Tag Archives: Emily Bronte

Wuthering Heights Character Review: Hareton Earnshaw

*Warning: This post contains spoilers about Emily Bronte’s classic novel, Wuthering Heights. Read at your own risk if you are unfamiliar with the either book or the various adaptations.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Wuthering Heights to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

When we are children, the only environment we know is our family and our small world. The problem is that sometimes, when we grow up, we don’t grow out of the scars that we receive either consciously or unconsciously from our families and the world of our childhoods.

Hareton Earnshaw is the only child and heir to the Earnshaw name and estate. The problem is his father, Hindley Earnshaw drank and gambled away the family fortune after the death of his wife. After his father passes, Hareton is taken in (if you want to call it that) by Heathcliff to be used as a means of revenge.

As an adult, Hareton is treated as a servant in his ancestral home and treated poorly by Heathcliff. His only solace is his cousin, Catherine Linton, who is as imprisoned by Heathcliff as Hareton is.

To sum it up: The thing that always strikes me about Hareton is that despite the fact that is being degraded day after day by Heathcliff, he has a sense of pride. He takes pride in being an Earnshaw, and is not willing to completely bow to his captor. He is also sees an opportunity when Catherine also imprisoned in Wuthering Heights. She teaches him to read and they eventually get together, healing the wounds of the previous generation. When a character has enough pride and enough sense of self, despite a crappy childhood, to find peace within themselves, readers remember that. If a reader can finish a book, feel satisfied and feel like they have learned something about themselves because of a particular character’s journey, then the writer has done his or her job.

 

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Character Review: Isabella Linton

*Warning: This post contains spoilers about Emily Bronte’s classic novel, Wuthering Heights. Read at your own risk if you are unfamiliar with the either book or the various adaptations.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Wuthering Heights to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

Not everyone can have their happy ending. Some of us, no matter how much we try, will never be able to walk into the proverbial sunset. In Wuthering Heights, Isabella Healthcliff (nee Linton) is Catherine Linton’s (nee Earnshaw) sister-in-law. When Heathcliff comes back into Catherine’s life a couple of years after she has married Edgar, Isabella develops a crush on Heathcliff. Why shouldn’t she? He is handsome, wealthy and in every sense of the word, eligible. Isabella is single, of age to marry and ready to marry.

The problem is that neither Catherine or Heathcliff have gotten over each other. Isabella becomes a pawn in their relationship. Running away with Heathcliff, they elope and Isabella is cut off from her brother. She will soon learn about the darker side of her husband. When she can no longer live with Heathcliff, she leaves hims and takes their young son, Linton to London.  She dies young,  hoping to leave her son in her brother’s care. But her husband wants his son back.

To sum it up: While we all wish for a happy ending, both on page with our characters and in our lives as human beings, we  may not get that happy ending. Isabella is unfortunately a character whose happy ending is not what she envisioned. But she does one thing that makes her ending stand out: instead of staying with her abusive husband, she leaves him and takes their son with him.

In 19th century Victorian England, this was a brave choice that is a small, but pivotal change in the way happy endings are portrayed. So in a way, Isabella got her happy ending, but it was on her own terms. In that sense, Bronte flipped the standard happy ending narrative on its ear, creating a new happy ending. If a writer is looking to clear up the loose ends of their story with a happy ending, why not change that ending? Flip that happy ending on it’s ear, make the story even more memorable and leave the reader wanting more.

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Wuthering Heights Character Review: Edgar Linton

*Warning: This post contains spoilers about Emily Bronte’s classic novel, Wuthering Heights. Read at your own risk if you are unfamiliar with the either book or the various adaptations.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Wuthering Heights to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

One of the more common narratives in the romance genre is the love triangle and the question of whom the hero or heroine will choose as their partner.  In Wuthering Heights, the love triangle consists of Catherine Earnshaw at the top of the triangle with Heathcliff and Edgar Linton on the bottom of the triangle.

