Sometimes it takes a moment and a spark to change a life.
E.M. Foster‘s 1910 novel, Howard’s End, takes place in early 20th century England and tells the story of the intertwining of three families. The upper-middle-class Wilcoxes, the middle-class Schlegels, and the lower class Basts. The story of how these families intertwine starts when Helen Schlagel gets involved romantically with Paul Wilcox. Telling a story about the mingling and clashing of class and sex, Foster speaks not only of his era but our era.
The impulse to read the book came from the miniseries that is currently airing on PBS. Up to this point, I’ve heard of the book but never read it. While it was a reasonable read, it is one of those books that I can check off having read. It’s not a bad book, but I was also lost partway through.
Classic and beloved novels are easy targets for stage and screen reboots. The question that fans have to ask is if these reboots hold up to the text.
Last night, the new adaptations of Howards End and Sanditon premiered on Masterpiece.
Based on the E.M. Foster novel, Howards End is the story of the intermingling of three families in the early 20th century in England. The Wilcoxes are upper class, the Schlegels are middle class and the Basts are lower class. With a cast led by Hayley Atwell and Matthew Macfadyen, this story of cross-class differences and secrets is bound to delight audiences.
I have a confession to make: I have heard of the book, but I have never read it. That will soon be remedied. In the meantime, I was completely taken in by the first episode and as of now, I plan on completing the series.
Sanditon was started by Jane Austen just months before she died. An eleven chapter fragment of a novel, respected television writer Andrew Davies continued where Austen left off. Charlotte Heywood (Rose Williams) is part Elizabeth Bennet and part Catherine Morland. The daughter of a large landed gentry family from the country, Charlotte is young and eager to spread her wings.
When an offer comes her way to visit Sanditon, an up and coming seaside resort, she immediately says yes. But Sanditon is a different world than the world she grew up in. One of the people she meets is Sydney Parker (Theo James, who played the infamous Mr. Pamuk on Downton Abbey), the brooding and sometimes rude younger brother of the couple who she is staying with.
For many Austen fans, Sanditon is a what-if experience. With only eleven chapters completed, we can only guess what the completed novel would have looked like. As an adaptation, so far, I have to say that I am impressed.
Like his previous Jane Austen adaptation, Davies knows when to stick to the script and when to add a little something extra.
What I liked about the series so far is that unlike most Austen heroines, Charlotte’s main reason for going to Sanditon is not to find a husband. Most of her heroines (with the exception of Emma Woodhouse) are motivated to marry because of family pressure and/or financial needs. Charlotte goes to Sanditon to see the world and experience life outside of the family that she grew up in. She is also curious about the world and shows interest in certain subjects that would not be deemed “appropriate” for a woman of this era.
I really enjoyed the first two episodes. It is a love letter to Austen fans and contains plenty of Easter eggs if one knows where to look.
I recommend both.
Howards End and Sanditon air on PBS on Sundays nights at 8:00 and 9:00 respectively.
