The first film in a series is exciting and new. The possibilities are endless. By the time the third or fourth movies comes around, it takes a greater mind to invent news ways of moving the narrative along.
The fourth movie in the the Shrek series is Shrek Forever After. After the events of Shrek (2001), Shrek 2 (2004) and Shrek the Third (2007), Shrek (Mike Myers) and Fiona (Cameron Diaz) are dealing with the challenges of marriage and parenthood. Unable to deal with the stress of it all, he wishes that he was a real ogre. Rumpelstiltskin (Walter Dohrn) grants his wish. At first, he is content with his new life.
Then Shrek realizes that he has been setup. Before he can stop Rumpelstiltskin, he has to first convince Fiona, Donkey (Eddie Murphy), and Puss in Boots (Antonio Banderas), who do not know him, to fight against their common enemy.
To say that the creators stretched whatever narrative ideas they had is an understatement. They get an A for effort, but little else.
The third film in a series can travel into narrative territory that is not always clear. It can enhance the narrative and the characters, taking both in new directions. It can also be a disappointment if it lacks what its predecessors special.
Shrek the Third (2007) is the sequel to Shrek (2001) and Shrek 2 (2004). With the death of his father-in-law, Shrek (Mike Myers) is now the new King of Far Far Away. It goes without saying that he is not the right person for the job. The next in line is Artie (Justin Timberlake), but he is not exactly keen on embracing his future role. It is up to Shrek, Donkey (Eddie Murphy), and Puss in Boots (Antonio Banderas) to convince him to accept his destiny.
Meanwhile, Fiona (Cameron Diaz) is pregnant and dealing with a very angry Prince Charming (Rupert Everett), who is planning to take what he believes was his to begin with.
The spark is somewhat diminished if we are comparing Shrek the Third to the first two movies. It’s almost a stretch, but it could be worse. Though my feminist self asks why Fiona, as the child of the King (John Cleese) and Queen (Julie Andrews), is not the next in line (thank you primogeniture), I appreciated that it was the princesses who saved the day.
Shrek 2 takes place just after the ending of Shrek (2001). Shrek (Mike Myers) and Fiona (Cameron Diaz) are in the midst of newlywed bliss when an invitation from her parents arrives at their doorstep. Traveling to the kingdom of Far Far away with Donkey (Eddie Murphy), they are initially given a warm welcome. That welcome is quickly rescinded by the King (John Cleese) and Queen (Julie Andrews), who are shocked and well, unhappy about their daughter’s choice of a spouse.
Among movie sequels, this one is near the top of my list. The film takes what made its predecessor successful and builds on it. It expands the world and the characters while using the same humor and heart of the first movie. What I personally love is that it represents a reality that is something not seen on screen and not seen in fairy tales. It shows that even in the happiest of families and the seemingly most perfect of marriages, there are still problems and conflicts.
Twenty years ago, Disney introduced audiences to the newest member of the Disney Princess line: Mulan.
Based on the myth of Hua Mulan, Mulan (Ming-Na Wen) is a young woman growing up in ancient China. She is expected the follow the traditional path: marry, have children and live as women before her have lived.
Then the Huns attack and the men are called up to join the army. But Mulan is an only child and her father is not a young man anymore. She takes her father’s place and pretends to be a boy. The ancestors watching her are not pleased with Mulan’s decision and send Mushu (Eddie Murphy) to convince Mulan to stay home. But Mulan will not be convinced otherwise, so Mushu goes with her to battle.
Twenty years ago, Mulan was a revolutionary film for Disney. As a character, Mulan was the most progressive of the Disney Princesses up to that point. She was the second non-Caucasian heroine after Jasmine in Aladdin (1992). Marriage was not her first priority.She was also not a size 2.
In every Disney Princess film, the character’s emotional journey is kicked off by the “I Want” song. In a nutshell, the song describes what they want from life. Mulan’s “I Want” song is “Reflection”. 20 years ago, this song left its emotional mark on me and many others who saw this film. It’s about pretending to be someone else to please your loved ones and the emotional toll it takes on you.
While Disney has a long way to go in terms of how women are represented on film, Mulan was and still is a giant step forward for which I am grateful for.
