Whitney Houston: I Wanna Dance with Somebody Movie Review

In every generation, there are a handful of people who can truly be referred to as a G.O.A.T. One of these is the late singer Whitney Houston.

The new biopic, Whitney Houston: I Wanna Dance with Somebody, was released on December 23rd. Naomi Ackie steps into Houston’s very large shoes. Playing her equally famous mother Cissy is Tamara Tunie. Supporting her career is legendary record producer/mentor Clive Davis (Stanley Tucci). The film (directed by Kasi Lemmons) follows her life and career from her late teens (when she signed her first contract) to her iconic songs to her tragic death in 2012.

There are good and bad aspects to the film. Ackie disappears into her character. Like Austin Butler in Elvis, she becomes Houston. There is little differentiation between the actor and the person they are playing. The music, as expected, is fantastic. I found myself singing along to the film.

One thing that surprised me was her long-time relationship with Robyn Crawford (Nafessa Williams). Though it started out as friendship/romance, it became a professional partnership when it became clear that it would impede Houston’s professional orbit.

The bad is that the narrative slows down considerably during the second half of the movie. While it hit all of the expected story points, it was just a little too cliche for me.

Do I recommend it? Maybe.

Whitney Houston: I Wanna Dance with Somebody is available in theaters.

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Best Movies of 2022

1. Black Panther: Wakanda Forever: After the death of Chadwick Boseman (T’Challa/Black Panther), the questions on how the IP would continue without its leading man seemed endless. Black Panther‘s sequel is both the perfect memorial to Boseman and a continuation of the narrative.
2. Avatar: The Way of Water: The 13-year wait for the follow-up to Avatar was worth it. The themes of climate change are just as relevant now as they were in 2009.
3. She Said: Based on the book of the same name, it tells the heart-pounding story to uncover the sexual assault allegations against Harvey Weinstein. NY Times reporters Megan Twohey (Carey Mulligan) and Jodi Kantor (Zoe Kazan) take on Weinstein and the Hollywood machine in a way that is jaw-dropping.
4. Elvis: Austin Butler transforms himself into Elvis Presley, adding new layers to the music icon.
5. Call Jane: Elizabeth Banks plays a housewife whose pregnancy is not going well in the days before Roe v. Wade. Denied an abortion by the local hospital, she finds an underground group and soon joins them in their mission to help women.
6. Hocus Pocus 2: After 29 years, the Sanderson sisters are back. It has enough of its predecessor while holding its own in the best way possible.
7. Mr. Malcolm’s List: Based on the book of the same name by Suzanne Allain, Mr. Malcolm is the most coveted bachelor in this Jane Austen-inspired narrative. In order to fend off marriageable young ladies and their match-making mamas, he creates a list of qualities that his wife should have. Little does he know that it will soon be moot.
8. Downton Abbey: A New Era: This second film in the franchise opens the door to new stories while closing old ones in perfect fashion.
9. Cyrano: This musical adaptation of Cyrano de Bergerac starring Peter Dinklage adds new flavors to the well-known tale.
10. The Tragedy of Macbeth: Shot in stark black and white, Denzel Washington and Frances McDormand star as the power-hungry and bloodthirsty Macbeth and Lady Macbeth.

Elvis Movie Review

There are only a handful of artists who are known by a singular name. Their image and influence have permeated the culture in a way that everyone knows who they are and what they represent. Elvis Presley is one of these artists.

The new biopic, Elvis, hit theaters last week. Directed by Baz Luhrmann, the film stars newcomer Austin Butler as the title character and Tom Hanks as his manager with sometimes questionable intentions, Colonel Tom Parker. The narrative follows both of them from the early days of Presley’s career until his death in 1977 at the age of 42. The Colonel tells the story, casting himself as the manager who saw the potential of an unknown artist. As Elvis becomes a megastar, he faces criticism for his supposedly “wild race music” and its effect on the nation’s young people.

As the years pass and he becomes a has-been, Presley, and the Colonel pivot. After a very successful television special, he becomes a Las Vegas regular. But while his client is on stage, the Colonel is enriching himself. When everything comes to a head, Elvis has to choose between staying with his manager or trying to go his own way.

Though Butler does not look exactly like the King, he completely inhabits the man and the legend. Playing him from his teenage years until his early 40s, Butler is enigmatic and completely convinces the audience that he is Presley. Hanks, as usual, is up to the task. His character is a man who sees an opportunity and takes it, even if means crossing some boundaries.

What made the movie work for me was the man behind the icon. Presley was a devoted son to his parents, Gladys and Vernon (Helen Thomson and Richard Roxburgh). He was also madly in love with his wife Priscilla (Olivia DeJonge) and a devoted father to their daughter. He respected the black artists whose music he “borrowed” (depending on your perspective) from. What Luhrmann does brilliantly as a filmmaker is to point out that while African-American musicians of the era were largely ignored outside of their community, Presley made a fortune singing the same songs.

My only complaint is that the middle of the narrative could have been trimmed down a bit. Other than that, the film is incredibly good and definitely worth the price of a movie ticket.

Do I recommend it? Absolutely.

Elvis is presently in theaters.