney Plus.
Back in 1976, Laurel Thatcher Ulrich made the following statement:
“Well-behaved women seldom make history”
Among the myths that exist in Chinese history, the story of Hua Mulan is one of the most well known. In 1998, Disney released an animated film based on her narrative. In September, the live action adaptation premiered on Disney Plus.
Mulan (Yifei Liu) is not your average young woman. Girls in her world are expected to be meek, mild, and subservient. The highlight of her life is her future as a wife and mother. But Mulan is the opposite. She is a tomboy who would prefer to be active rather than submit to the path that is prescribed for her.
When the kingdom is invaded, a decree is sent out. Every family must send one man to fight. But Mulan has no brothers and her father is partially crippled from the last invasion. Disguising herself as a boy, she joins the army, knowing full well that the revelation of her gender is a dangerous one.
Among the live-action updates of Disney’s animated films (Aladdin and Beauty and the Beast), this is the best of the three that have so far been seen by audiences. It is darker and grittier than its predecessor, enhancing what was already there. I also loved the addition of Xianniang (Li Gong). Though she is initially introduced as the typical Disney villain, there is more to her than meets the eye.
One of the updates that I think makes the movie is the question of how gender is perceived. Though the subject was threaded into the screenplay in the 1998 movie, it is much more prevalent in this version.
If there was one takeaway from this film, it is to thine own self be true, even if the revelation is a difficult one to process. Given the changes in our culture in regards to gender, sex, and sexuality, the message comes through loud and clear.
Do I recommend it? Yes.
Mulan is available for streaming on Disney Plus.
In only a short few days, Americans will know who will be leading the country for the next four years. While millions have already made the choice known, others will be going to the polls on Election Day.
Randy Rainbow released his newest video on Friday. Entitled HOW WILL YOU VOTE? – A Randy Rainbow Song Parody, the song is based “That’s How You Know” from the 2007 movie Enchanted.
I loved this video. Over the last week or so, the reminders to vote have come at us in all directions. Though we are told every year that that year’s election is the important, this year’s election is critical. If we do not vote you know who out, the United States as it exists today may not be there tomorrow.
As we get closer to November 3rd, Americans will have to make a choice as to who we want leading us for the next four years. Though it may seem like a simple choice, it is a choice that will help to determine the future of the nation.
You know who is becoming desperate. Some of the who blindly follow him are starting to open their eyes to the truth. He is unfit for office in every way possible. In a certain sense, he is not as dumb as he appears to be. But then again, a smart leader knows when to listen to others (especially when they disagree with that leader) and when to listen to their own judgement. He refuses to listen to anyone else (with the exception of those who kiss up to him) and claims to know everything he needs to know about being President.
I don’t know about anyone else, but I am so ready to refer to Joe Biden as President Biden.
In our technological driven age, a fully automated house seems like a dream come true. But dreams and reality don’t always mix.
In the 1999 Disney TV movie Smart House, Ben (Ryan Merriman) and his family have just won a fully automated house. The computer, known as Pat (Katey Sagal) seems easy enough to control. But when Ben starts tinkering with Pat, whatever plans Ben had go out the window.
Smart House is one of those TV movies that is meant for a specific audience. The problem is that unless your part of the desired demographic, this TV movie is neither memorable or entertaining.
Do I recommend it? Not really.
Twenty five years ago, The Lion King hit theaters. To say that it was a hit was an understatement. It is a masterpiece that to this day is loved, treasured and referenced.
Yesterday, the reboot was released. Directed by Jon Favreau, the new film follows the narrative of it’s animated predecessor. Simba (voiced by Donald Glover as an adult and JD McCrary as a child) is the son and heir to Pride Rock. His parents, Mufasa (James Earl Jones, the only holdover from the original film) and Sarabi (Afre Woodard) are King and Queen, respectively.
As a young cub, as many young are, Simba is energetic, curious and doesn’t exactly follow his parent’s instructions. Unfortunately, he gets his best friend Nala (voiced by Beyonce as an adult and Shahadi Wright Joseph as a child) in trouble as well.
Neither knows that Simba’s Uncle Scar (Chiwetel Ejiofor) has a chip on shoulder. Scar’s plan to remove all obstacles to the throne nearly succeeds as Simba runs from fear and shame. He is befriended by Timon (Billy Eichner) and Pumbaa (Seth Rogen), a couple of misfits who only know freedom and a boundary-less life.
Then Simba is reminded of who he is. Can he step and be King or will he continue to run from his past?
If I had to rank all of the live action reboots that Disney has released over the past few years, this film would easily rank as #1. Favreau and his creative team had a herculean task on their hands: create a new film while showing deference to the 1994 animated film.
In my opinion, they succeeded. I felt a chill down my back as the opening number started. The animation, if it can be described as that, looked more like a documentary on the National Geographic channel than a film with a fictional narrative. I loved the cast, who, like the creative team, were able to put their own spin on their characters while showing deference to the actors who lent their voices to the 1994 film.
If I had to choose my favorite things about this film, I would choose two. The first is Nala and Sarabi. In the 1994 film, Sarabi is a glorified background character. In this film, Sarabi is more prominent and not afraid to stand up for what she believes in. Nala is the power behind the throne and a warrior in her own right.
The second is Timon and Pumbaa. These characters bring a lightness and a comedic element to a narrative is full of psychological symbolism and heavy with the ideas of fate and responsibility.
I absolutely recommend it.
The Lion King is presently in theaters.
When a sequel or a prequel to a beloved franchise is released, the hope is that not only will it live up to the original work, but it will expand the story.
The 4th film in the series picks up just after the 3rd film ended. Bonnie (Madeleine McGraw), the young girl who inherited the toys is starting Kindergarten and is not feeling it. During orientation, she creates Forky (Tony Hale) and immediately adopts him as one of her toys. But Forky is not immediately convinced that he is a toy.
When Bonnie’s parents take her on a road trip before school starts, Woody (Tom Hanks), makes it his business to ensure that Forky does not escape. But inevitably, he does, separating Woody from Buzz Lightyear (Tim Allen) and the rest of the toys. Before reuniting with the rest of the crew, Woody meets up with Bo Peep (Annie Potts), his unrequited crush who has become a bad-ass. They have to rescue Forky from the hands of potentially psychopathic Gabby Gabby (Christina Hendricks) with the help of Duke Kaboom (Keanu Reeves).
Upon release of the trailer, some may have asked why this film was necessary. The previous film tied up the narrative strings so perfectly that this film may seem like an easy cash grab by Disney.
It’s not. It expands the narrative in new and different ways. I loved the expansion of Bo Peep as a character and the message that it sends to women and girls of any age. I also loved the narrative of coming to the realization that things and relationships change. When we come to that point, we can either stay where we are or have the courage to step into the unknown for an adventure that is not yet revealed to us.
This film has humor, has heart and speaks to both children and adults.
I absolutely recommend it.
Toy Story 4 is presently in theaters.
P.S. Stay past the initial credits. The post credit scenes are worth the wait.