- Soul: Though it is marketed as a kids movie, the subtext of appreciating life feels appropriate and potent this year.
- Mulan: The live-action reboot of the 1998 animated film Mulan rises above its predecessor, making it fresh and relevant.
- Emma.: Anya Taylor-Joy stars as Jane Austen‘s eponymous heroine, Emma Woodhouse, introduced as clever, rich, and handsome. Directed by Autumn de Wilde, this adaption is entertaining, funny, and a lovely addition to the list of Austen adaptations.
- The Trial of the Chicago 7: The film tells. the story of the 7 men accused of being responsible for the 1968 Democratic National Convention protests. Though it is set in the late 1960s and early 1970s, it feels very 2020.
- Portrait of a Lady on Fire: This LBGTQ historical romance between a young woman and the female artist hired to paint her portrait is sweet, romantic, and powerful. It proves once more that love is love is love.
- Ordinary Love: Joan (Lesley Manville) and Tom (Liam Neeson) are your average middle-aged couple. When she is diagnosed with Breast Cancer, they both must deal with the rough road ahead.
- The Assistant: Jane (Julia Garner) is an assistant to a Harvey Weinstein-esque powerful movie producer. She starts to notice things that don’t sit right with her.
- I am Greta: This documentary follows teenage climate activist Greta Thunberg as she advocates for the world to pay serious attention to climate change.
- Mank: Gary Oldman plays Citizen Kane screenwriter Herman J. Mankiewicz in a performance that is nothing but Oscar bait.
- #AnneFrank-Parallel Lives: Narrated by Helen Mirren, this documentary tells not just Anne’s story. It follows other young women who survived the Holocaust. Parallel to the stories of the past, the viewer is traveling with another young woman as she visits different countries in present-day Europe.
Tag Archives: Emma Woodhouse
“I am going to take a heroine whom no one but myself will much like.”
The new adaptation of Emma. was released into theaters this weekend. Stepping in the shoes of Highbury’s queen bee is Anya Taylor-Joy. Unlike Austen’s other heroines, Emma is not hard up for cash and is not looking for a husband. She spends her days tending to her hypochondriac father, Mr. Woodhouse (Bill Nighy) and arguing with her neighbor and long time friend, George Knightley (Johnny Flynn).
She also thinks that she is a matchmaker. When one of her matches lead to a successful marriage, Emma starts to believe that she has the magic touch when it comes to marriage and romance. She will soon find out how wrong she is.
I loved this adaptation. Director Autumn de Wilde adds delicious looking pops of color while screenwriter Eleanor Catton kept as close to Austen cannon as she could have gotten. It is a joyful, hilarious and absolutely wonderful film.
I absolutely recommend it.
Emma. is presently in theaters.
Classic and beloved novels are easy targets for stage and screen reboots. The question that fans have to ask is if these reboots hold up to the text.
Based on the E.M. Foster novel, Howards End is the story of the intermingling of three families in the early 20th century in England. The Wilcoxes are upper class, the Schlegels are middle class and the Basts are lower class. With a cast led by Hayley Atwell and Matthew Macfadyen, this story of cross-class differences and secrets is bound to delight audiences.
I have a confession to make: I have heard of the book, but I have never read it. That will soon be remedied. In the meantime, I was completely taken in by the first episode and as of now, I plan on completing the series.
Sanditon was started by Jane Austen just months before she died. An eleven chapter fragment of a novel, respected television writer Andrew Davies continued where Austen left off. Charlotte Heywood (Rose Williams) is part Elizabeth Bennet and part Catherine Morland. The daughter of a large landed gentry family from the country, Charlotte is young and eager to spread her wings.
When an offer comes her way to visit Sanditon, an up and coming seaside resort, she immediately says yes. But Sanditon is a different world than the world she grew up in. One of the people she meets is Sydney Parker (Theo James, who played the infamous Mr. Pamuk on Downton Abbey), the brooding and sometimes rude younger brother of the couple who she is staying with.
For many Austen fans, Sanditon is a what-if experience. With only eleven chapters completed, we can only guess what the completed novel would have looked like. As an adaptation, so far, I have to say that I am impressed.
Like his previous Jane Austen adaptation, Davies knows when to stick to the script and when to add a little something extra.
What I liked about the series so far is that unlike most Austen heroines, Charlotte’s main reason for going to Sanditon is not to find a husband. Most of her heroines (with the exception of Emma Woodhouse) are motivated to marry because of family pressure and/or financial needs. Charlotte goes to Sanditon to see the world and experience life outside of the family that she grew up in. She is also curious about the world and shows interest in certain subjects that would not be deemed “appropriate” for a woman of this era.
I really enjoyed the first two episodes. It is a love letter to Austen fans and contains plenty of Easter eggs if one knows where to look.
I recommend both.
Howards End and Sanditon air on PBS on Sundays nights at 8:00 and 9:00 respectively.