Edgar Linton is everything Heathcliff is not. He is the son and heir of a respectable landowning family who acts as a gentleman of his class and time is expected to act. His lineage is defined and traceable. His status, income and property mark him as a catch. In modern terms, he is the boy next door that many parents would be thrilled to see their child dating.

Even for all of that, he is not Heathcliff. Even after Catherine has accepted Edgar’s marriage proposal, she admits that the man she loves is not Edgar. While the reader knows that Catherine is marrying Edgar for what could appear to be less than honorable reasons, Edgar will only discover this fact later in the novel.

“My love for Linton is like the foliage in the woods: time will change it, I’m well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Healthcliff! He’s always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.”

To sum it up: For all of his good qualities, Edgar Linton is the loser in the love triangle that is part of the Wuthering Heights narrative. He is the nice guy who may have been in love with the heroine, but she in turn was in love with the bad boy and ultimately chose the bad boy over the nice guy. As a writer, Emily Bronte could have used this very predictable narrative and chose the safe route. Instead she forged her own narrative path and told the story of the conflict between light and dark and how that affects the choices that characters make.

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Wuthering Heights Character Review: Hindley Earnshaw

*Warning: This post contains spoilers about Emily Bronte’s classic novel, Wuthering Heights. Read at your own risk if you are unfamiliar with the either book or the various adaptations.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Wuthering Heights to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

Every protagonist needs an antagonist. Whether that antagonist is an internal or external antagonist, he or she is crucial to the development of the protagonist.  In Wuthering Heights, that antagonist is Hindley Earnshaw. Hindley is Catherine’s older brother, his jealousy and anger over Heathcliff creates a lifetime of rage and abuse on his adopted brother. After Mr. Earnshaw dies and Hindley becomes master of Wuthering Heights, he takes pleasure in reminding Heathcliff of his low status. Hindley also absolves himself of any parental responsibility if his only son, Hareton, after the death of his wife, leaving his child in the path of the vengeful Heathcliff.

To sum it up: Not every character has to be likable or have redeeming qualities. Some characters are just  nasty, rude, don’t give a sh*t, etc. But that’s fine. In creating an irredeemable character like Hindley, Bronte was able perfectly contrast her hero, Heathcliff. While Heathcliff has some goodness in him,  Hindley has none. He is an arrogant angry man who fully takes advantage of his status in society, loses everything in the process and in the end pays for his wicked ways. When it comes to villains, that is how we like it.

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Wuthering Heights Character Review: Heathcliff

*Warning: This post contains spoilers about Emily Bronte’s classic novel, Wuthering Heights. Read at your own risk if you are unfamiliar with the either book or the various adaptations.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Wuthering Heights to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

There is something magical about a romantic leading man. Even in human form, with his imperfections, there is something ideal and dreamy about this kind of character. On the surface, Heathcliff, the male protagonist of Wuthering Heights seems like the romantic leading who sweeps not just the female protagonist off her feet, but the readers as well. The important word in that sentence is seems.

Heathcliff’s origins are unknown. He is an orphan found on the streets by Mr. Earnshaw and taken back to Wuthering Heights. Raised within the family, Heathcliff’s soulmate is Catherine, Mr. Earnshaw’s daughter. His nemesis is Catherine’s older brother, Hindley.  After Mr. Earnshaw dies and Hindley becomes master of Wuthering Heights, Heathcliff is cast out of his comfortable life and forced into servitude.  His bitterness and anger are kept at bay because Catherine is around.

Heathcliff’s bitterness and anger starts to grow exponentially when Catherine gets engaged to Edgar Linton, the son of a wealthy and respectable family. Vowing to get revenge, but still deeply in love with Catherine, Heathcliff comes back a few years later with a tidy fortune and ready to get back at those who he believed wronged him. But along the way of getting his revenge, Heathcliff leaves a few victims in his wake: his wife, Isabella Heathcliff (nee Linton), and the next generation of Lintons, Earnshaws and Heathcliffs. But in the end, it is his pure and abiding love for Catherine that prevents the darkness from completely swallowing him.

