Representation is a powerful thing. If we can see it, even if it is only in fiction, then we can strive toward being it in real life.
The new Netflix film, Enola Holmes 2, was released last weekend. This sequel to Enola Holmes takes place right after its predecessor ends. Our title character, the eponymous Enola Holmes (Millie Bobby Brown) has just opened her own detective agency. But being young and female does exactly bring in a tidal wave of clients.
The one person who does walk through the door is Bessie Chapman (Serrana Su-Ling Bliss). Her older sister Sarah (Hannah Dodd) is missing. Enola follows the trail to the Bryant & May Match Factory. The majority of their employees are women and young girls from the lower classes who are mistreated and underpaid.
With the help of her elder brother, Sherlock (Henry Cavill), her mother Eudoria (Helena Bonham Carter), and possible boyfriend Tewksbury (Louis Partridge), Enola must uncover the mystery of Sarah’s disappearance.
I like this movie more than I did the first one. Bringing together fact and fiction, the true story of the strike adds another dimension to the tale. I also enjoyed the slow-burning romance between Enola and Tewksbury. The “will they or won’t they” question is representative of Enola’s growth, but it is a secondary narrative to her investigation.
Do I recommend it? Yes.
Enola Holmes 2 is available for streaming on Netflix.
Classic books were given the title of “classic” for a reason. However, that does not mean that a modern writer cannot put their own spin on the tale.
Enola Holmes premiered Wednesday on Netflix. Based on the series of books by Nancy Springer, Millie Bobby Brown stars as the title character. Raised by her widowed mother Eudoria (Helena Bonham Carter), Enola receives an education that is extremely unusual for a young lady in Victorian era England. When her mother disappears, Enola’s much older brothers come home to take charge.
Her oldest brother Mycroft (Sam Claflin) is conventional in every sense of the word. Her second oldest brother, Sherlock (Henry Cavill) is more empathetic, but still concerned that his sister was not raised as she ought to have been. Before she can be sent to a school that promises to make her a proper young lady, Enola runs away to find her mother. Along the way, she meets a young aristocrat, Tewkesbury, (Louis Partridge) who is also running away and a new mystery is set at her feet.
I would categorize this movie as cute and empowering (if that makes sense). The message, I think, is the most important part of the film and feels very relevant for 2020. That being said, it is not without it’s flaws. However, it is one of those movies that is both fun to watch and an inspiration, especially for the younger female audience.
I recommend it.
Enola Holmes is available for streaming on Netflix.
What can I say about Man Of Steel? Other than its brillant and every comic super hero film from now on should have Christopher Nolan invovled with the production.
Man Of Steel completely reboots the Superman myth, starting with the last days of Krypton and the confrontation between Jor-El (Russell Crowe) and General Zod (Michael Shannon). The film then takes the audience to Earth with Clark Kent/Superman (Henry Cavill) having flash backs of his childhood while attempting anonimity. Daily Planet reporter, Lois Lane (Amy Adams) is investigating a series of UFO related incidents and the myth that this mysterious man has been helping people in their hour of need.
The movie is very good. Cavill as Superman/Clark Kent is a breath of fresh air, revitalizing the Superman mythos with renewed energy. Adams as Lois Lane is both traditional and modern in her portrayl of Superman’s other half. Rounding out the cast is Laurence Fisbourne as Perry White with Diane Lane and Kevin Costner as Martha and Jonathan Kent, Clark’s human adopted parents.
My only critique is that the fight scenes could have been cut down by a few minutes. Other than that, the movie was incredible and I hope to see a sequel in the next few years.