In Jane Austen’s 1815 novel, Emma, the novel’s titular heroine, Emma Woodhouse is introduced as “handsome, rich and clever”. She thinks that she knows the ways of the world, especially when it comes to love and marriage. Thinks is the keyword in the sentence.
The latest film iteration of this beloved novel will be released into theaters in February. Stepping into the well-worn shoes of Miss Woodhouse is Anya Taylor-Joy. Starring opposite her as George Knightley, Emma’s neighbor/verbal sparring partner is Johnny Flynn.
This is one movie that I am looking forward to seeing. Austen’s comedy of manners is more than the story of who will hook up and when they will hook up. It is the story of a young woman who learns that she does not know everything, but it is written in such a way that the reader does not hate Emma.
I hope that this version will make Jane Austen proud.
Emma Woodhouse, Jane Austen‘s heroine in the aptly title novel Emma, is introduced as “Emma Woodhouse, handsome, clever, and rich”. In her world, Emma Woodhouse is the queen bee. She thinks that she knows everything about everything. Emma Woodhouse is in for a shock.
In 2013, the YouTube web series, Emma Approved (2013-2018) transferred the world of Emma from regency era England to modern-day. Emma Woodhouse (Joanna Sotomura) is a lifestyle coach and matchmaker. She is completely confident that she can help her clients to achieve their personal and business goals. Her long time friend and business partner Alex Knightley (Brent Bailey) is tries to burst Emma’s bubble as gently as he can, with a hint of sarcasm.
Emma Approved was the follow-up to the successful Lizzie Bennet Diaries. Though it was not as well received as LBD, I enjoyed Emma Approved with the same level of enthusiasm that I did LBD. Last year, Emma Approved came back for a short revival, which to my mind was just as enjoyable as the original series.
Not only did I appreciate the color blind casting, I personally think that it’s adorable that the two lead actors are together IRL.
I recommend it.
Sometimes, the deepest loves start out as a friendship.
This is the case of Emma Woodhouse and George Knightley in Jane Austen’s 1815 classic, Emma.
Putting a new spin on Emma, Micah Persell published Emma: The Wild and Wanton Edition in 2013 with the help of Jane Austen.
Emma Woodhouse and George Knightley have known each other their entire lives. They are even related, due to the marriage of his younger brother and her elder sister. Emma is described as handsome, rich and clever in the opening passage of the novel. She is the queen of her world and she thinks that she knows it all at the age of twenty-one. Her newest enterprise is playing matchmaker, an endeavor that may not end as neatly as she predicts it to be. George Knightley is her neighbor and sixteen years her senior. He tries to guide her in the right direction, but Emma rebuffs his guidance.
Neither knows that the other has the hots for each other. Will they get together or will their differing views of the world keep them apart?
I’m going to put it out there, because there is no other way to say it. It’s Emma with sex scenes. The thing to remember about Jane Austen is that she knew how to slip in sexual tension between her romantic leads without being obvious. When it comes to modern writers adding the sex scenes, it has to feel organic, especially when the writer decide to stay in the early 19th century instead of adapting the story in a more modern era. Ms. Persell succeeds at organically adding the sex scenes without causing a major disruption to the narrative. My only criticism is that there were sections of the novel where she could have added additional sex scenes instead of keeping those specific sections as Jane Austen wrote them.
But overall, it’s not only one of the better published fanfictions that I’ve read.
I recommend it.
*Warning: This post contains spoilers about Pride and Prejudice. Read at your own risk if you are unfamiliar with the book.
There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.
In this series of weekly blog posts, I will examine character using the characters from Pride and Prejudice to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.
Sometimes, life deals us a hand of cards that we would not choose for ourselves, if we had that choice. In cases like this, we have two choices, play the hand we are dealt or fight it bitterly and be miserable.
In Pride and Prejudice, Elizabeth Bennet’s best friend is Charlotte Lucas. While Charlotte’s family is rising in status, she does not have the luck of her family. She has neither beauty, a witty personality or a large fortune to use as bait for potential husbands. She is also unmarried at the age of 27, which means according to the era she lived in, she was set for life to be the maiden aunt who took care of everyone else because she had neither a husband or a child of her own to care for.
After Elizabeth turns down Mr. Collins’s proposal, he goes straight to Charlotte, who accepts him. Elizabeth is horrified, but Charlotte knows that Mr. Collins is the best man she could get as a husband.
Through a modern lens Charlotte’s choice seems hasty and foolish. But we cannot look at her choices through 2017 lens, we must look at her choices through the lens of the Georgian era.
In Emma, Austen makes light of the hardship that single women endure.
It is poverty only which makes celibacy contemptible to a generous public! A single woman with a very narrow income must be a ridiculous, disagreeable, old maid! the proper sport of boys and girls; but a single woman of good fortune is always respectable, and may be as sensible and pleasant as anybody else. (p. 93)
Unlike Emma Woodhouse, Charlotte’s options are far more limited. She can either marry Mr. Collins for income and a comfortable home or forever be the old maid in her family. Given the options that are before her, marrying Mr. Collins, as ridiculous as he seems, makes a lot of sense. Charlotte plays the hand that life has dealt her. Prince Charming, Mr. Collins is not (and certainly never will be). But he is a respectable man with a solid income and home to offer Charlotte, which is certainly better than living with her parents for the rest of her days.