Eddie Murphy was once one of the most respected and successful comics and actors in Hollywood. Unfortunately, that reputation has gone down the tubes in recent years.
In 2003, he starred in the Haunted Mansion. Based on the Disney ride of the same name, Jim Evers (Eddie Murphy) and his wife Sara (Marsha Thomason) run a successful real estate company. But the business is successful because his family comes second to work. When they receive a call about a new property, Jim cannot resist the offer. But the property’s owner, Master Gracey (Nathaniel Parker) and his butler, Ramsley (Terence Stamp) are an odd pair. Jim will discover that the house is haunted and Master Gracey has specific reasons for his invitation.
Were the critics wrong?No. This movie tries to bridge the gap of action/comedy/family movie genre with a message of what is really important in life. But in reality, this movie is just plain bad.
Four years later, in 2007, Murphy jumped from plain bad to awful/atrocious/offensive in Norbit. Norbit is an orphan raised by Mr. Wong (also Murphy). He is engaged to Rasputia (again played by Murphy). Then he meets Kate (Thandie Newton), who is the woman of his dreams. Can he find a way to end his engagement or will be spend the rest of his days with Rasputia?
This movie is so bad it’s good. Rasputia is offensive as a character. Loud, extremely overweight, domineering and manipulative, she controls Norbit, who is without a backbone, with an iron fist. On the other side is Kate, who is sweet, caring and thin. Were the critics wrong? Absolutely not.
Prince Akeem (Murphy) is the heir to the throne of the fictional African kingdom of Zamunda. He is 21 and of an age to marry. The only problem is that his wife has been chosen for him, but Akeem is not thrilled with the idea of this marriage. Breaking tradition, he travels to New York with his loyal aide Semmi (Arsenio Hall) to find a woman who would marry him for love, not because she has been chosen for him. Lisa McDowell (Shari Headley) works for her father at McDowell’s (not to be confused with McDonalds). She has a boyfriend, Darryl (Eriq La Salle), but is starting to spend her free time with Akeem, who has started working at McDowell’s. Akeem is trying to keep his real identity a secret, but that secret will not remain a secret for very long.
I like this movie. Breaking from the buddy cop movie genre that Murphy started in after he left Saturday Night Live, he plays Akeem with a combination of optimism and a sense of who he wants to be and who he wants to be with. The comedy in this movie comes from Hall and Murphy playing multiple characters, a feature that Murphy would later known for in movies like The Nutty Professor. The royalty/romance genre is still, even in 2015, for the most part white, it’s nice to see African and African American characters portrayed on screen as they are in this movie.
Fairy tale male leads are often a certain type. Tall, dark, handsome, charming and maybe a little flawed, just to make him interesting. He is the one who not only rescues the princess, but also marries her. Their happily ever after and ride into the sunset is predictable from the word go.
Shrek (2001) smashed this stereotype, forever altering the way we see the male lead character in fairy tales.
Shrek (Mike Myers) is an ogre. He is rude, smelly, keeps to himself and not the image that a female would conjure up when she thinks of Prince Charming. Lord Farquaad (John Lithgow) starts to encroach on Shrek’s swamp. Shrek makes a deal with Lord Farquaad to rescue his intended, Princess Fiona (Cameron Diaz) and bring her back to his kingdom. If Shrek agrees and bring bring the princess, he will be left in peace for the rest of his days. Traveling with Shrek is Donkey (Eddie Murphy), a talking ass who is part sarcasm, part performer and part wise old man.
Did Shrek break the mold for fairy tales? No. Did the story have the predictable, typical happy ending? Of course. But what this movie does brilliantly is to take the stereotypes of genre, flip it on the head and skewer in a way that is pure genius. The twist in this story (which I will not share, in case anyone has not seen this movie), certainly goes a long way in redeeming the standard ending.
Do I recommend this movie? Sure. Do I recommend the sequels? Let me put it this way. Outside of Star Wars, Star Trek and a handful of the most recent superhero movies, most movies that have multiple sequels begin to loose their steam after a while. The sequels that followed this movie are among the movie sequels that will never be as good as the first.