For multiple generations of readers, Anne Shirley will always be one of their favorite literary leading ladies. The heroine of L.M. Montgomery‘s beloved novel Anne of Green Gables, Anne is a spirited young woman with a wild imagination and an open heart.
The Netflix reboot of the series, Anne with an E, ran for three reasons. Stepping into the hallowed shoes of the young Miss Shirley is Amybeth McNulty. Playing her adopted parents, Marilla and Matthew Cuthbert are Geraldine James and R.H. Thomson.
I only watched the first episode and I couldn’t help but smile. McNulty is the perfect young actress to play Anne. Her take on the character is everything we expect from Anne Shirley. James and Thomson as the unmarried, middle aged Cuthbert siblings are equally well cast. James is severe while Thomson is willing to give the newest member of their family a chance.
Do I recommend it? Yes.
Anne with an E is available for streaming on Netflix.
On the surface, transforming a popular television program into a film seems easy. The beloved characters and well known narrative are already in place, it is just a matter choosing how to expand the world beyond what already existed on the small screen.
But like many things, it is often easier said than done.
The DowntonAbbey film premiered last night. Set a year and a half after the television show ended, everything is tranquil. But tranquility, as it always does on Downton Abbey, does not last.
King George V (Simon Jones) and Queen Mary (Geraldine James) will be visiting the Crawleys while on a tour through Yorkshire. The news forces the Crawleys and their servants to be on their A-Game. But being on their A-Game is a challenge to say the least.
Upstairs, Robert (Hugh Bonneville), Cora (Elizabeth McGovern) and the rest of the family are preparing to be the perfect hosts for their majesties. Downstairs is a flurry of activity, which requires the steady hand of Mr. Carson (Jim Carter) to keep everything running smooth. That steady hand is not helped by the royal servants, who take over the running of the ship while the King and Queen are in residence at Downton.
There are quite a few movies that have been made based on television programs. A good number try, but don’t live up to the reputation of it’s television predecessor. Downton Abbey not only lives up to that reputation, it builds the reputation of the series and the world within the series.
Though some reviewers have stated that this movie is strictly for the Downton Abbey fan base, I disagree. It helps to have at least some knowledge of the television series, but it does not hinder the overall enjoyment of the film if one goes in as Downton newbie.
At it’s heart, Beauty and The Beast is a tale of two outsiders who find the companionship and affection that is missing from their respective worlds. That narrative quality alone opens the door for new and interesting interpretations of the classic fairy tale.
In the new movie, Beast, Moll (Jessie Buckley) lives with her family on the island of Jersey. Put upon by her family and more specifically, her overbearing mother, Hilary (Geraldine James), Moll externally goes along with everyone, but internally, she is screaming for a way out. Enter Pascal (Johnny Flynn), a rough around the edges outsider who may be the man responsible for a series of unsolved murders of young girls. Pascal is one of a few suspects who is being investigated by Clifford (Trystan Gravelle), a family friend who works as a police officer and has been assigned to the case of the murdered girls.
While the movie was a little too long, the narrative was fantastic. This dark and twisted fairy tale is neither simple or predictable. Writer/director Michael Pearce keeps the tension thick, always making the audience question if Pascal is really the killer or if he is being targeted because he is an outsider. He also smartly ended the film in the most un-fairy tale way possible, with just enough narrative leeway for the audience to ask questions about the future of these characters.