I am convinced that some in Hollywood think that they are living in 1955 instead of 2015.
The trailer for the latest Peter Pan adaptation, Pan, has been released.
In this adaptation Tiger Lily is played by Rooney Mara. Ms. Mara is Caucasian.
I am sure that she is a talented performer, but I am also sure that there are Native American performers who are just as capable and talented.
Even NBC, when they were casting for last year’s Peter Pan Live saw the light and cast a Native American performer in the same role.
I understand that it is called show business for a reason. The studios are at the end of the day, looking to make a profit. That means they may be more inclined to choose a known performer with a proven track record over an unknown.
But what message do they send when Hollywood continually casts a Caucasian performer in a non-Caucasian role?
It’s not 1955. It’s 2015. It’s time to stop giving the majority of roles to Caucasian actors and open the door to greater opportunities to non-Caucasian actors.
There is no story that will ever be completely brand new. Every story has it’s origins in another story.
Hollywood, for better or for worse, is a business. Any business man or woman will tell you that when an enterprise is successful, the enterprise is repeated, hoping that the success is repeated.
Hollywood has taken that idea and reformed it in their own image. That would explain the endless amount of sequels, prequels and re-makes that have been released over the years.
As much as I enjoy sequels, prequels and re-makes, certain movies are so perfect that there is no need for a re-make. And if there is a sequel, prequel or re-make and something is not right, fans of the original will not be shy about sharing their opinions.
According to the Wrap, a re-make of She’s All That will be premiering on the big screen.
I understand the reasons for the re-make, but as a writer, it is disappointing. There are many writers (myself included, hint, hint), who would love to see their work on screen or on stage. Unfortunately, some in Hollywood are blind to this idea.
There are new ideas in Hollywood. It is just a matter of the powers that be opening their eyes and minds to new writers with new stories instead of re-hashing the old ones.
The average American woman is a size 14. But according to Hollywood, most of the Fashion industry and Madison Avenue, the ideal woman is no bigger than a size 4.
Recently, Kelly Clarkson has received some very public criticism about her weight.
Lily James, star of the newest film adaptation of Cinderella, has received her own fair share of criticism. Some have accused the actress and the filmmakers of perpetuating the idea that only skinny girls can have a happily ever after.
Damned if we do, damned if we don’t.
If a women puts on a little weight or is naturally curvy, she is told in more ways than one that she need to loose weight. If she is naturally skinny or loses too much weight, there is concern that she has gone too far in the other direction.
The media and Hollywood have been telling us for decades the size of the clothes that you wear dictates your happiness and how your life will turn out.
For once, I would like to hear that every woman, regardless of her size and shape, told that she is beautiful, just as she is.
The people at Lane Bryant have the right idea. If only the rest of the world could catch up.
Some might say that to have a solid career is Hollywood means that life is easy. The truth is that being successful in Tinseltown is not all that it is cracked up to be.
Harriet Evan’s 2o14 release, Not Without You, is the story of different actresses who go through very similar struggles.
Sophie Leigh (born Sophie Sykes) is the proper English princess of the moment in Hollywood. While her career up to this point has been a successful one, the movies she has made have become the predictable and formulaic rom-coms. Sophie’s idol is the 1950’s actress Eve Noel. Eve had a string of successful films before she mysterious disappeared from the limelight.
Struggling to move on from the wounds of the past, the facade the Sophie has put up slowly begins to crumble. At the same time, we learn about Eve’s story and the events that convinced her to leave Hollywood. Now Sophie must learn the reasons for Eve’s decisions before something horrible happens to them both.
I liked this book. But I am also a fan of Old Hollywood, which was the reason that I borrowed from the library in the first place. While some might think that Hollywood has changed with the times, the reality is that some things never change. Sophie and Eve’s stories are no different than any woman in Hollywood.
I recommend it.
Hollywood has a dirty little secret. When one movie is successful or one genre becomes the genre of the moment, the good people in Hollywood will continue until that movie or that genre has hopefully run it’s course.
In 1999, Hollywood brought back the monster/action genre with The Mummy. Evelyn Carnahan (Rachel Weisz) is an English librarian who has become interested in the ancient Egyptian city of Hamunaptra. Rick O’ Connell (Brendan Fraser) is saved by Evelyn from death. Rick joins Evelyn and her brother, Jonathan (John Hannah) at an archeological dig, but they are not alone in following the results of the dig. Another group is interesting in the results and resurrecting the mummy of a high priest who has the power to unleash a powerful curse.
This movie harkens back to the 1930’s and the era of the black and white monster movies of the era. While it is escapist entertainment at it’s best, I can’t help but think that Evelyn is just a little too much of the damsel in distress for my taste.
Three years later, after a sequel to the Mummy was released, a sort of prequel entered movie theaters. The Scorpion King, an off shoot of a character that was seen briefly in The Mummy Returns was presented to audiences. Mathayus (Dwayne “The Rock Johnson) is a desert warrior hired to assassinate Cassandra (Kelly Hu) the sorceress who evil King Memnon (Steven Brand) is using to predict the outcomes of battle. What seems like an easy capture will become much more than the hero can imagine.
Again, this movie, at best, is escapist entertainment. While it’s not completely intellectually stimulating, it’s fun ride and an enjoyable film.
I recommend them both.
You gave the public many movies in 2014. Some we wonderful, some were merely decent and others were downright horrible.
Earlier this week, the 2015 Oscar nominations earlier this week.
Among the nominees, there is not one person of color, nor has a woman been nominated for best director.
While I recognize that there were many nominees to choose from, the list feels like it is 1965 and not 2015.
While the rest of the country reflects the diversity of the United States, Hollywood has not quite caught up with reality.
It’s time to do so.
Sincerely, a member of the movie going audience.
For the last few years, Hollywood has been making movies out of the childhood memories of Gen X’ers and Gen Y’ers.
The next movie that will join this genre is a big screen adaptation of Jem And The Holograms.
While I am not a fan of Hollywood constantly spinning out sequels and re-boots, I am looking forward this one.
Bob Dylan once wrote that the times are changing.
While the times are constantly changing, Hollywood seems stuck in the film stone age.
A new film adaptation of the Exodus will be premiering in December. Exodus: G0ds and Kings stars Christian Bale as Moses and Joel Edgerton as Rhamses.
Am I the only one who thinks Hollywood is still colorblind? Joel Edgerton and Christian Bale are good actors, but they are Caucasian. Personally, I don’t think it would have hurt to have a more diversified cast. Prince of Egypt, even though it was an animated film, the characters were not all Caucasian.
I think we can give some allowances for Cleopatra and The Ten Commandments.
But that was then and this is now. It’s time to expand Hollywood’s horizons and let us see more diverse actors on screen.