To sum it up: the idea of Prince Charming is nice, but Prince Charming is boring. It’s been done to death. Readers remember Heathcliff because while he is a dark character whose actions and morals are questionable (especially in the second half of the book), he loves Catherine. He loves her so much that after she dies, he begs her spirit to stay with him. He keeps going back to her after she has married, knowing full well that she is married and not caring a fig for her marriage. Sometimes the key to a writer’s success is to take a standard character, add in a few out of left field characteristics, flip the character on its head and see what happens. It is the joy of writing and the joy of reading to discover a character who has been seen before, but is also totally new and different that he or she is unforgettable.

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Wuthering Heights Character Review: Catherine Earnshaw

*Warning: This post contains spoilers about Emily Bronte’s classic novel, Wuthering Heights. Read at your own risk if you are unfamiliar with the either book or the various adaptations.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Wuthering Heights to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

The best love stories always have an obstacle to the potential happiness of the couple. The best stories sometimes have a character who is standing in the way of their own happiness. This, in a nutshell is Catherine Earnshaw, the heroine of Emily Bronte’s Wuthering Heights.

Catherine is the daughter of the local gentry. We first meet Catherine when her father brings home Heathcliff, her adopted brother/soulmate. Catherine and Heathcliff grow up together, joined at the hip until they reach early adulthood. Then reality sets in. Mr. Earnshaw dies and Catherine’s older brother, Hindley becomes master of Wuthering Heights. Hindley was never fond of Heathcliff when they were boys. Without anyone to stand in his way, Hindley openly and maliciously abuses Heathcliff.

While this is happening, the audience and Catherine are introduced to the brother and sister duo of Edgar and Isabella Linton. While it is obvious that there is a strong connection between Catherine and Heathcliff, there is also the pressure of the world of Victorian era England. It would be a disgrace for Catherine to marry Heathcliff, despite their deep love. Heathcliff has no money, no social standing and his origins are unknown. In short, it would cause quite the scandal if the lovers were to marry.

“I cannot express it; but surely you and everybody have a notion that there is or should be an existence of yours beyond you. What were the use of my creation, if I were entirely contained here? My great miseries in this world have been Heathcliff’s miseries, and I watched and felt each from the beginning: my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it. My love for Linton is like the foliage in the woods: time will change it, I’m well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff! He’s always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.”

After Catherine marries Edgar and Heathcliff disappears, she appears for a time, to have put aside the wild child sensibility and become a proper lady. But when Heathcliff returns as a wealthy man and starts to not court Isabella, Catherine becomes jealous. Pitting her husband and her soulmate against one another, she becomes ill and dies just moments after her daughter in born.

To sum it up: There are always obstacles, whether on the page or in life. We have two choices, we can find a way to overcome the obstacles or we can take the easy way out.  Catherine unfortunately, takes the easy way out and pays for her choices. As writers, we don’t always have to lead our characters down the right path. Sometimes, we lead our characters go down the wrong path and let them pay for their choices.

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The World Within: A Novel of Emily Brontë Book Review

Among the three Bronte sisters, Emily, the second to youngest was the most introspective and private. Her social circle was limited to her family, her close friends and her animals. She rarely traveled outside of her hometown of Haworth, England. She was not concerned with being fashionable or climbing the social ladder. Her sole completed novel, Wuthering Heights is one of the most respected and admired novels in the English language.

Jane Eagland’s 2015 novel, The World Within: A Novel of Emily Brontë, takes place when Emily is a teenager. Her widowed father, Patrick is doing his best to raise his children with the help of his sister-in-law. The Bronte children have created stories over the years about vast and imaginative lands with colorful characters. But life is beginning to change, as it must.

Patrick gets sick and there is a concern about what will happen if he does not survive. The sisters realize that they must learn to fend for themselves. But the question is, how will they learn to fend themselves with no dowry, no connections, no income and limited professional opportunities that does not include marriage?

Among the Bronte sisters, Emily is the most fascinating. She was passionate, opinionated and fiery. And yet under the mask of the quiet Parson’s daughter, few knew who she really was. As a reader, a writer and a fan of the Brontes, it’s always interesting to learn what events and experiences shaped them into the women we know them to be today. The question is then, can a modern writer truly find their way into Emily’s life and psyche to write a novel about Emily Bronte before she became the giant of literature that we know her to be today?

