As Buzz continues in his efforts to get his crew home, time moves on. When he finally achieves his goal, he discovers that it has been sixty years since his first attempt. An army of robots led by Zurg (James Brolin) is doing everything they can to steal his power source. Leading a small band of misfits that includes Alicia’s granddaughter Izzy (Keke Palmer), Mo Morrison (Taika Waititi), Darby Steel (Dale Soules), and the animatronic cat Sox (Peter Sohn), they must save the day and stop Zurg.
I have mixed feelings about this film. As a standalone narrative, it’s not bad. I appreciate the diversity and representation of the characters. But I also feel like Disney and Pixar are perhaps becoming a little too reliant on a known quantity instead of trying out something new. The lessons within the story are universal and ageless, but that does not take away from the fact that this is the fifth time that we have seen Buzz on the big screen.
The question of nature vs. nurture is a tempting one to ask. Does our upbringing dictate who we are and what we believe? Or is it our perception of ourselves and the world around us?
Cruella was released yesterday on DisneyPlus. Estella/Cruella De Vil (played by Tipper Seifert-Cleveland as a child and Emma Stone as an adult) has been a rebel and an outcast since she was young. Raised by her single mother, she is left parentless at 12. Arriving in London with only her dog as a companion, she finds family in the form of thieves Horace (Paul Walter Hauser) and Jasper (Joel Fry). Ten years later, they have become a trio.
But Estella wants more out of life than petty thievery. She wants to be a fashion designer. Fate sends her the opportunity she is praying via the Baroness (Emma Thompson). The Baroness is the queen of the English fashion scene. She is also self centered and selfish. What starts out as a door opening to the job of her dreams turns Estella/Cruella into a version of the person she wants to destroy. The question is, can our heroine keep up with the image she has created while being true to herself or will she sell her soul in the process?
What I loved is that this movie it proves that a female led movie does not require a romantic narrative to be successful. There are male characters who have a significant role in the narrative, but their relationships with the Baroness and Estella/Cruella are of a professional and/or plutonic nature.
Among the Disney prequels that have come out as of late, this is the best one. Though there is the argument of an easy cash grab, there are more than enough Easter eggs to keep fans of the original film happy. Expanded beyond the original narrative, it is a loving homage to its predecessor while standing on its own two feet.