The game of cat and mouse between the police and those committing a crime has been a standard narrative for years. The question is, how can a writer or writers make their narrative unique and different?
In the 1996 movie, Fargo, Jerry Lundergaard (William H. Macy) has got himself into a financial pickle. He has embezzled money through his father-in-law’s car dealership. About to be caught by his father-in-law, Jerry cooks up a scheme to have his wife kidnapped so her father will pay the ransom. The kidnapping does not go as planned. This catches the eye of Marge Gunderson (Frances McDormand), a pregnant sheriff who is determined to figure out who is responsible for the three murders in her jurisdiction.
What I like about this movie is that there is an almost sick sense of humor. Unlike other cops and criminals stories which are often just a little serious, this film has an undercurrent of humor that makes it stand out within the genre.
Do I recommend it? Yes.
Sometimes, when life throws us a curve-ball, we can only think quickly and hope for the best.
In Miss Pettigrew Lives For A Day (2008) Guinevere Pettigrew (Frances McDormand) is a middle-aged governess who has just lost another job. The agency who has found her work in the past is not so quick to find her a new position. With no other way out, she steals the information of a new client and presents herself as the new social secretary for Delysia Lafosse (Amy Adams), an actress and nightclub performer. Delysia is juggling three men: Nick (Mark Strong), the owner of a night club, Michael (Lee Pace), who plays piano for Delysia and is ready to marry her at a moments notice and Phil (Tom Payne), a young theater producer who is eager to cast her in his newest production.
While juggling all of that, Guinevere has caught the eye of Joe (Ciarán Hinds), a fashion designer. Will Delysia choose from one of her three boyfriends and will Miss Pettigrew be unmasked for whom she truly is?
Set during World War II, this film is the perfect modern screwball comedy that was a staple of the movie going experience in the 1930’s and 1940’s. Amy Adams channels Marilyn Monroe as a goodhearted, but not all there actress who does not know what she wants. And of course, there a couple of 1990’s Austen leading men, which always makes a film that much better.
Do I recommend it? Yes.