Joker: In this re imagined world from that Batman universe, Joaquin Phoenix adds new layers to this iconic character while talking frankly about mental illness.
The Song of Names: Based on the book of the same name, the film follows a man who is trying to discover the secrets of a missing childhood friend.
Frozen II: This sequel to the mega-hit Frozen was well worth the six year wait. Instead of doing a slap-dash direct to video type sequel, the filmmakers expanded this world in new ways, making the story even more relevant.
This will be my last post for 2019. Wherever you are, thank you for reading this year. May 2020 be bright and hopeful.
The purpose of a movie trailer is to reveal just enough about the film to entice the audience to see the movie. This trailer is really good. Like any Star Wars trailer, the details are kept under wraps (at least until December 20th).
We know that is going to be a battle between good and evil, which has always been the basis of the Star Wars story. But it is supposed to be the be all and end all for this saga and these characters. However, knowing Disney and Lucasfilm, I would not be surprised if there was another leg to the narrative released in the next twenty years.
In our technological driven age, a fully automated house seems like a dream come true. But dreams and reality don’t always mix.
In the 1999 Disney TV movie Smart House, Ben (Ryan Merriman) and his family have just won a fully automated house. The computer, known as Pat (Katey Sagal) seems easy enough to control. But when Ben starts tinkering with Pat, whatever plans Ben had go out the window.
Smart House is one of those TV movies that is meant for a specific audience. The problem is that unless your part of the desired demographic, this TV movie is neither memorable or entertaining.
Twenty five years ago, The Lion King hit theaters. To say that it was a hit was an understatement. It is a masterpiece that to this day is loved, treasured and referenced.
Yesterday, the reboot was released. Directed by Jon Favreau, the new film follows the narrative of it’s animated predecessor. Simba (voiced by Donald Glover as an adult and JD McCrary as a child) is the son and heir to Pride Rock. His parents, Mufasa (James Earl Jones, the only holdover from the original film) and Sarabi (Afre Woodard) are King and Queen, respectively.
As a young cub, as many young are, Simba is energetic, curious and doesn’t exactly follow his parent’s instructions. Unfortunately, he gets his best friend Nala (voiced by Beyonce as an adult and Shahadi Wright Joseph as a child) in trouble as well.
Neither knows that Simba’s Uncle Scar (Chiwetel Ejiofor) has a chip on shoulder. Scar’s plan to remove all obstacles to the throne nearly succeeds as Simba runs from fear and shame. He is befriended by Timon (Billy Eichner) and Pumbaa (Seth Rogen), a couple of misfits who only know freedom and a boundary-less life.
Then Simba is reminded of who he is. Can he step and be King or will he continue to run from his past?
If I had to rank all of the live action reboots that Disney has released over the past few years, this film would easily rank as #1. Favreau and his creative team had a herculean task on their hands: create a new film while showing deference to the 1994 animated film.
In my opinion, they succeeded. I felt a chill down my back as the opening number started. The animation, if it can be described as that, looked more like a documentary on the National Geographic channel than a film with a fictional narrative. I loved the cast, who, like the creative team, were able to put their own spin on their characters while showing deference to the actors who lent their voices to the 1994 film.
If I had to choose my favorite things about this film, I would choose two. The first is Nala and Sarabi. In the 1994 film, Sarabi is a glorified background character. In this film, Sarabi is more prominent and not afraid to stand up for what she believes in. Nala is the power behind the throne and a warrior in her own right.
The second is Timon and Pumbaa. These characters bring a lightness and a comedic element to a narrative is full of psychological symbolism and heavy with the ideas of fate and responsibility.
In 1998, Disney broke ground with the release of Mulan. Based on the myth of Hua Mulan, the movie told the story of the eponymous character who dresses as a boy and takes her elderly father’s place during wartime.
Back then, Mulan (Ming Na-Wen) was a revolutionary character, especially among the Disney Princesses. Unlike other Disney Princesses, her main goal was not men, marriage and eventual children, in spite of the message that was shoved at her in every form possible. Her journey was that of a warrior who was defending her country while trying to figure out who she was.
It is that message, that I think, then and now still resonates with audiences.
This new live adaptation is directed by Niki Caro, whose previous films have featured strong women making tough decisions. Three of the four screenwriters are female. The cast is made up of Asian actors, properly reflecting the world that the characters live in. And yes, there will be some musical elements, but those details are being kept under wrap for now.
As expected, Disney is keeping certain information under wraps until the film is released in March of next year. These live action adaptations straddle a fine line. They have to honor their animated predecessor (and the original fairy tale, if there is one), while reflecting the cultural changes that have occurred since the original film was released.
We can only wait and see when the film is released next year.
When a sequel or a prequel to a beloved franchise is released, the hope is that not only will it live up to the original work, but it will expand the story.
In 1995, the original Toy Story was released. It was an instant success and revolutionized animated films. 24 years later, Toy Story 4was released.
The 4th film in the series picks up just after the 3rd film ended. Bonnie (Madeleine McGraw), the young girl who inherited the toys is starting Kindergarten and is not feeling it. During orientation, she creates Forky (Tony Hale) and immediately adopts him as one of her toys. But Forky is not immediately convinced that he is a toy.
