Every genre has its star, the writer(s) who the symbolize that specific type of narrative. In the world of horror, one of those writers is Stephen King.
In 2013, a reboot of one of his most famous books, Carrie, hit theaters. Starring Julianne Moore, Gabriella Wilde, and Chloë Grace Moretz in the title role, this adaptation (as in the book and the initial film) tells the story of Carrie White. Carrie White is a shy teenager whose is hit by a one two punch that would ground anyone into literal emotional dust. In school, she is being bullied at school by the popular girls. When she gets home, her mother forces her into a sheltered and religious lifestyle that is equally as bad. After discovering that she has telekinetic powers, Carrie unleashes revenge on everyone who has put her down.
The problem is not with the movie itself. As remakes go, its decent. Carrie White is one of those characters that we can all relate to. The issue is that it was not needed. The original 1970’s film is just so dam good that it still holds up nearly fifty years later.
Movie remakes are the rage in Hollywood, they have been so since nearly the beginning of the film industry. There are two ways this reboot could go. The first is that it stands on its own two feet while paying homage to its predecessor. The second is that on the surface has the imagery of the previous film, but it is nothing but a hollow shell of its forerunner.
The new Netflix film, He’s All That, was released on August 25th. A gender swap reboot of the late 1990’s classic, She’s All That, the new teenage would be lovers are popular girl/social media influencer Padgett Sawyer (Addison Rae) and artistic rebel Cameron Kweller (Tanner Buchanan). As in the original, Padgett’s boyfriend publicly cheats on her. When she makes a bet that she can do a makeover on any of her male classmates, the chosen candidate is Cameron. As they spend time together, they begin not just understand each other, but fall in love. But the revelation of Padgett’s initial impetus has the potential to break them apart.
The truth is that it does not take a rocket scientist to see where the narrative is going. But, that is this charm of both films. Its sort of a wish fulfillment fantasy about romance that has just enough of reality in it to keep it grounded.
What I liked was that it was not a line by like copy. It has enough of the 1999 film to keep old fans like me entertained while still being set in 2021 with everything that did not exist when I was that age. Add in Matthew Lillard and Rachael Leigh Cook as the high school principal and Padgett’s mother respectively (now I really feel old) and you have an entertaining 90 romantic adventure.
Do I recommend it? Yes.
He’s AllThat is available for streaming on Netflix.