To sum it up: Sometimes in life, and on the page, we are dealt a certain hand of cards. How we deal with that hand defines us. In creating the character of Charlotte Lucas, Austen not only makes the most obvious feminist statement, but she also comments on the choices we make based upon our circumstances and why we make those choices. As writers, we have to explain to the audience why our characters are making the choices they are making. If the character’s motives are fuzzy to the writer, they will also be fuzzy to the reader. Charlotte’s motives for her choices are clear and by making that clear, that is the only way to hook the reader so they will come back for more.
My regular readers might have noticed that I was unusually silent this past weekend.
This was because I attended the JASNA AGM, held in Washington DC this year.
The AGM is a Janeite’s wet dream. Surrounded by fellow Janeites from around North America and around the world, the weekend is a break from reality and a complete immersion in everything that is Jane Austen. It’s my kind of heaven.
I encourage my fellow Janeites who have not attended an AGM or to join JASNA to consider one or both. Next year is in California. We will remember and mourn the 200th anniversary of the too soon passing of our beloved Jane and in two years, the Kansas City region is hosting. The topic is Persuasion. Crossing fingers, I will be at both AGM’s.
The AGM lies somewhere in between comic-con and an academic conference. My experience has taught me that the mark of a good AGM is one with excellent breakout sessions (with plenty to choose from), engaging plenary speakers and an opportunity to meet fellow Janeites with whom I would never meet outside of my local JASNA region.
My favorite breakout session related to the fact that Emma is a black comedy. Unlike other women in her world and her era, Emma Woodhouse is not only unafraid to speak to her mind, but she speaks of topics that make some people (especially men) uncomfortable. There is an indirect line from Emma Woodhouse to women who today dominate comedy and are not afraid to speak to their mind.
While the highlight of the AGM is the banquet and ball (yes I did dress up and dance. English country dancing is quite the workout), my absolute favorite parts of the AGM was visiting the DAR Museum and the Folger Shakespeare Library.
The DAR Museum (Daughters Of The American Revolution Museum) is located minutes from the White House. The present exhibit, An Agreeable Tyrant: Fashion After The Revolution, told the story of how America built her economy during her early years by encouraging citizens to buy American made goods. The clothes are authentic and lovely. The exhibit will be at the museum until April 29,2017.
I am going to save the best for last. The Will and Jane exhibit. And The SHIRT. This shirt is reason I went to DC this weekend.
The Will and Jane exhibit will be at the Folger Shakespeare Library until November 6th, 2016. This exhibit is a must see for any Janeite.
This past weekend was one of the best weekends I’ve had in a long time. I look forward to seeing my Janeites, both new and old in California next year.
Have a good rest of the week.
Today, two new trailers were released that are all Jane Austen all the time (my kind of heaven).
The first is Love & Friendship. Lady Susan Vernon (Kate Beckinsale, Emma Woodhouse in 1996 BBC production) is one of the most unlikable characters in the Austen cannon. She is smart, cultured, charming, but also manipulate and heartless. She is the heroine you love to hate.
The second is the second sequel to Bridget Jones’s Diary. Bridget (Renee Zellweger) is back as the most iconic single woman of the past two decades. So is Mark Darcy (Colin Firth in the 1995 Pride and Prejudice). I won’t say anything else, as the trailer speaks for itself, but I will say that I am pretty excited for both movies.
Those of you who know my Janeite side know that I am not a purist. I am not against taking the novels out of their early 19th century setting and putting them in another era. That does not mean that every modern adaptation is worthy of the original novel.
Famed mystery writer Alexander McCall Smith entered the Jane Austen arena with his modern rewrite of Austen’s 4th novel, Emma.
As she is in the original novel, Emma Woodhouse is “rich, clever and handsome”. She lives with her widower, hypochondriac father and her governess, Miss Taylor. Miss Taylor is recently engaged to Mr. Weston. Emma has recently graduated college and is eager to start her interior design business. But first she has some matchmaking to do.
Her initial success with Miss Taylor and Mr. Weston leads her down a dangerous path. She may or may not have mistakenly guided her new friend Harriet Smith away from Robert Martin, the son of local B&B owners and potentially into a match with Philip Elton, the local vicar. Add in Emma’s longtime neighbor/verbal sparring partner/ brother in law George Knightley and you have what may end up being an interesting summer.
I will forewarn my fellow Janeites that if you are a purist, you will not like this book. McCall Smith has taken some liberties with his take on Emma. While I am not a purist in any sense of the word and I do enjoy a modern adaptation, I still prefer certain traditional elements of the novel and the character to remain. McCall Smith has taken too many liberties for my liking.
Do I recommend this book? If you don’t mind too many changes to character and story, then yes. But if you prefer the novel in it’s original form, then I recommend that you stay away.