When a fan of successful series of movies walks into the theater for the next chapter in the story, there is hope that this new film lives up the reputation of its predecessors. But sometimes, that hope springs eternal.
Fantastic Beasts: The Crimes of Grindelwald hit theaters this weekend. At the beginning of the film, Grindelwald (Johnny Depp) has escaped from the authorities. His ideal world is one where wizards rule and non-magical humans are second class citizens. He needs Credence Barebone (Ezra Miller) to see his plan to completion, but Credence has other goals. It’s up to Newt Scamander (Eddie Redmayne), Jacob Kowalski (Dan Fogler), Queenie Goldstein (Alison Sudol) and Tina Goldstein (Katherine Waterston) with help on the back end from Dumbledore (Jude Law) to stop Grindelwald and find Credence.
Other reviews of this film have been tepid. While the film suffers from sequel-itis, in terms of other sequels, it could be a lot worse. I especially appreciated the ending. It answered the major question of the narrative, while leaving enough narrative strings for the next film.
I recommend it.
Fantastic Beasts: The Crimes of Grindelwald is presently in theaters.
There is an old saying: all that glitters is not gold. The same could be said about Hollywood and the movie stars that fill up our screens. Behind the performer is the real human being who is dealing with the same sh*t that we all deal with.
In the 2011 movie, My Week With Marilyn, Marilyn Monroe (Michelle Williams) is in London in the mid 1950’s to film The Prince And The Showgirl. Being directed by and starring opposite Sir Laurence Olivier (Kenneth Branagh), Marilyn is not the easiest performer to work with. Colin Clark (Eddie Redmayne) is a young film student who gets a job as a part of the film crew. As time goes on, Marilyn reveals that there is much more to her that the on-screen sex goddess and Colin begins understand some truths about people and life that only time, experience and maturity bring.
What I really appreciated about this movie was that it revealed some truths that many of us, regardless of whether we are a Hollywood star or a John or Jane Doe, deal with on a day-to-day basis. I also appreciated that the film humanized one of Hollywood’s best known icons and brought her down to a level that makes us appreciate and respect her as a person, not as a performer.
I recommend it.
Stephen Hawking lived through extraordinary circumstances. In the early 1960’s, he was a young Phd candidate studying at Oxford University with a bright future. Diagnosed with ALS in his early 20’s, he was given 2 years to live. Instead he wrote several books on physics and became famous for his research.
The Theory Of Everything follows Stephen Hawking’s (Eddie Redmayne) life from his years at Oxford before the diagnosis. The film follows Stephen and his then wife Jane (Felicity Jones) through his years of struggling with the disease and then ends with his success as respected and world renowned physicist.
This movie is fantastic. If I were a betting woman, would bet that this movie is a surefire nominee come awards season. Eddie Redmayne and Felicity Jones have fantastic chemistry. Redmayne is completely believable as Hawking. His mannerisms, the way he contorts his body is breathtaking. Jones as Stephen’s loving, but overworked wife is subtle, nuanced and powerful on screen.
I absolutely recommend this movie, especially to those of us who are down on our luck. Stephen Hawking proves that any obstacle can be overcome with heart, humor and most of all, hope.