When Bonnie’s parents take her on a road trip before school starts, Woody (Tom Hanks), makes it his business to ensure that Forky does not escape. But inevitably, he does, separating Woody from Buzz Lightyear (Tim Allen) and the rest of the toys. Before reuniting with the rest of the crew, Woody meets up with Bo Peep (Annie Potts), his unrequited crush who has become a bad-ass. They have to rescue Forky from the hands of potentially psychopathic Gabby Gabby (Christina Hendricks) with the help of Duke Kaboom (Keanu Reeves).
Upon release of the trailer, some may have asked why this film was necessary. The previous film tied up the narrative strings so perfectly that this film may seem like an easy cash grab by Disney.
It’s not. It expands the narrative in new and different ways. I loved the expansion of Bo Peep as a character and the message that it sends to women and girls of any age. I also loved the narrative of coming to the realization that things and relationships change. When we come to that point, we can either stay where we are or have the courage to step into the unknown for an adventure that is not yet revealed to us.
This film has humor, has heart and speaks to both children and adults.
I absolutely recommend it.
Toy Story 4 is presently in theaters.
P.S. Stay past the initial credits. The post credit scenes are worth the wait.
I am a natural redhead. When I was growing up in the 1980’s and 1990’s, it was hard to find on screen characters who looked like me. Among the handful who I could look to as inspiration was Ariel (Jodi Benson) in the 1989 film, The Little Mermaid.
Over the last few years, Disney has rebooted their beloved animated films into live action films. The newest addition to this trend is the live reboot of The Little Mermaid with Halle Bailey stepping into the fins of Disney’s first modern Princess.
I have to admit that I have mixed feelings about this casting. While I applaud Disney for choosing an actress of color to play the role, my heart is still wedded to the idea that Ariel is a redhead. When your growing up and you look different from your peers, you look to film and television characters who look like you. When I was a kid, that was Ariel. As an adult, I don’t agree with her narrative, but her image and the impression she made back then are still with me to this day.
Readers, what do you think? Do you agree or disagree with the casting?
It takes courage, especially if one is in the spotlight, to reveal this very human aspect of themselves. We often elevate celebrities and performers to an almost g-d like state, forgetting that they are human and go through the same things that every human goes through.
I have to admit that I have no impetus to see Frozen on stage. The 2013 animated film was more than enough for me. However, I do admire Ms. Murin for having the courage to go public and talk about a subject that is very personal. My hope is that she inspires anyone who suffers from mental illness to get help so they can live a full and healthy life.
We continue to lose too many to mental illness. If her coming out has saved even one life, then it is worth more than all of the gold, jewels and treasures that this world has to offer.
I will try to make this review as spoiler free as I can, but if you have not seen the movie, I will not be bothered if you only read this review after you have been to the movie theater.
Hollywood has been addicted to reboots since it’s inception. Over the past few years, Disney has added to the general idea of reboots by releasing live action versions of their classic animated films. The most recent film in this sub-genre is Aladdin.
Like it’s 1992 animated predecessor, the film is set in Agrabah, a fictional Middle Eastern city. Aladdin (Mena Massoud) is an orphan who lives by the seat of his pants and whatever food he can steal. One day, he meets Jasmine (Naomi Scott), who is Princess of Agrabah. Locked in the palace, she yearns for freedom and escapes to the anonymity of the Agrabah marketplace.
Aladdin is roped into Grand Vizier Jafar’s (Marwan Kenzari) plan to find a mysterious lamp in a mythical cave. But Jafar is less than honest and leaves Aladdin to die. Inside the cave, Aladdin meets Genie (Will Smith), who offers him the possibilities that he could have only imagined of before.
When the original film was released back in 1992, I was a child and had a completely different view than I do now as an adult. Director Guy Ritchie surprised me. I’ve never seen any of his previous films, but based on the trailers, I can’t say that any of them were aimed at or appropriate for the audience that typically sees a Disney film. However, Ritchie and his creative team were able to create a film that is an homage to its predecessor while standing on it’s own two feet.
Two major changes that from my perspective elevated this film from the 1992 animated film was the expansion of Jasmine as a character and the casting of actors whose ethnic background matches the ethnicity of the characters. Instead of just giving lip service to feminism, Jasmine is truly a character in her own right. Not only does she wear more clothes, but she is more than arm candy to the man who she will potentially call husband. In the casting for this movie, the actors who were ultimately chosen are of South Asian or Middle Eastern descent. The specific choice of actors adds a level of authenticity that is lacking in the 1992 film.
Speaking of changes to the film, I was very impressed with Will Smith’s version of Genie. Robin Williams’s performance a quarter of a century ago can never be duplicated. However, Smith is able to put his own spin on the character while showing respect to Williams’s Genie.
Though the film is over two hours, it does not fee like it is over two hours. The narrative has a nice pace and the musical sequences fit in nicely with the overall story.
If I had one takeaway from this film (as was the same takeaway from the 1992 film), it was that being yourself is the most important thing and you should never change who you are to please someone else.