On a scale of 1-10, 10 meaning the book was superb and 1 being that the book is horrible, I would give the book a rating of 5. It was ok, but it was a bit slow in the beginning and I struggled to stay focused on the story during parts of the narrative.

Do I recommend it? Maybe.

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Lady Macbeth Movie Review

Desperate times often calls for desperate measures. The questions are, what are we willing to give up in the process and how does that process change us?

In the new movie, Lady Macbeth (which has no connection to William Shakespeare character other than the title of the film), Katherine (Florence Pugh) is a young woman sold in the name of marriage to an older man. Forbidden from doing much of anything, Katherine is left alone with only her servants for company while her husband and father in law go out into the world. She starts sleeping with Sebastian (Cosmo Jarvis), one of her husband’s groomsman. The affair quickly becomes an affair of the heart. But things get messy when her husband and father in law return home. Katherine and Sebastian try to clean up the mess they have created. But the more they try to clean it up, the messier it becomes.

The best way to describe this film is that it is a hybrid of the psychology of an Alfred Hitchcock film with the imagery and narrative of a Wuthering Heights adaptation. It also speaks truth to power about what a woman will do when she has no direct power and must use other means to get what she wants. The three things that stand out for me are a) the diverse cast b) the lack of music and how background sounds play a role in telling the story and c) how I felt as an audience member when the film was done. I disliked Katherine for her actions, but in understanding her motivation, it made for a very well done film.

I absolutely recommend it.

Lady Macbeth is presently in theaters.

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To Walk Invisible Review

The key elements of a successful biopic, especially one where the subjects are legendary in their own right, are as follows: a compelling narrative and adherence to the facts of the subject’s life to engage both the novice viewer and the viewer who is well versed on the subject’s life.

On Sunday night, PBS aired To Walk Invisible, a biopic of the Brontes. The Reverend Patrick Bronte (Jonathan Pryce) is a widower living with his surviving children, who are all grown and seem to be flailing emotionally. The eldest daughter, Charlotte (Finn Atkins) is passionate and ambitious. Branwell, the only boy (Adam Nagaitis) is the ne’er-do-well dreamer with the growing alcohol addiction. Emily (Chloe Pirrie) is as fiery as she is private. The baby of the family, Anne (Charlie Murphy) is the peace maker.

As the sisters work towards their dream of becoming published authors, Branwell descends rapidly into a haze of grief and addiction that will overtake the entire family.

Anyone who knows me (or has read this blog), knows that I worship the literary ground that the Brontes walk on. Their books are nothing short of genius. Unfortunately, I cannot say that same about this television movie. Granted, it is one shot, 2 hour television movie, so for timing reasons, cannot contain every moment of their lives. That’s not my issue.

My issue is that it went a little too fast and the ending felt very abrupt. Certain facts (which I will not mention here due to the fact that they are a little spoiler-y for novice Bronte fans) were not mentioned. Not only that, but the narrative spent too much time on Branwell and not enough time on his sisters, who are the main characters.

Do I recommend it? As much as I would love to say an enthusiastic yes, I can’t. I have to give a mere maybe.

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To Walk Invisible Trailer

A good biopic is hard to come by. On one hand, it has to be true to the real life subjects that are being portrayed on-screen. But, on the other hand, it must be entertaining and keep the audience engaged.

To Walk Invisible is the new biopic based on the life Emily, Anne and Charlotte Bronte. Stepping into the roles of the the legendary sisters are Charlie Murphy (Anne Bronte), Chloe Pirrie (Emily Bronte) and Finn Atkins (Charlotte Bronte). Playing their widower father Patrick is Jonathan Pryce and their brilliant but drug addicted brother, Branwell is Adam Nagaitis.

While there is no official air date in the US (it premieres in the UK on December 29th), I have a feeling the bookworms, anglophiles and Bronte fans will be pleased with this fictional imaging of the three of the world’s greatest authors.

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